What makes an image?

Tyr
Posted 01/03/2011 - 13:09 - Helpful Comment Link
Sonly 6MP CCD in the D50, D40, *ist D, *ist D2, *ist DS, K100 and K100D Super
Sony 10MP CCD sensor in the D80, D200, K10D and the K200
Sony 16MP CMOS in the D7000 and K-5

The newer FX sensors may still be built at a Sony plant as there are few mature image sensor plants. Yes you can convert any wafer manufacture plant but other than Samsung not many have done this. I don't know of Nikon having their own plants so it would have to be build my someone with big CCD/CMOS manufacturing capabilities like Kodak, Sony, Samsung and a few others.
K10D
Posted 01/03/2011 - 13:20 Link
So we say that Pentax have had an input to some of the sensor design and along with their software have produced excellent IQ. The D7000 and K5 seem very close in IQ and low noise to assume that they are common manufacture to two different standards though?

Do you have any links to Pentax input to the sensor manufacturing specs?

If true, then that's an extra strand in the DNA.

Best regards
Too far from a shore.
johnriley
Posted 01/03/2011 - 13:40 Link
Quote:
I doubt few people buy a camera for colour quality though
Colour quality is a very important feature as far as I'm concerned. I did a photo shoot (PU Magazine, "Shooting Girls") with a friend of mine and the images from my Pentax were vibrant and warm. The images from his Fuji S2 were neutral and bland.

It's all part of the package and different marques behave quite differently in all sorts of ways. The digital SLR body is not a neutral, non-contributing link of the chain.
Best regards, John
Tyr
Posted 01/03/2011 - 13:49 Link
K10D wrote:
So we say that Pentax have had an input to some of the sensor design and along with their software have produced excellent IQ. The D7000 and K5 seem very close in IQ and low noise to assume that they are common manufacture to two different standards though?

Do you have any links to Pentax input to the sensor manufacturing specs?

If true, then that's an extra strand in the DNA.

Best regards
It is very interesting the way electronics are put together. Nobody does everything in house any more.

Just with the K10D as an example:

Processor: Fujitsu Milbeaut M-4 MB91680
Analogue to Digital converter: NuCore NDX-2240
Sensor: Sony 10MP CCD
LCD: (Likely to be Samsung)
RAM: Samsung DDR2

Shutter, and other components could come from anywhere.
Edited by Tyr: 01/03/2011 - 13:50
greynolds999
Posted 01/03/2011 - 13:57 Link
Not forgetting that processing (PhotoShop, PSP, Lightrooom) and display (web, print) are all links in the chain.

To me what makes 'my system' is that it suits me. I like my camera to focus in a certain way, I like to use a certain strap because it works best for me, I like my bag because I find it comfortable, I like the lens choice I have because it allows me to take the photographs I want to take, I choose film or digital depending on what I am trying to do, etc.

The camera is one part of that equation. It is an important part but far from the only part. And if I could buy the same camera with a Lidl branding for half the price I wouldn't hestitate!
Edited by greynolds999: 01/03/2011 - 13:57
DoctorJeff
Posted 01/03/2011 - 13:58 Link
K10D wrote:

The only common sensor that I know of between Pentax and Nikon is the K5 and D7000. I don't think Nikon used Samsung sensors? Which other Pentax/Nikon cameras have shared a Sony sensor?
Surely, the K200D used the same sensor as the Nikon D80, yes? Or was it the other way round?

Geoff
Water can wear away a stone - but it can't cook lunch
X-5
istDS
K2000
P50.
Lenses Digital: 50-200, 18-55 KAF: 28-80.
Lenses KA & K: SMC-KA f2.0, SMC-K f1.4, SMC-K f1.7 Tokina KA 28-70 , SMC Pentax 70-210 F4, Sigma KA 75-300 , Hanimex 500mm Mirror, and the Tamron Adaptall-2 stuff.
and then there's all the M42 kit, and the accessories ...
MarkTaylor
Posted 01/03/2011 - 14:26 Link
K10D wrote:
In camera SR, sometimes use it but remember its a Minolta inception that is also used by Sony.
That just isn't relevent. Pentax implemented the system in their cameras. If we're going to start debating the inception of concepts in the context of this discussion, we might as well argue that Pentax have no input at all, because they did not invent the concept of focusing light onto a photoreceptive surface through a system of lenses.

