Picking Apples
Posted 13/01/2011 - 18:36
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I definately prefer the colour to the mono versions.
And the colour, original, is my pick, just a more uplifting and vibrant image. BUT I would say you have got a better and more balanced crop on the mono shot. Hope this helps, sometimes one can spend too much time looking at images.
And the colour, original, is my pick, just a more uplifting and vibrant image. BUT I would say you have got a better and more balanced crop on the mono shot. Hope this helps, sometimes one can spend too much time looking at images.
Great simplicity is only won by an intense moment or by years of intelligent effort. T.S Eliot
Gear Not enough!!
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Gear Not enough!!
PPG
Flickr
My not so new website
Posted 13/01/2011 - 18:47
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I love the 'mono (Topaz)' version. It has something dramatic in it. Well done
Kind regards
SmutjeUK
It's nice to be nice!
Pentax K-5 with D-GB4 Grip, to many lenses to mention by now (serious LBA by now), TC's, Lowepro Slingshot 300 AW, Manfrotto 028 & Redsnapper RS-283 with various Heads plus various Camera Clamps (I collect them). Pentax AF 360FGZ, Pentax AF 240FT, several Metz 45 CT-1 & 5 with stands and 'Blow Up' Soft Boxes, Flash Triggers, and various Macro gear.
SmutjeUK
It's nice to be nice!
Pentax K-5 with D-GB4 Grip, to many lenses to mention by now (serious LBA by now), TC's, Lowepro Slingshot 300 AW, Manfrotto 028 & Redsnapper RS-283 with various Heads plus various Camera Clamps (I collect them). Pentax AF 360FGZ, Pentax AF 240FT, several Metz 45 CT-1 & 5 with stands and 'Blow Up' Soft Boxes, Flash Triggers, and various Macro gear.
Posted 13/01/2011 - 20:29
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Colour for me
let the education continue
proud owner of a couple of cameras and a few bits and bobs
proud owner of a couple of cameras and a few bits and bobs
Posted 14/01/2011 - 00:15
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Got to say the colour ones do it for me,,,,No 1 is a little more vibrant,
K-1Gripped K-1 ungripped K-5ii K7 Various lenses
Stuart..
Stuart..
Posted 14/01/2011 - 05:12
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#1 - the original for me.
http://frogfish.smugmug.com/ Pentax. Pentax DA*300/4, Cosina 55/1.2, Lens Baby Composer Pro & Edge 80, AFA x1.7, Metz 50 af1.
Nikon. D800. D600. Sigma 500/4.5, Nikon 300/2.8 VRII, Sigma 120-300/2.8, Zeiss Distagon ZF2 21/2.8, Zeiss Distagon ZF2 35/2.0, Sigma 50/1.4, Nikkor 85/1.8, Nikon TC20EIII, Nikon TC14EII, Kenko x1.4, Sigma 2.0
Nikon. D800. D600. Sigma 500/4.5, Nikon 300/2.8 VRII, Sigma 120-300/2.8, Zeiss Distagon ZF2 21/2.8, Zeiss Distagon ZF2 35/2.0, Sigma 50/1.4, Nikkor 85/1.8, Nikon TC20EIII, Nikon TC14EII, Kenko x1.4, Sigma 2.0
Posted 14/01/2011 - 11:36
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They all look pretty good to me!
I find the differences between 1/2 and 3/4 to be pretty minimal to be honest. 4 is my least favourite, because of the HDR look in the bottom quarter. If I had to pick just 1 I'd probably go for 3. Or 1.
I find the differences between 1/2 and 3/4 to be pretty minimal to be honest. 4 is my least favourite, because of the HDR look in the bottom quarter. If I had to pick just 1 I'd probably go for 3. Or 1.
Tim
AF - Pentax K5, Sigma 10-20/4-5.6, Tamron 17-50/2.8, Sigma 30/1.4, Sigma 70-200/2.8, Tamron 70-300/4-5.6
MF - Vivitar CF 28/2.8, Tamron AD2 90/2.5, MTO 1000/11
Stuff - Metz 58 AF1, Cactus v4, Nikon SB24, Raynox 150, Sigma 1.4x TC, Sigma 2x TC, Kenko 2x macro TC, Redsnapper 283 tripod, iMac 27”, Macbook Pro 17”, iPad, iPhone 3G
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Feel free to edit any of my posted photos! If I post a photo for critique, I want brutal honesty. If you don't like it, please say so and tell me why!
AF - Pentax K5, Sigma 10-20/4-5.6, Tamron 17-50/2.8, Sigma 30/1.4, Sigma 70-200/2.8, Tamron 70-300/4-5.6
MF - Vivitar CF 28/2.8, Tamron AD2 90/2.5, MTO 1000/11
Stuff - Metz 58 AF1, Cactus v4, Nikon SB24, Raynox 150, Sigma 1.4x TC, Sigma 2x TC, Kenko 2x macro TC, Redsnapper 283 tripod, iMac 27”, Macbook Pro 17”, iPad, iPhone 3G
Flickr • Fluidr • PPG • Street • Portfolio site
Feel free to edit any of my posted photos! If I post a photo for critique, I want brutal honesty. If you don't like it, please say so and tell me why!
Posted 14/01/2011 - 15:28
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Number 1 for me.
2 & 3 look a little flat and on 4 the surface of the apply looks odd.
But, then again, I'm at work using a horrible monitor.
2 & 3 look a little flat and on 4 the surface of the apply looks odd.
But, then again, I'm at work using a horrible monitor.
Getting there! Thanks to you guys
Pentax K3ii, Pentax K10d, Kit lens ( 18-55mm ), 50mm f1.7 lens, Tamron 70-300mm lens, Prinzflex 70-162 manual lens, Various old flashes.
Pentax K3ii, Pentax K10d, Kit lens ( 18-55mm ), 50mm f1.7 lens, Tamron 70-300mm lens, Prinzflex 70-162 manual lens, Various old flashes.
Posted 14/01/2011 - 19:45
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First I thought colour (for once) then those mono shots make you fpcus on the lines rather than the sky. Then...I can't make up my mind, Jon. I honestly think (as so often) if the shot's a true classic then it will work whatever, however the treatment.
Best wishes,
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
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Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Posted 14/01/2011 - 21:08
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bwlchmawr wrote:
First I thought colour (for once) then those mono shots make you fpcus on the lines rather than the sky. Then...I can't make up my mind, Jon. I honestly think (as so often) if the shot's a true classic then it will work whatever, however the treatment.
Hear hear - what Andrew said.First I thought colour (for once) then those mono shots make you fpcus on the lines rather than the sky. Then...I can't make up my mind, Jon. I honestly think (as so often) if the shot's a true classic then it will work whatever, however the treatment.
I have one other consideration, and that is a look at the images accepted at PPG - on that account the first colour one is on the right track.
Posted 15/01/2011 - 17:08
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Modern architecture looks equally good to me in either mono or colour but mono often accentuates graphic lines better. I like this set but #1 and #4 work best for me.
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2523 posts
16 years
Here,
there,
everywhere
Colour (Original)
Colour with partially desaturated glass/ desaturated building.
Mono
Mono (Topaz)
Thanks,
Jon
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