Wells Cathedral Chapter House
Posted 17/11/2012 - 14:03
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Kris, these have that special quality that only the film (and scanning process) could provide. Nice viewpoints and great DOF too.
Having stopped shooting film a while ago, what jumps (back) out at me are the blown highlights out the windows, something that I now routinely eliminate on digital, in the quest to obtain a full DR with detail (although of course we don't really get detail back into these sorts of hotspots, only a greyer tone which is less distracting).
This sort of characteristic is of course 'natural' to negative film (this is neg isn't it?) - we just get used to not seeing it now. I always understood to 'expose for the shadows - let the hotspots go', and its interesting to see it here. Hey, like everyone else here, guess you just can't wait to go Full Frame eh
Having stopped shooting film a while ago, what jumps (back) out at me are the blown highlights out the windows, something that I now routinely eliminate on digital, in the quest to obtain a full DR with detail (although of course we don't really get detail back into these sorts of hotspots, only a greyer tone which is less distracting).
This sort of characteristic is of course 'natural' to negative film (this is neg isn't it?) - we just get used to not seeing it now. I always understood to 'expose for the shadows - let the hotspots go', and its interesting to see it here. Hey, like everyone else here, guess you just can't wait to go Full Frame eh
My Guides to the Pentax Digital Camera Flash Lighting System : Download here from the PentaxForums Homepage Article .... link
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Posted 17/11/2012 - 18:09
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Nice set.
I particularly like number three.
Looking carefully and I can see the imperfections in what seems perfect at first. I.E. The not so straight edge in one side of the octagon in the centre. I love the flow of the design and all done without even the thought of a computer or other machines! Just very clever Human beings.
I particularly like number three.
Looking carefully and I can see the imperfections in what seems perfect at first. I.E. The not so straight edge in one side of the octagon in the centre. I love the flow of the design and all done without even the thought of a computer or other machines! Just very clever Human beings.
Bob
Posted 17/11/2012 - 18:27
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Thanks folks.
Cheers, Kris.
McGregNi wrote:
Kris, these have that special quality that only the film (and scanning process) could provide. Nice viewpoints and great DOF too.
Having stopped shooting film a while ago, what jumps (back) out at me are the blown highlights out the windows, something that I now routinely eliminate on digital, in the quest to obtain a full DR with detail (although of course we don't really get detail back into these sorts of hotspots, only a greyer tone which is less distracting).
This sort of characteristic is of course 'natural' to negative film (this is neg isn't it?) - we just get used to not seeing it now. I always understood to 'expose for the shadows - let the hotspots go', and its interesting to see it here. Hey, like everyone else here, guess you just can't wait to go Full Frame eh
If I was doing my own developing I could try and pull back the highlights by exposing differently and adjusting the developing time a la Mr Adams. Full frame? Personally I'd love to go back to Wells and shoot these on my 5x4 view camera. These days I hardly shoot any digital images. At the moment I am using my Agfa Isolette II (a medium format folder I got from a charity shop for £12.50), a Werra IV (an East German 35mm rangefinder from about 1957) and my ME-F with my newly acquired (and functioning! yay!) AF35-70 lens. I used my K20D for the first time in ages today and that was to photograph some keys I am returning to the dealer.Kris, these have that special quality that only the film (and scanning process) could provide. Nice viewpoints and great DOF too.
Having stopped shooting film a while ago, what jumps (back) out at me are the blown highlights out the windows, something that I now routinely eliminate on digital, in the quest to obtain a full DR with detail (although of course we don't really get detail back into these sorts of hotspots, only a greyer tone which is less distracting).
This sort of characteristic is of course 'natural' to negative film (this is neg isn't it?) - we just get used to not seeing it now. I always understood to 'expose for the shadows - let the hotspots go', and its interesting to see it here. Hey, like everyone else here, guess you just can't wait to go Full Frame eh
Cheers, Kris.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Posted 17/11/2012 - 18:58
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Oh, yes! Now I'm just going to hold out for a Pentax 5x4D.
My Guides to the Pentax Digital Camera Flash Lighting System : Download here from the PentaxForums Homepage Article .... link
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Posted 17/11/2012 - 20:11
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Is there a lovelier covered space in all of England? (OK, the Angel Choir in Lincoln runs it close) Three fine images, Kris.
Best wishes,
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Posted 18/11/2012 - 12:46
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Terrific photos Kris. Those classic cameras can still amaze. The black and white photography gives Wells Cathedral an appropriate feeling of timelessness.
I share Andrew's enthusiasm for Wells Cathedral Chapter House although I rate the view up into the great lantern tower at Ely it's equal. But surely the most magical covered space in England is the view down the nave and choir to the great Rose Window in Durham Cathedral. Others will undoubtedly have their own favourites.
David
PPG:tp:/ht/www.pentaxphotogallery.com/artists/davidtrout
I share Andrew's enthusiasm for Wells Cathedral Chapter House although I rate the view up into the great lantern tower at Ely it's equal. But surely the most magical covered space in England is the view down the nave and choir to the great Rose Window in Durham Cathedral. Others will undoubtedly have their own favourites.
David
PPG:tp:/ht/www.pentaxphotogallery.com/artists/davidtrout
Posted 18/11/2012 - 18:12
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davidtrout wrote:
But surely the most magical covered space in England is the view down the nave and choir to the great Rose Window in Durham Cathedral.
This one you mean? But surely the most magical covered space in England is the view down the nave and choir to the great Rose Window in Durham Cathedral.

As much as I loved Wells, Durham has a very special place in my heart.
K.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Posted 18/11/2012 - 18:54
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How did you get up there Kris, its a precarious ledge.
David
PPG: http://www.pentaxphotogallery.com/artists/davidtrout
David
PPG: http://www.pentaxphotogallery.com/artists/davidtrout
Posted 18/11/2012 - 19:23
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davidtrout wrote:
How did you get up there Kris, its a precarious ledge.
David
PPG: http://www.pentaxphotogallery.com/artists/davidtrout
Durham University Photography Society tour in about 1985 or 6. We had a tour around the triforium levels and the tower, and as it was a phototog trip we were given time to set-up tripods and all that. This would have been FP4, ME Super and a SMC Pentax 28mm f/2.8 lens.How did you get up there Kris, its a precarious ledge.
David
PPG: http://www.pentaxphotogallery.com/artists/davidtrout
Cheers, Kris.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Posted 18/11/2012 - 19:46
Link
Ah yes, Durham... Best position, certainly, above that river cliff but, in your heart of hearts, you know that the very best gothic makes romanesque its bitch (so to speak!)
(Not sure this is the right forum for this kind of thing. Or the right web-site, come to think of it.)
(Not sure this is the right forum for this kind of thing. Or the right web-site, come to think of it.)
Best wishes,
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
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7684 posts
18 years
Hertfordshire,
mostly.
Cheers, Kris.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.