Meg
by autumnlight
Natural light and reflector + editing
Uploaded22/10/2013 - 14:55
CategoryPortraits / People
Posted 22/10/2013 - 22:03
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Thank you everyone, much appreciated.
Posted 22/10/2013 - 22:59
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Lovely catch lights in her eyes. Great shot. What lens did you use?
Posted 23/10/2013 - 07:52
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A very professional portrait, lighting in particular is gentle and pushes the viewer towards the eyes, my only caveat is the way the image is cropped.
You could crop lower into the frame, remove the dead space above her head, at the same time crop away some of the left hand space, centred portraits very rarely work as they leave no room for the eye to scan
You could crop lower into the frame, remove the dead space above her head, at the same time crop away some of the left hand space, centred portraits very rarely work as they leave no room for the eye to scan
Posted 23/10/2013 - 07:58
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I'm not sure the lens has such great importance in the capture of this photograph, the skill is with the photographer, obviously
caj26 wrote:
Lovely catch lights in her eyes. Great shot. What lens did you use?
Lovely catch lights in her eyes. Great shot. What lens did you use?
Posted 23/10/2013 - 13:41
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caj26 wrote:
Lovely catch lights in her eyes. Great shot. What lens did you use?
Lovely catch lights in her eyes. Great shot. What lens did you use?
Hi Caj it's Sigma 70-300
Posted 23/10/2013 - 13:45
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Glowingblue wrote:
A very professional portrait, lighting in particular is gentle and pushes the viewer towards the eyes, my only caveat is the way the image is cropped.
You could crop lower into the frame, remove the dead space above her head, at the same time crop away some of the left hand space, centred portraits very rarely work as they leave no room for the eye to scan
A very professional portrait, lighting in particular is gentle and pushes the viewer towards the eyes, my only caveat is the way the image is cropped.
You could crop lower into the frame, remove the dead space above her head, at the same time crop away some of the left hand space, centred portraits very rarely work as they leave no room for the eye to scan
Hi Karl, my fault entirely, i didn't leave any room for a crop and i think a crop on this just didn't look right,we live and learn but thank you for your comment and cc
Posted 23/10/2013 - 13:45
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Thank you everyone for the kind comments
Posted 23/10/2013 - 13:47
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I tried a 10 x 8 crop and it looked beautiful, I could send it to you if you wish
Posted 23/10/2013 - 18:58
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Maria, thanks for that information I appreciate it. I wasn't casting aspersions on your talent, I think your wonderfully talented.
Posted 23/10/2013 - 21:39
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caj26 wrote:
Maria, thanks for that information I appreciate it. I wasn't casting aspersions on your talent, I think your wonderfully talented.
Maria, thanks for that information I appreciate it. I wasn't casting aspersions on your talent, I think your wonderfully talented.
Thanks so much Caj, that's a lovely thing to say, i didn't think for a minute that you were
Posted 27/10/2013 - 15:57
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Stunning!
Really!!
Really!!
Mac from Montreal
SP, SPII, SPF, PZ-10, P30, SFX, K110D, istDS, Optio 60, Z-10, H90, RZ10, I-10, f3.5 28mm, f1.8 55mm, f1.4 50mm, f3.5 135mm, f2.5 135mm, f4 50mm Macro, f4.5 80-200 F, f4 35-70, f3.5 28-80, f3.5 35-135, f3.5 18-55, f1.8 31mm Ltd., two Auto 110's, Auto 110 lenses and filters, tubes, bellows, Manfrottos and a sore back.
SP, SPII, SPF, PZ-10, P30, SFX, K110D, istDS, Optio 60, Z-10, H90, RZ10, I-10, f3.5 28mm, f1.8 55mm, f1.4 50mm, f3.5 135mm, f2.5 135mm, f4 50mm Macro, f4.5 80-200 F, f4 35-70, f3.5 28-80, f3.5 35-135, f3.5 18-55, f1.8 31mm Ltd., two Auto 110's, Auto 110 lenses and filters, tubes, bellows, Manfrottos and a sore back.
Posted 04/11/2013 - 13:18
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Thank you so much Gajan and Mac
Posted 09/11/2013 - 22:57
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pauljay wrote:
That is just delightful! So different to the previous shots.
That is just delightful! So different to the previous shots.
Thank you paul
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248 posts
13 years
Maine et Loire,
France