Quote:
By IQ, I am looking at light to sensor components.
Which is where I disagree. In a modern camera system there's a whole lot more to it than that. Most of the 'features' I mentioned can have an effect on image quality. However your definition of image quality appears to vary from mine, in which case it becomes a matter of semantics. In my experience there's no point continuing to discuss it when that's what it boils down to so with respect I'll probably bow out about now.
My Flickr • Pentax K-5 • K-5 II • Sigma 8-16mm F/4.5-5.6 DC HSM • Tamron SP AF 17-50mm F/2.8 XR Di II LD ASL • SMC Pentax-DA* 50-135mm F/2.8 ED [IF] SDM • SMC Pentax-DA 55-300mm F/4-5.8 ED • SMC Pentax-DA 18-135mm F/3.5-5.6 ED AL [IF] WR • Vivitar 100mm F/3.5 Macro AF • Metz Mecablitz 58 AF-2
Edited by MarkTaylor: 01/03/2011 - 14:27
George Lazarette
Posted 01/03/2011 - 14:48 Link
The old mechanical shutters were generally made in-house, but when electronic, bladed, shutters came in, Pentax used Seiko shutters - as, I believe, did several other makes.

I've no idea who makes shutters now.

But there is much more to a camera body than the mechanisms it houses. The ergonomics and the aesthetic appeal are both very important. The former can make the difference between getting a picture and not getting it, and the latter plays a subtle role in all sorts of ways.

We buy more things than we care to admit on the basis of their looks. Cars, houses, clothes, wives, are all examples of items where aesthetics play a huge role in our buying decision. "Buying" of course is not exactly the right word for every item mentioned, but I am sure you get my drift.

I am a sucker for things that not only are good, but which also look good. Often, the former leads to the latter, but not always, as the spouses of good-looking film stars have sometimes found.

And talking of form and function, Pentax cameras are almost invariably both good-looking and a pleasure to use. So, excellent lenses are not the only reason to buy into the Pentax system.

G

PS: We'll draw a veil over the SFX when talking about good-looking cameras.
Keywords: Charming, polite, and generally agreeable.
Pentaxophile
Posted 01/03/2011 - 14:58 Link
johnriley wrote:
Colour quality is a very important feature as far as I'm concerned. I did a photo shoot (PU Magazine, "Shooting Girls") with a friend of mine and the images from my Pentax were vibrant and warm. The images from his Fuji S2 were neutral and bland.
Presumably that just depends on the in-camera processing option you select, rather than the brand? Shooting RAW should level the playing field, at which point the sensor is the deciding factor.
George Lazarette
Posted 01/03/2011 - 15:05 - Helpful Comment Link
No. Lens design and lens coating have a big effect on the quality of the image. In post-processing you can't put back what wasn't captured in the first place. You can try, by playing with saturation or whatever, but it's not the same.

G
Keywords: Charming, polite, and generally agreeable.
johnriley
Posted 01/03/2011 - 15:05 - Helpful Comment Link
Pentaxophile wrote:
johnriley wrote:
Colour quality is a very important feature as far as I'm concerned. I did a photo shoot (PU Magazine, "Shooting Girls") with a friend of mine and the images from my Pentax were vibrant and warm. The images from his Fuji S2 were neutral and bland.
Presumably that just depends on the in-camera processing option you select, rather than the brand? Shooting RAW should level the playing field, at which point the sensor is the deciding factor.
Not really, in the real world the theory doesn't hold. Each camera has its own look. Even RAW capture does have some processing applied to it, not much but some.

Anyway, all JPEGs are not equal either, nor are all white balances. The mix of everything makes up the whole and the whole has a character of its own.
Best regards, John
Tyr
Posted 01/03/2011 - 15:10 Link
Yeah, I cannot get the WB of a 5D Mkii to match that of a K10D. Two different beasts.

(was doing it to see if it was possible)
Pentaxophile
Posted 01/03/2011 - 15:28 Link
George Lazarette wrote:
No. Lens design and lens coating have a big effect on the quality of the image. In post-processing you can't put back what wasn't captured in the first place. You can try, by playing with saturation or whatever, but it's not the same.

G
I know but we are deliberately excluding lenses, after all you can use a Pentax lens on a non-Pentax camera...

I was meaning the in camera settings: Vibrant. Portrait. Muted. I suspect that if you play with these settings you can replicate other brands, especially ones that share a sensor. However I think John's probably correct that there's some pre-processing applied even to RAW shots, and AWB / preset WB values can obviously vary (my K7 'daylight' setting is rather yellow for example).
George Lazarette
Posted 01/03/2011 - 15:59 Link
Well, the OP WAS including lenses, but if you weren't then fair enough.

Canon pictures often have a brownish hue to them, and I have always wondered whether this came from the body or the lens.

G
Keywords: Charming, polite, and generally agreeable.
hefty1
Posted 01/03/2011 - 16:04 - Helpful Comment Link
George Lazarette wrote:
Canon pictures often have a brownish hue to them, and I have always wondered whether this came from the body or the lens.
The lens I think. I've seen some stunning images posted on the 'net taken with Pentax lenses fitted to Canon cameras. These images, to me, very much have the "Pentax Look" which is why I asserted back on page 1 of this thread that I believe the lenses are the single most important factor in making an image,
Joining the Q

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