Which one guys???
https://pentaxphotogallery.com/artists/barrieforbes
https://www.flickr.com/photos/189482630@N03/
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
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Regards
David
Interesting about the colour vs B&W - I remember not that long ago (your pano bandstand shot Alistair)), saying it needed colour, and being shouted down ... 'No, the mono gives it a timeless quality ... go and study the art of photography Nigel' (something like that!) , and here people like the colour !?!?.
If this is not a shot that demands the 'timeless quality' then what the heck is ..???
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Stuart..
Check out ones photographs on Flickr!
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Cropping will ruin the exit of the lady in the right hand side of the frame
Exactly. The relative brightness keeps drawing my eye. Makes me wonder if she is intended as part of the story that is being told (perhaps, "was it something we said?", or " great lads, now she's gone we can go and look at some trains").
EM
Cropping will ruin the exit of the lady in the right hand side of the frame
Exactly. The relative brightness keeps drawing my eye. Makes me wonder if she is intended as part of the story that is being told (perhaps, "was it something we said?", or " great lads, now she's gone we can go and look at some trains").
EM
i like your thinking
Check out ones photographs on Flickr!
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David
PPG: http://www.pentaxphotogallery.com/artists/davidtrout
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Check out ones photographs on Flickr!
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