Two different approaches
Posted 23/01/2013 - 09:50
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I like the heavy contrast on the second but as a whole it says blown highlights...
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Digital:
Pentax K5- Vivitar 19mm 3.8; FA35mm f2; D-Xenon 100mm macro f2.8; DA50-200mm WR...
Flash:
Yongnuo YN-560; Vivitar 285HV; Cactus V4 triggers...
Film:
Pentax-MX & M50mm f1.4; Spottie & 55mm f1.8; MG & M40mm 2.8...
https://www.flickr.com/photos/daveholmesphotos/
Posted 23/01/2013 - 12:10
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For me, I think i'd like something in between. I think too much detail is lost in the second one, but the first one looks a little too flat.
A tweak in curves to bring out the ripples in the snow would do it.
A tweak in curves to bring out the ripples in the snow would do it.
Getting there! Thanks to you guys
Pentax K3ii, Pentax K10d, Kit lens ( 18-55mm ), 50mm f1.7 lens, Tamron 70-300mm lens, Prinzflex 70-162 manual lens, Various old flashes.
Pentax K3ii, Pentax K10d, Kit lens ( 18-55mm ), 50mm f1.7 lens, Tamron 70-300mm lens, Prinzflex 70-162 manual lens, Various old flashes.
Posted 23/01/2013 - 15:16
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I would darken the shadows in the first one just a touch and leave the highlights where they are
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Posted 23/01/2013 - 21:02
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Pentaxophile its called a linear gradient
Posted 23/01/2013 - 22:09
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Maybe mine too! just wanted you to know it was deliberate
Posted 24/01/2013 - 08:20
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dannyh wrote:
Pentaxophile its called a linear gradient
i thought it was called a mistake
Pentaxophile its called a linear gradient
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Posted 24/01/2013 - 12:25
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ha ha Ken different strokes for different folks!
Posted 24/01/2013 - 12:57
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The first one is almost there, a tweak on exposure and white balance maybe. It's a perfectly decent composition but the bridge is somewhat utilitarian and so not the most interesting. The scene is crying out for a bit of human interest imo.
For exactly those reasons I prefer the second take because the stark contrast accentuates the starkness of the scene. I think blowing the detail in the snow is the right thing to do, the texture in the snow isn't enough to make the scene anyway. Not so keen on the black band at the bottom.
Breaking the rules is good and I think the right choice here. The look is reminiscent of the Best Of Joy Division cover. Not in that league of course but I like it.
For exactly those reasons I prefer the second take because the stark contrast accentuates the starkness of the scene. I think blowing the detail in the snow is the right thing to do, the texture in the snow isn't enough to make the scene anyway. Not so keen on the black band at the bottom.
Breaking the rules is good and I think the right choice here. The look is reminiscent of the Best Of Joy Division cover. Not in that league of course but I like it.
Posted 24/01/2013 - 19:36
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490 posts
15 years
And just in case...do neither work??