Wide angle flash
Posted 22/08/2010 - 10:07
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Anvh wrote:
The new Metz will cover up to 8mm according the data they give and indeed the lens can be a problem, maybe use it off shoe with wireless P-TTL?
8mm on a 35mm camera - so 12mm on APC?
The new Metz will cover up to 8mm according the data they give and indeed the lens can be a problem, maybe use it off shoe with wireless P-TTL?
Posted 22/08/2010 - 10:12
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layingback wrote:
No other way around.Anvh wrote:
The new Metz will cover up to 8mm according the data they give and indeed the lens can be a problem, maybe use it off shoe with wireless P-TTL?
8mm on a 35mm camera - so 12mm on APC?The new Metz will cover up to 8mm according the data they give and indeed the lens can be a problem, maybe use it off shoe with wireless P-TTL?
12mm for 135 format but since the angle of view is narrower on APS-C with a factor of 1.5x that means you can use 8mm lens with this flash for ASP-C cameras
Posted 23/08/2010 - 21:05
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Stefan said:
"Sorry Ken but they don't work outdoors for the reason that I've said, if not show me a photo that makes a difference because I don't see a difference when I use the Sto-fen outdoors."
Here's a quick comparison with the K20D and the Samsung SEF-36PZF taken outdoors with the flash in P-TTL mode and set to -1.5 stops compensation. Both pictures straight from the camera and the same exposure.
I think there is a marked improvement in the second over the first, softer shadows and more pleasing warmer tones.

"Sorry Ken but they don't work outdoors for the reason that I've said, if not show me a photo that makes a difference because I don't see a difference when I use the Sto-fen outdoors."
Here's a quick comparison with the K20D and the Samsung SEF-36PZF taken outdoors with the flash in P-TTL mode and set to -1.5 stops compensation. Both pictures straight from the camera and the same exposure.
I think there is a marked improvement in the second over the first, softer shadows and more pleasing warmer tones.

Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Posted 23/08/2010 - 21:31
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Ken it looks like you're standing under something if so then that's cheating
I can't really say if it makes a differnce, she hold her head a bit different but the shadow under her right yaw looks the same to me at this size.
As for the colour that wasn't what we talked about and it only shows the sto-fen isn't colour neutral, a GTO gel would have the same effect.
As since her skin looks darker the contrast between the shadows is also less, maybe that make the difference if there is any?
I can't really say if it makes a differnce, she hold her head a bit different but the shadow under her right yaw looks the same to me at this size.
As for the colour that wasn't what we talked about and it only shows the sto-fen isn't colour neutral, a GTO gel would have the same effect.
As since her skin looks darker the contrast between the shadows is also less, maybe that make the difference if there is any?
Posted 23/08/2010 - 22:04
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Yes, you've rumbled me, I was standing under something - the sky. Dont you have one too?
I've never heard of 'GTO' gel but I suspect you mean 'CTO' - colour temperature orange. If so then the effect would be a pronounced orange cast. The slight warmth in this picture is a lot less than even 1/4 CTO would give.
I've never heard of 'GTO' gel but I suspect you mean 'CTO' - colour temperature orange. If so then the effect would be a pronounced orange cast. The slight warmth in this picture is a lot less than even 1/4 CTO would give.
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Posted 23/08/2010 - 22:23
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Sorry to step on your toes Ken.
Just look at your photo, you could easily have being standing in a tunnel or something like that. You've a wall on the left side and clearly something going overhead on the right side of the photo that's why I asked if something was above you.
Yes CTO it's called, sorry.
ps. just thought about it but you've a wall on the left so the stofen throws light on that. You might be outside but the stofen had a surface to bounce from, if you don't have a surface it won't work and will only eat up the light.
Just look at your photo, you could easily have being standing in a tunnel or something like that. You've a wall on the left side and clearly something going overhead on the right side of the photo that's why I asked if something was above you.
Yes CTO it's called, sorry.
ps. just thought about it but you've a wall on the left so the stofen throws light on that. You might be outside but the stofen had a surface to bounce from, if you don't have a surface it won't work and will only eat up the light.
Posted 23/08/2010 - 22:50
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Anvh wrote:
Ken it looks like you're standing under something if so then that's cheating
I can't really say if it makes a differnce, she hold her head a bit different but the shadow under her right yaw looks the same to me at this size.
As for the colour that wasn't what we talked about and it only shows the sto-fen isn't colour neutral, a GTO gel would have the same effect.
As since her skin looks darker the contrast between the shadows is also less, maybe that make the difference if there is any?
if you look closer you'll see three subtle differences.Ken it looks like you're standing under something if so then that's cheating
I can't really say if it makes a differnce, she hold her head a bit different but the shadow under her right yaw looks the same to me at this size.
As for the colour that wasn't what we talked about and it only shows the sto-fen isn't colour neutral, a GTO gel would have the same effect.
As since her skin looks darker the contrast between the shadows is also less, maybe that make the difference if there is any?
1) the shadow is softer, look at the edges under the chin, hard edge on the top one, slightly softer edge on the bottom..
2) contrast is slightly reduced on the bottom image... less reflected light off the skin, more detail in the shadows on the bottom one.. also more detail in the dark areas of the hair..
3) the bottom one is picking up a slight warm color cast from the light bouncing off the walls...
I don't know if maybe there's a difference between our monitors, but I can see some difference.
even with nothing to bounce off, the soften is still about three times the area of the straight flash, up close that will be noticable... not dramatic mind you, but noticable..
Fired many shots. Didn't kill anything.
Posted 23/08/2010 - 22:55
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Now off topic, but if you want cheap and good...
put your flash inside a paper chinese lantern (white) and get the sucker off the camera.
put your flash inside a paper chinese lantern (white) and get the sucker off the camera.
Fired many shots. Didn't kill anything.
Posted 23/08/2010 - 23:25
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Don wrote:
1) the shadow is softer, look at the edges under the chin, hard edge on the top one, slightly softer edge on the bottom..
Yes on the left side off her face it does look softer but I never said it didn't 1) the shadow is softer, look at the edges under the chin, hard edge on the top one, slightly softer edge on the bottom..
Quote:
2) contrast is slightly reduced on the bottom image... less reflected light off the skin, more detail in the shadows on the bottom one.. also more detail in the dark areas of the hair..
Agreed that the contrast is less. The highlights on her skin are hard to judge because the angle of her face is different.2) contrast is slightly reduced on the bottom image... less reflected light off the skin, more detail in the shadows on the bottom one.. also more detail in the dark areas of the hair..
Quote:
3) the bottom one is picking up a slight warm colour cast from the light bouncing off the walls...
could certainly be.3) the bottom one is picking up a slight warm colour cast from the light bouncing off the walls...
Quote:
I don't know if maybe there's a difference between our monitors, but I can see some difference.
I too but not relative to what was discussed. I said the Stofen won't work outdoors because it has nothing to bounce off from to soften the shadows, I did forgot walls there and the ground, still the effect is very minimal and not efficient.I don't know if maybe there's a difference between our monitors, but I can see some difference.
According to Sto-fen it cost 2.5 stops off light when you use it.
Quote:
even with nothing to bounce off, the soften is still about three times the area of the straight flash, up close that will be noticable... not dramatic mind you, but noticable..
What if you use the wide angle diffuser that some flashes have? even with nothing to bounce off, the soften is still about three times the area of the straight flash, up close that will be noticable... not dramatic mind you, but noticable..
I do agree with you that the increase in the light source will soften the shadows but the increase off Sto-fen is very little with hardly any noticeable effect like you said.
The paper lantern thing would be far more effective outdoors, basically anything that enlarge the light source.
Posted 23/08/2010 - 23:32
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I agree it isn't enough for me to justify buying one....
when it comes to soft lighting for portraits, go big or go home.
when it comes to portable and soft light....
foamcore, reflectors, and chinese lanterns beat expensive little plastic tubs any day.
when it comes to soft lighting for portraits, go big or go home.
when it comes to portable and soft light....
foamcore, reflectors, and chinese lanterns beat expensive little plastic tubs any day.
Fired many shots. Didn't kill anything.
Posted 23/08/2010 - 23:39
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How do those chinese lanterns hold out with some wind?
I confessed I totally forgot about reflectors, cheap and easy and they work even without a flash.
I've one but hardly use it... maybe it's time to take it with me sometimes..
I confessed I totally forgot about reflectors, cheap and easy and they work even without a flash.
I've one but hardly use it... maybe it's time to take it with me sometimes..
Posted 23/08/2010 - 23:52
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Anvh wrote:
How do those chinese lanterns hold out with some wind?
I confessed I totally forgot about reflectors, cheap and easy and they work even without a flash.
I've one but hardly use it... maybe it's time to take it with me sometimes..
not too bad... they're surprisingly tough... water on the other hand ...lol!How do those chinese lanterns hold out with some wind?
I confessed I totally forgot about reflectors, cheap and easy and they work even without a flash.
I've one but hardly use it... maybe it's time to take it with me sometimes..
a quick and dirty way to use a reflector... straighten out your bounce head and hold the flash and reflector in one hand.....so the light from the flash rakes across the reflector... you'll get a big lightsource with an obvious hot spot.... so if you hold it so the flash is high and pointed down along the reflector... like having a main and fill built into one.
Fired many shots. Didn't kill anything.
Posted 24/08/2010 - 00:19
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here I fired one off using the technique above and the 360fgz (off camera cord) and 30"gold reflector......

no post adjustments, raw to jpeg... k10....
you cant get results like that using flash straight on, or on camera flash.
add a crop and vinette:

and you could do this just as easily with a cheap peice of foamcore...

no post adjustments, raw to jpeg... k10....
you cant get results like that using flash straight on, or on camera flash.
add a crop and vinette:

and you could do this just as easily with a cheap peice of foamcore...
Fired many shots. Didn't kill anything.
Posted 24/08/2010 - 08:52
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Don that's a great technique.
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10412 posts
18 years
Dordrecht,
the Netherlands
Gosh it's all getting very scientific!
I like the idea of the Metz 50, especially if it will cover 10mm on the K7. With the flash used straight on, will there be any problem of the shadow of the lens appearing in the frame, as it does with the onboard flash at 10mm? Also, surely you can get round the problem of the diffuser reducing the power of the flash by using ev compensation?
I'm in Washington at the moment, so tomorrow will go and see if I can find the flash and diffuser.
The lumiquest site isn't that hard to read and it explains it quite well the differences between diffusers link
The new Metz will cover up to 8mm according the data they give and indeed the lens can be a problem, maybe use it off shoe with wireless P-TTL?
With P-TTL you don't need to compensate, the flash outputs a standard value preflash and the camera calculates with the meter inside the camera how much flash it needs so any light modifiers or lens filters are taken into account.
The problem is you've limited flash power and at full discharge it can easily take 3 seconds to charge up again. If you use 1/4th of the power you can make 4 continues photos with flash instead of one every 3 seconds also you drain the batteries four times as fast.
K10D, K5
DA* 16-50, DA* 50-135, D-FA 100 Macro, DA 40 Ltd, DA 18-55
AF-540FGZ