What a differance help makes

CoDa
Posted 14/03/2010 - 00:03 Link
This is a shot of some old farm machinery I found locally. Came across it when looking for a sample photo to try Gareth (of Cardiff fame) "new" sharpening technique.
#1 as shot
[IMG]http://i941.photobucket.com/albums/ad254/weldingblues/Photos%20for%20comments%202010/Oldmachines.jpg[/IMG]

#2 sharpened (does it need more?)
[IMG]http://i941.photobucket.com/albums/ad254/weldingblues/Photos%20for%20comments%202010/Oldmachines2.jpg[/IMG]

The photo was taken approx. 7 months after buying my K10d, very much a beginner then, probably shows.

C & C as usual please
Colin

“Nobody made a greater mistake than he who did nothing because he could do only a little.”
Edmund Burke (1729 – 1797)


[IMG]http://i941.photobucket.com/albums/ad254/weldingblues/K-7userbar-red.jpg[/IMG]
Edited by CoDa: 14/03/2010 - 00:04
Anvh
Posted 14/03/2010 - 00:21 Link
I like photo #1, you've made it too sharp for my taste.
Stefan
Comment Image

K10D, K5
DA* 16-50, DA* 50-135, D-FA 100 Macro, DA 40 Ltd, DA 18-55
AF-540FGZ
i-Berg
Posted 14/03/2010 - 00:22 Link
Hi Colin,

It may just be me - I believe the second image is noisier, esp. in the shadows?
Anvh
Posted 14/03/2010 - 00:28 Link
Colin not to put you down or anything but to let you show the difference, this the result of my default way of sharpening.
[IMG]http://i282.photobucket.com/albums/kk244/Anvh/Oldmachines1.jpg[/IMG]

It's a method Matt explained on this forum 5 years ago with an darken layer.
Basicly it's unsharp Mask with a layer above with the blending option set to darken.

Edit:
this without a darken layer.
[IMG]http://i282.photobucket.com/albums/kk244/Anvh/Oldmachines2.jpg[/IMG]
Stefan
Comment Image

K10D, K5
DA* 16-50, DA* 50-135, D-FA 100 Macro, DA 40 Ltd, DA 18-55
AF-540FGZ
Edited by Anvh: 14/03/2010 - 00:43
CoDa
Posted 14/03/2010 - 00:35 Link
Thanks i-Berg & Anvh for the comments, it was a trial and I will go away and investigate further.
I used a Hard light filter, so will try with a soft light filter to see the difference.

Stefan what did you do?

Regards
Colin

“Nobody made a greater mistake than he who did nothing because he could do only a little.”
Edmund Burke (1729 – 1797)


[IMG]http://i941.photobucket.com/albums/ad254/weldingblues/K-7userbar-red.jpg[/IMG]
Anvh
Posted 14/03/2010 - 00:38 Link
This link + duplicated the original and place the layer above the sharpened layer and set the blending mode to darken at 80% opacity.

Colin, do like it?

ps. I've uploaded another version of your photo in my first comment without the darken layer.
Stefan
Comment Image

K10D, K5
DA* 16-50, DA* 50-135, D-FA 100 Macro, DA 40 Ltd, DA 18-55
AF-540FGZ
Edited by Anvh: 14/03/2010 - 00:45
i-Berg
Posted 14/03/2010 - 01:29 Link
Stefan,

IMO, the darken layer makes a visible difference, the way you've employed it here.
paulgee20
Posted 14/03/2010 - 14:12 Link
Hi Stefan
This looks interesting, thnks for pointing it out to Colin. However it looks like the credit is to Mathew.

Cheers


Paul
K5's (2)both gripped, K10d gripped, Pentax 28-90 f3.5, Sigma 18-250mm, Sigma 150-500mm. Sigma 105mm f/2.8 EX DG Macro, Sigma 10-20 f.4-5.6.EX DC, Hoya 135 f2.8, Take on 28mm f2.8 Pentax AF360 flash, 2 fill in slaves. 30 metre remote release, Rt angle viewfinder, Giotto NOT 3261B Tripod with Manfrotto 808Rd4 ball head, Manfroto 4861RC2 monopoly, shoulder stock, various filters etc, Panasonic SET HBS HD Video cam, Tamrac Explorer 8x backpack and a sore back.....
-------------------------------------------------------
Photography is an index for measuring futility and pride.......

Paul

:wink
http://s743.photobucket.com/home/pg20_photos/index
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Anvh
Posted 14/03/2010 - 15:32 Link
Paul I never said I claimed to invented to do it this way only that I use it.
In my first comment I said this:
Anvh wrote:
this the result of my default way of sharpening.

It's a method Matt explained on this forum 5 years ago with an darken layer.
Basicly it's unsharp Mask with a layer above with the blending option set to darken.
Matt method is my default way of sharpening, I've no idea how to say it differently

i-Berg wrote:
IMO, the darken layer makes a visible difference, the way you've employed it here.
I know it bring the picture back again to his normal state, 80% is most of the time the charm but you can also use a lower number to make it look more crisp with Matt method.
You can also use the darken layer with any kind of sharpening of course, it great to prevent those halos to an extend.
Stefan
Comment Image

K10D, K5
DA* 16-50, DA* 50-135, D-FA 100 Macro, DA 40 Ltd, DA 18-55
AF-540FGZ
paulgee20
Posted 14/03/2010 - 16:30 Link
Stefan, I wasnt suggesting that you did by any means. You clearly misunderstood. I was actually thanking you for pointing it out.

