The Brewery Inn
Posted 03/10/2014 - 12:00
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The option always exists to clone out the telegraph pole, but I've been steadily moving away from doing so. I just feel we can see a place as it really is, minimising distractions by viewpoint maybe, but not actually altering reality.
On the other hand, if the pole intrudes some may well prefer to remove it, and if so fair enough, it's their interpretation.
On the other hand, if the pole intrudes some may well prefer to remove it, and if so fair enough, it's their interpretation.
Best regards, John
Posted 03/10/2014 - 12:11
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Now that really is RED!
For me it's not the telegraph pole, but the shadow across the junction that distracts.
Phil
For me it's not the telegraph pole, but the shadow across the junction that distracts.
Phil
K-5iiS; K-r; ME Super; ME; DA* 16-50 f2.8; DA 18-135 WR; DA 55-300 WR; HD DA 15mm F4 ED AL Limited; FA 50mm f1.4; A50mm f1.7; DAL 18-55mm; M40mm f2.8; + assorted non-Pentax lenses
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My Flikr Page link
Posted 03/10/2014 - 13:00
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Sod the color of the paint what about the beer lol
Regards Dave
Regards Dave
Posted 03/10/2014 - 13:40
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johnriley wrote:
The option always exists to clone out the telegraph pole, but I've been steadily moving away from doing so. I just feel we can see a place as it really is, minimising distractions by viewpoint maybe, but not actually altering reality.
On the other hand, if the pole intrudes some may well prefer to remove it, and if so fair enough, it's their interpretation.
A man after my own heart.
The option always exists to clone out the telegraph pole, but I've been steadily moving away from doing so. I just feel we can see a place as it really is, minimising distractions by viewpoint maybe, but not actually altering reality.
On the other hand, if the pole intrudes some may well prefer to remove it, and if so fair enough, it's their interpretation.
Pentax K1-ii and MZ6
Pentax Lenses 28-80 F, 300 DA*, 80-200 F, 35 F2.4 AL, M50 F1.7, 28-105 DFA, 20 F4 SMC
ONE UNITED Member
Pentax Lenses 28-80 F, 300 DA*, 80-200 F, 35 F2.4 AL, M50 F1.7, 28-105 DFA, 20 F4 SMC
ONE UNITED Member
Posted 03/10/2014 - 13:41
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python118 wrote:
Sod the color of the paint what about the beer lol
Regards Dave
...and where is it?
Sod the color of the paint what about the beer lol
Regards Dave
Pentax K1-ii and MZ6
Pentax Lenses 28-80 F, 300 DA*, 80-200 F, 35 F2.4 AL, M50 F1.7, 28-105 DFA, 20 F4 SMC
ONE UNITED Member
Pentax Lenses 28-80 F, 300 DA*, 80-200 F, 35 F2.4 AL, M50 F1.7, 28-105 DFA, 20 F4 SMC
ONE UNITED Member
Posted 03/10/2014 - 14:08
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You will find it down Brewery Street in Leigh, Lancashire. You certainly won't miss it when you get there!
Best regards, John
Posted 03/10/2014 - 14:18
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Had many a fine Ale in that very establishment.. Though funnily enough. Ive never had the urge to photograph it on the way home... Maybe my priorities are all out of kilter...
K-1Gripped K-1 ungripped K-5ii K7 Various lenses
Stuart..
Stuart..
Posted 03/10/2014 - 15:21
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I think the pole works actually, the foreground pole shadow points to the base of the pole which leads the eye across the most colourful section. A quiky and unusual use of lines.
Posted 03/10/2014 - 17:44
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Looks a complete nightmare to me -
A pub with a No Entry sign in front of it
Carl
A pub with a No Entry sign in front of it
Carl
No matter how many lenses I have owned - I have always needed just one more
Posted 03/10/2014 - 22:20
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johnriley wrote:
The option always exists to clone out the telegraph pole, but I've been steadily moving away from doing so. I just feel we can see a place as it really is, minimising distractions by viewpoint maybe, but not actually altering reality.
On the other hand, if the pole intrudes some may well prefer to remove it, and if so fair enough, it's their interpretation.
I like the shot, although I'd probably have tried moving to the left (risking the road) to move the pole away from the sign (hindsight is wonderful). I'd probably consider cropping it tighter to the pub and and above the shadow in the foreground. The pole is part of the street furniture and immediately in front of the subject, you can't retain the character of the shot if you remove it. You could clone it out then run a 'watercolour' or similar filter over it perhaps for an artists impression.
The option always exists to clone out the telegraph pole, but I've been steadily moving away from doing so. I just feel we can see a place as it really is, minimising distractions by viewpoint maybe, but not actually altering reality.
On the other hand, if the pole intrudes some may well prefer to remove it, and if so fair enough, it's their interpretation.
Posted 03/10/2014 - 22:30
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Would standing on the opposite corner have been a better viewpoint
David
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24424 posts
24 years
Tyldesley,
Manchester
It was shot on my MX-1, which sits permanently in my jacket pocket, just waiting for everyday scenes and events to grab my attention.