Ranmore Common
Oh, really? I'd have thought the 80's postcard-style shots of olde Dorking town would have held a sort of nostalgic appeal? What about how I've managed to almost eliminate the pea-soup-like blue haze that blighted the far distance beyond the tree line on the Dorking ones, near-matching the contrast levels with the closer treeline? That took some skill!
The only attractive thing about any of these pics is the curves of the road and #7 shows that off with the added benefit of giving some depth context with the background allowed by the portrait aspect.
I seriously wish you'd stop putting technical issues before artistic ideals. Your pic of your girls with the ice cream was great. It had personality, the composition was solid and your B&W edit made it pop ( I think you should do the same but leave it colour and make it pop in the same manner )
As most of us commented on your ice cream pic, you captured a moment and it was special.
Nothing special is captured with these landscape pics. The composition is awkward in most of them and probably the worst of all the lighting/atmospherics isn't anything inspiring.
Maybe if you went to the same location at dawn or evening in those nice lighting hours, or when the weather was exciting... thunderstorms, snow, heavy rain, etc then there would be a magical moment to capture.
You could improve your photography by a 1000% if you just changed your mindset from left brain to right brain.
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Are there any recommended courses or guidebooks you know of that detail that procedure?
All aside you have a great sense of humour
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Are there any recommended courses or guidebooks you know of that detail that procedure?
CaptureLight Ltd
flickr
"I carry a camera to capture memories and the occasional photograph worthy of sharing"
A while back, in an attempt to get me out of this bad habit, I bought a couple of film Pentaxes, 35mm and MF, manual and auto focus. If I just take one MF film, that's only 16 shots, or 24 with 35mm. This makes me find a good subject, and then spend time on composition and determining the various settings.
My suggestion Nigel, is that it would be a better use of your time if you were to do post porcessing work on more considered photographs in the first instance, maybe giving greater consideration into fundamental questions like what is the photograph trying to communicate, who is it for, what is special in the scene, is this the best way to frame the subject, at what time of day is the light best, which lens or focal length is best for the scene and so on, what do I really enjoy in what my eyes can see and how can this be conveyed most effectively.
That would give us more enjoyment and more to talk enthusiastically about.
By the way, Nigel, I'm responding to David Storm's request that we try to breath some life back into this forum. Absolutely no offence meant, I value your contribution to this forum very highly.
It would be interesting to figure out how much time goes into taking the photo and how much into processing it. Maybe we need to reverse the time that goes into each. The trouble with me and digital is that I snap too quickly only to spend ages trying to improve the image on the computer.
A while back, in an attempt to get me out of this bad habit, I bought a couple of film Pentaxes, 35mm and MF, manual and auto focus. If I just take one MF film, that's only 16 shots, or 24 with 35mm. This makes me find a good subject, and then spend time on composition and determining the various settings.
My suggestion Nigel, is that it would be a better use of your time if you were to do post porcessing work on more considered photographs in the first instance, maybe giving greater consideration into fundamental questions like what is the photograph trying to communicate, who is it for, what is special in the scene, is this the best way to frame the subject, at what time of day is the light best, which lens or focal length is best for the scene and so on, what do I really enjoy in what my eyes can see and how can this be conveyed most effectively.
That would give us more enjoyment and more to talk enthusiastically about.
You cannot polish a turd. It sticks to the cloth
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
I would echo what a lot of people have already said. Number 7 and its resulting children are the only ones that catch my eye and the reason is that they have a lead-in, which the others do not. I do feel that your images in general lack some of the finer compositional details and as a result they look a bit one dimensional. I think you need to make much more use of foreground interest, particularly when shooting with the 14mm lens, so that there is something to lead the eye into the image.
I find it hard to comment on the processing as I think struggle to see the relevance if the image is not 'right' in camera.
I applaud you once again Nigel for opening yourself up to scrutiny and for creating some interest on the Forum!
Regards
David
I quite like #4. The B&W processing and the addition of the car being key
... By the way, Nigel, I'm responding to David Storm's request that we try to breath some life back into this forum. Absolutely no offence meant, I value your contribution to this forum very highly.
Don't worry, as I guess some have picked up, it would be hard to really offend me - bring it on I say, I won't be deterred, more likely just encourage me more!
Thanks too Gareth for those views - I'll have opportunties to shoot there again and will try different weather and angles - plenty more experimenting to come.
... I applaud you once again Nigel for opening yourself up to scrutiny and for creating some interest on the Forum! Regards David
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it was ronniemac not me
CaptureLight Ltd
flickr
"I carry a camera to capture memories and the occasional photograph worthy of sharing"
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
All the processing in the world is not going to turn an uninteresting photo into an interesting one.
Sorry to be harsh, but for me these are just dull snapshots.
As Smeggy says, maybe try returning during some interesting light or weather
Michael
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
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5986 posts
14 years
Surrey,
England
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver