Winter Trondheim Norway
Posted 14/06/2010 - 14:43
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Thank you very much Gareth for your comments and advice! I agree with you that the composition would have been much better if I had been closer to the "poles" and shot portrait orientation. The whole bank were I was standing when taking pictures no.1+ 2 was icy and slippery, and I guess that is why I ended up with taking the photos from a safe distance.
A tripod will be my next investment
These "poles" are found in groups like this all along "the Trondheimsfjorden". I presume that they were used for mooring boats decades ago? Anyway, I like using them as a foreground motive.
I will keep in mind all the things you commented about composition, tripod, exposure and ISO/noise in the future!
Bjørn
A tripod will be my next investment
These "poles" are found in groups like this all along "the Trondheimsfjorden". I presume that they were used for mooring boats decades ago? Anyway, I like using them as a foreground motive.
I will keep in mind all the things you commented about composition, tripod, exposure and ISO/noise in the future!
Bjørn
Posted 14/06/2010 - 18:29
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Hi Bjorn,
What a wonderful spot and how lucky to have contacts in Scandinavia to offer such love pictures. I hope you didn't mind my having a play with one of your pictures.
The conversion and crop makes it a quite different shot, of course...
[IMG]http://i927.photobucket.com/albums/ad116/ADC3440/Norway.jpg[/IMG]
What a wonderful spot and how lucky to have contacts in Scandinavia to offer such love pictures. I hope you didn't mind my having a play with one of your pictures.
The conversion and crop makes it a quite different shot, of course...
[IMG]http://i927.photobucket.com/albums/ad116/ADC3440/Norway.jpg[/IMG]
Best wishes,
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Posted 14/06/2010 - 19:17
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cardiff_gareth wrote:
With this scene on your doorstep and the fact that you don't mind getting up at dawn / dusk means you really should get a tripod as then you won't beleive the amount of creativity you can have with this subject
Yes, I am fortunate to live nearby such beautiful scenery The light in this area is very unique, during winter- and summertime.With this scene on your doorstep and the fact that you don't mind getting up at dawn / dusk means you really should get a tripod as then you won't beleive the amount of creativity you can have with this subject
Andrew: I really like your conversion and crop! It turns the photo into something completely different, as you also point out.
Thank you both for your comments and advice!
Regards
Bjørn
Posted 15/06/2010 - 08:38
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Bjorn, I like No 2 of yours, and the mono conversion out of these. No 2 is a compromise of colour and composition (something Gareth alluded to), and the mono because the snow is less intrusive - it lends itself to BW because it is white itself.
Posted 16/06/2010 - 12:26
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i-Berg wrote:
Bjorn, I like No 2 of yours, and the mono conversion out of these. No 2 is a compromise of colour and composition (something Gareth alluded to), and the mono because the snow is less intrusive - it lends itself to BW because it is white itself.
Thank you very much! This is the first time ever I post my photos for comments and critique, and you have all been very helpful and generous with your feedback!Bjorn, I like No 2 of yours, and the mono conversion out of these. No 2 is a compromise of colour and composition (something Gareth alluded to), and the mono because the snow is less intrusive - it lends itself to BW because it is white itself.
Regards
Bjørn Ole
Posted 16/06/2010 - 15:00
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Mus admit I like the first - but then I am very fond of wide horizons.
Looks like it is taken from near Ladehammeren?
Looks like it is taken from near Ladehammeren?
Best regards
Terry
K20D, Optio I10, DA 18-55 1:3.5-5.6 AL II, A 1:1.7/50, D FA 1:2.8/100 Macro, Sigma 70-300 1:4-5.6 APO DG Macro, Pentax AF 360FGZ
Terry
K20D, Optio I10, DA 18-55 1:3.5-5.6 AL II, A 1:1.7/50, D FA 1:2.8/100 Macro, Sigma 70-300 1:4-5.6 APO DG Macro, Pentax AF 360FGZ
Posted 16/06/2010 - 19:54
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Terry: Thank you for your comment Yes, the photos were taken near Ladehammeren, at Fagerheimbukta to be precise.
I have seen the expression "LBA" quite a lot in this forum, and have started to understand the meaning of it... What kind of prime lens would be a good complement to the DA 18-55 WR for the kind of photography I am attempting to do above: Landscape in low light conditions?
Regards
Bjørn
I have seen the expression "LBA" quite a lot in this forum, and have started to understand the meaning of it... What kind of prime lens would be a good complement to the DA 18-55 WR for the kind of photography I am attempting to do above: Landscape in low light conditions?
Regards
Bjørn
Posted 16/06/2010 - 20:34
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Hei Bjørn,
I am sure one of the real landscape experts will be along soon, or have a lokk around the Lens section on this forum. Lots of advice.
By the way, the 18-55 mm kit lens does a good job, especially when stopped down fo f/8. (It's one of the bes kit lenses around).
I am sure one of the real landscape experts will be along soon, or have a lokk around the Lens section on this forum. Lots of advice.
By the way, the 18-55 mm kit lens does a good job, especially when stopped down fo f/8. (It's one of the bes kit lenses around).
Best regards
Terry
K20D, Optio I10, DA 18-55 1:3.5-5.6 AL II, A 1:1.7/50, D FA 1:2.8/100 Macro, Sigma 70-300 1:4-5.6 APO DG Macro, Pentax AF 360FGZ
Terry
K20D, Optio I10, DA 18-55 1:3.5-5.6 AL II, A 1:1.7/50, D FA 1:2.8/100 Macro, Sigma 70-300 1:4-5.6 APO DG Macro, Pentax AF 360FGZ
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981 posts
16 years
Trondheim,
Norway
Regards
Bjørn
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