Vignetting or what?
Posted 10/08/2012 - 19:26
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I think this is just a characteristic of the lens (a weakness some might say). It occurs in all shots at the widest end, but is most apparent with this type of exposure, because the contrast is very high between the brightest parts of the sky (the orange on the horizon) and the darkest at the top.
It's easily corrected, maybe with just a single click! In Pentax Digital Camera Utility (assuming you shot RAW) select the image and then click on the 'Custom' tab in the top left. Then find on the right the Lens Abberation Correction tab, and here you will see 'Marginal Lumination Compensation'. Set the focal length slider, tick 'apply', then play with the compensation slider to control the amount. Should be easily sorted.
It's easily corrected, maybe with just a single click! In Pentax Digital Camera Utility (assuming you shot RAW) select the image and then click on the 'Custom' tab in the top left. Then find on the right the Lens Abberation Correction tab, and here you will see 'Marginal Lumination Compensation'. Set the focal length slider, tick 'apply', then play with the compensation slider to control the amount. Should be easily sorted.
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Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Posted 10/08/2012 - 20:36
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Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Posted 10/08/2012 - 20:40
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Thank to both for the info, and how to solve it.
I do shoot RAW, but I don't think this shot is worth the bother, except for experimentation. I only took it as I noticed that we had quite a large number of vapour trails (right over head and on into the east) and the western ones were nicely lit.
regards
Bernard
I do shoot RAW, but I don't think this shot is worth the bother, except for experimentation. I only took it as I noticed that we had quite a large number of vapour trails (right over head and on into the east) and the western ones were nicely lit.
regards
Bernard
Posted 11/08/2012 - 07:46
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Just do some mid grey shots of a white wall/card at different
apertures and see where it becomes acceptable. It's normal
will most lenses.
This is something like what you will get:
Grey_Exp_Test_M-35mm_f2-8

Note: Vignetting returns at f/16 and f/22 something no one
ever mentions
-
apertures and see where it becomes acceptable. It's normal
will most lenses.
This is something like what you will get:
Grey_Exp_Test_M-35mm_f2-8

Note: Vignetting returns at f/16 and f/22 something no one
ever mentions
-
Half Man... Half Pentax ... Half Cucumber
Pentax K-1 + K-5 and some other stuff
Algi
Pentax K-1 + K-5 and some other stuff
Algi
Posted 11/08/2012 - 07:56
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In many instances vignetting can be turned into a virtue. We used to add slight darkening of corners in the darkroom as it concentrates the eye towards the centre of the image, where, presumably, we want the eye to rest.
Having said that, the sky picture looks more as if an inapprpriate lenshood has been used - the vignette is too sudden and intense to be natural lens darkening.
Having said that, the sky picture looks more as if an inapprpriate lenshood has been used - the vignette is too sudden and intense to be natural lens darkening.
Best regards, John
Posted 11/08/2012 - 22:26
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If you are talking about my image it was the standard hood that came supplied with the lens. K.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Posted 11/08/2012 - 22:57
Link
Kris, that doesn't look right. It looks as though the lens hood is not fully clicked into position - is this possible?
Best regards, John
Posted 11/08/2012 - 23:55
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johnriley wrote:
In many instances vignetting can be turned into a virtue. We used to add slight darkening of corners in the darkroom as it concentrates the eye towards the centre of the image, where, presumably, we want the eye to rest.
Having said that, the sky picture looks more as if an inapprpriate lenshood has been used - the vignette is too sudden and intense to be natural lens darkening.
When it comes to Pentax, the glass is always half full, eh John? :LOL:In many instances vignetting can be turned into a virtue. We used to add slight darkening of corners in the darkroom as it concentrates the eye towards the centre of the image, where, presumably, we want the eye to rest.
Having said that, the sky picture looks more as if an inapprpriate lenshood has been used - the vignette is too sudden and intense to be natural lens darkening.
FWIW, vignetting is the least of my complaints with my kit lens. It's funny, but since my original Mk1 kit lens, I haven't had a copy I've been happy with.
Posted 12/08/2012 - 00:03
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Nothing to do with Pentax, Pentaxophile, but everything to do with lenses having quirks of their own. This is something that is rarely touched on by testers, but lenses have character.
The thing is to find what suits you and find what defects (if we can call them that) we can use. The classic example is the 1970s photographer David hamilton, who made a fortune out of his favourite, flare-ridden, rubbish 50mm lens.
Just recently I have found a use in my chapels series for the purple fringing that can be induced in the 12-24mm in some circumstances. It is a defect, but there are times when it can become a virtue.
The thing is to find what suits you and find what defects (if we can call them that) we can use. The classic example is the 1970s photographer David hamilton, who made a fortune out of his favourite, flare-ridden, rubbish 50mm lens.
Just recently I have found a use in my chapels series for the purple fringing that can be induced in the 12-24mm in some circumstances. It is a defect, but there are times when it can become a virtue.
Best regards, John
Posted 12/08/2012 - 02:21
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I often add vignetting in Lightroom precisely for the effect john describes "as it concentrates the eye towards the centre of the image"
It's particularly good for street people shots when there's some distracting stuff in the periphery, which cropping out would spoil the composition.
It's particularly good for street people shots when there's some distracting stuff in the periphery, which cropping out would spoil the composition.
[i]Bodies: 1x K-5IIs, 2x K-5, Sony TX-5, Nokia 808
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Posted 12/08/2012 - 09:57
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Smeggypants wrote:
I often add vignetting in Lightroom precisely for the effect john describes "as it concentrates the eye towards the centre of the image"
Absolutely - I have done the same myself.
I often add vignetting in Lightroom precisely for the effect john describes "as it concentrates the eye towards the centre of the image"
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1776 posts
17 years
Burton upon Trent
Ignoring the likely exposure error what is the likely cause of the apparent vignetting which is evident in the above shot.
It's an effect I've noticed on several occasions, but this is probably the clearest
Taken last night with K10D 18-55 lens (1/60, f4.5, iso100, focal length 18mm, no filter of any kind, no lens hood[also the same with a lens hood but for this shot I removed it to see if i was that])
regards
Bernard
PS new upload worked absolutely fine, but what happens to the picture if I move it to a different folder on my PC- is itlost to the forum?