Recommend a wide prime
The 70mm is a superb lens, as sharp as any I've used.
There's some recent discussion on the merits of the DA15 in another thread, elsewhere on this forum. It's a lens I'd like to have. There are others here who sing its praises even at wide open apertures, so don't discount it.
I had a fellow forumite from PF visit Shanghai last week and I was honoured to be able to take him off his tour group for an afternoon and show him places he wouldn't otherwise have seen, a water-town and a quiet buddhist temple. His most used lense was his DA15 - perfect for landscapes, tall buildings, courtyards and small alleyways alike.
Nikon. D800. D600. Sigma 500/4.5, Nikon 300/2.8 VRII, Sigma 120-300/2.8, Zeiss Distagon ZF2 21/2.8, Zeiss Distagon ZF2 35/2.0, Sigma 50/1.4, Nikkor 85/1.8, Nikon TC20EIII, Nikon TC14EII, Kenko x1.4, Sigma 2.0
Shooting the Welsh Wilderness with K-m, KX, MX, ME Super and assorted lenses.
Though the 15mm is tempting, I remember once borrowing a Sigma 10-20mm on a Canon body for some dawn beach shots (equivalent to 11-21 on Pentax, for what it's worth) and found that it was too wide for the pictures I was taking that day. I stuck with my *ist DS and 18-55mm.
So although I'm not much of a street photographer I think I'm going to head in the direction of a DA 21 and DA 35, and use my budget 70-210 and 28-200 lenses for the rare occasions when I need telephoto, or until I can afford or justify the DA* 50-135. Additionally I've been pleasantly surprised by DA 70 second hand prices now that I've been looking in more detail.
The Plan:
DA 21 shop for now
DA 35 shop for now
DA 70 on the wish list
Sigma 30/1.4 on the upgrade wishlist if I don't get on with the DA 35
DA 50-135 on the distant wishlist
Thanks to all for comments so far.
Sigma EX 105/2.8 Macro | Manfrotto 190ProB with 488RC2 | Rode SVM
flickr
My interest in the 21mm would be as an ultra-compact walkabout lens. I have tried 40mm and found it too long for digital (the M 40mm now turns up on various film bodies as I find it perfect there) so the DA 40mm won't suit me, but my theory is that the ideal digital standard prime needs to be somewhere between 20mm and 30mm.
If you can stretch to the DA 40mm and 70mm you'll have the full set of Pentax pancakes. That said, I think I'd go for the 50-135mm over the 70mm for the flexibility. It may be f2.8 rather than f2.4 but I doubt there's much able to match it from any brand.
I went for the 50-135mm now as SRS seem to have them for about half RRP at the moment. It was actually cheaper than the used example they also had for sale!
Shooting the Welsh Wilderness with K-m, KX, MX, ME Super and assorted lenses.
That's a HUGE difference to the DA15. The DA15 is a tiny lense too. I'd go and get them both (15+21) on your camera before you decide.
Nikon. D800. D600. Sigma 500/4.5, Nikon 300/2.8 VRII, Sigma 120-300/2.8, Zeiss Distagon ZF2 21/2.8, Zeiss Distagon ZF2 35/2.0, Sigma 50/1.4, Nikkor 85/1.8, Nikon TC20EIII, Nikon TC14EII, Kenko x1.4, Sigma 2.0
I used to have the M40/2.8, but didn't find it a great focal length for digital. My F50/1.7 is a lot more usable. Bought it from eBay on a K1000 in a poorly listed auction, and made a tidy profit by selling them separately a year later, which then funded my Sigma 105/2.8 with cash to spare. Which was nice.
Frogfish, I meant that it was even too wide, on that day, at 20mm. Still, I remember fondly how useful my Miranda 24mm used to be in film days when out fell walking, so maybe I was wrong to be dismissive of the 10-20. And in fact the Sigma was extremely useful for some wedding shots too. You have a good point in suggesting I get them both on the camera, but as I'm fairly strictly a second hand buyer it's either difficult or dishonest to try them out, depending on method chosen.
Sigma EX 105/2.8 Macro | Manfrotto 190ProB with 488RC2 | Rode SVM
flickr
The 8-16 is supposed to be sharper than the 10-20, and is also (obviously) wider. However although it is a rectilinear lens it does have a 'fisheye-style' bulbous front element, which means no filters and a greater risk of damage/rain on front element/etc.
Shooting the Welsh Wilderness with K-m, KX, MX, ME Super and assorted lenses.
Then I got a Tamron 10-24, discounted down to US$375 shipped. The Zen is so lonely now! I was put off by Sigma's build issues, and I could afford the Tamron. I'm quite happy with jumping from ultra to moderately wide as conditions dictate. Faster would be nicer, but I can live with it, just pump the ISO some.
I can't recommend a wide prime. Good luck.
: Too many film & digital cameras & lenses, oh my!
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14 years
I want to sell the big Sigma and replace it with either the DA21 and the DA35/2.4, or the DA15 alone. I would post my current kit list, except that it's detailed clearly in my signature below!
Advantages of the DA21 and DA35 pairing are that it's versatile, likely to get use, and would give me lots of opportunity not to use the 18-55.
Advantages of the DA15 are that it is a focal length not already covered by my current lenses. I'm not keen on the Sigma 10-20, even though it's within my budget. Aesthetics, I think, but I can't put my finger on it.
I used to take mostly landscapes about four times a year when I can get somewhere interesting. I also shoot closeups and abstract pattern pictures. Nowadays I take a lot of photos of my 1 year old son, and lots of movies too, using mainly the F50/1.4.
What lens would be the best use of the proceeds from selling the Sigma? Any different ideas? Sigma 30/1.4 would be great as a standard prime. DA70 would be good for portraits.
Sigma EX 105/2.8 Macro | Manfrotto 190ProB with 488RC2 | Rode SVM
flickr