Paul
K5's (2)both gripped, K10d gripped, Pentax 28-90 f3.5, Sigma 18-250mm, Sigma 150-500mm. Sigma 105mm f/2.8 EX DG Macro, Sigma 10-20 f.4-5.6.EX DC, Hoya 135 f2.8, Take on 28mm f2.8 Pentax AF360 flash, 2 fill in slaves. 30 metre remote release, Rt angle viewfinder, Giotto NOT 3261B Tripod with Manfrotto 808Rd4 ball head, Manfroto 4861RC2 monopoly, shoulder stock, various filters etc, Panasonic SET HBS HD Video cam, Tamrac Explorer 8x backpack and a sore back.....
-------------------------------------------------------
Photography is an index for measuring futility and pride.......

Paul

:wink
http://s743.photobucket.com/home/pg20_photos/index
https://www.flickr.com/photos/pg20
Anvh
Posted 14/03/2010 - 16:51 Link
Ah okay Paul, I thought I worded my comment a bit wrong the first time but indeed all the credits go to Matt (Mathew) although the dark layer was mine idea

Colin what method did you use?
You had it about soft/hard light so are you using a high pass filter?
Stefan
Comment Image

K10D, K5
DA* 16-50, DA* 50-135, D-FA 100 Macro, DA 40 Ltd, DA 18-55
AF-540FGZ
bwlchmawr
Posted 14/03/2010 - 18:31 Link
Really like the photo, I would, wouldn't I?! Just my type of subject. Personally I don't think the first picture needs a lot of sharpening! I quite like the subtle almost analogue look you get straight from the K10/K200's lovely sensor at times.

Of course, it depends on the subject...and your technique. Gareth's suggestion that my Boys' Village pictures needed sharpening was down (much of the time)to camera shake and indifferent focusing on my part!

Any more from the farmyard shoot?

Regards,

Andrew
Best wishes,

Andrew

"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference.  All of them can record what you are seeing.  But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
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paulgee20
Posted 14/03/2010 - 20:22 Link
Hi Stefan

No problem, just a simple misunderstanding. I may have worded the response a little unclearly as well.

Cheers


Paul
K5's (2)both gripped, K10d gripped, Pentax 28-90 f3.5, Sigma 18-250mm, Sigma 150-500mm. Sigma 105mm f/2.8 EX DG Macro, Sigma 10-20 f.4-5.6.EX DC, Hoya 135 f2.8, Take on 28mm f2.8 Pentax AF360 flash, 2 fill in slaves. 30 metre remote release, Rt angle viewfinder, Giotto NOT 3261B Tripod with Manfrotto 808Rd4 ball head, Manfroto 4861RC2 monopoly, shoulder stock, various filters etc, Panasonic SET HBS HD Video cam, Tamrac Explorer 8x backpack and a sore back.....
-------------------------------------------------------
Photography is an index for measuring futility and pride.......

Paul

:wink
http://s743.photobucket.com/home/pg20_photos/index
https://www.flickr.com/photos/pg20
paulgee20
Posted 14/03/2010 - 20:34 Link
No problem Stefan.


Paul
K5's (2)both gripped, K10d gripped, Pentax 28-90 f3.5, Sigma 18-250mm, Sigma 150-500mm. Sigma 105mm f/2.8 EX DG Macro, Sigma 10-20 f.4-5.6.EX DC, Hoya 135 f2.8, Take on 28mm f2.8 Pentax AF360 flash, 2 fill in slaves. 30 metre remote release, Rt angle viewfinder, Giotto NOT 3261B Tripod with Manfrotto 808Rd4 ball head, Manfroto 4861RC2 monopoly, shoulder stock, various filters etc, Panasonic SET HBS HD Video cam, Tamrac Explorer 8x backpack and a sore back.....
-------------------------------------------------------
Photography is an index for measuring futility and pride.......

Paul

:wink
http://s743.photobucket.com/home/pg20_photos/index
https://www.flickr.com/photos/pg20
CoDa
Posted 14/03/2010 - 20:48 Link
Hi and thanks to all the comments etc. surrounding these pictures.

Stefan,
The technique was explained by Andrew (bwichmawr)in a reply to me on one of his topics.

Andrew,
Sorry no more yet, the area where this was taken is a kitchen garden in the grounds of a large house near to where I live, the house and grounds are only open on specific days of the year. I did pass the entrance yesterday but there are no dates listed for this year.

Will keep checking, It was is May 2008 that we last visited it, so it would be interesting to re-visit.

Regards

Edit; just found one will post here shortly

This is the only other one from the same shoot.

[IMG]http://i941.photobucket.com/albums/ad254/weldingblues/Photos%20for%20comments%202010/Oldwagon.jpg[/IMG]

Straight of the camera, just a slight rotation only.
Colin

“Nobody made a greater mistake than he who did nothing because he could do only a little.”
Edmund Burke (1729 – 1797)


[IMG]http://i941.photobucket.com/albums/ad254/weldingblues/K-7userbar-red.jpg[/IMG]
Edited by CoDa: 14/03/2010 - 21:21

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