T-stops vs F-stops

Gwyn
Posted 14/08/2014 - 15:52 Link
Can someone please explain to me, in simple terms, what a T-stop is, and how it differs from an F-stop?

Thanks. Keep it simple, I'm not into techie stuff
Mike-P
Posted 14/08/2014 - 15:55 Link
I normally find it easier to watch a video than read LINK
johnriley
Posted 14/08/2014 - 16:05 Link
Lenses lose light by internal reflections. The f/stop value is the physical size of the aperture. The T/stop is a measure of how much light actually gets through. So for depth of field purposes the f/stop is accurate, for exposure purposes the T/stop is closer.

However, T/stops haven't been used in stills photography since the early 20th century, and the f/stop is universally used. There will be minor discrepancies, but especially with modern coatings they don't add up to much.

T/stops in modern usage are used by the motion picture industry. Whether they still are Ken will tell us.
Best regards, John
Gwyn
Posted 14/08/2014 - 16:58 Link
Thankyou both. The video is especially clear.

I saw some Samyang lenses with T-stops rather than F-stops, and was curious about them.
richandfleur
Posted 15/08/2014 - 01:43 Link
Just lately I've seen T/stops being referred to with the concept of the speedbooster on mirrorless cameras. Traditionally the only way to get more light in through a lens was to open the aperture, so you could honestly say that aperture related to the amount of light captured.

However with a speed booster, you were able to focus more light onto the sensor by use of some clever optics. Akin to burning paper with a magnifying glass.

In that case you were increasing the light received at the sensor by another means than aperture. For a fixed aperture, you got more light with a speed booster, than with the lens directly connected to the camera only. That's where the T/Stop measurement was more applicable.
gartmore
Posted 15/08/2014 - 08:06 Link
T stops are used in cinematography where there is great need for accuracy, I imagine the Sanyang lenses are meant for video and have follow-focus gear rings on them. T is the actual transmission value and can differ greatly especially with zooms from the mathematically calculated F value. So we use T stops for setting exposure (remember that in film cinematography the shutter speed is generally fixed at 1/50 sec in Europe and 1/60 in USA) and F stops for depth of field.
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Algernon
Posted 15/08/2014 - 12:00 Link
F Stops quoted for 35mm camera lenses are usually very accurate
so T-Stops aren't needed.

Zooms are usually slightly worse than primes, but still good.
This one is fairly typical....

http://www.adaptall-2.org/lenses/01A.html

f/2.8 actual 2.82
f/3.8 actual 3.96 Probably didn't want to call it an f/4 lens

A Pentax 50mm f/1.4 lets in slightly more light at the
lower f stops than the f/1.7 does.

--
Half Man... Half Pentax ... Half Cucumber

Pentax K-1 + K-5 and some other stuff

Algi
Edited by Algernon: 15/08/2014 - 12:02

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