Now we have all done digital...
Posted 13/06/2014 - 06:04
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A common question. Many people still use old manual lenses, myself included.
The best deal to start with is undoubtably the M 50mm f/1.7. It can be had for 20 quid or less and has superb IQ. Manual focus takes some getting used to on a DSLR though.
The best deal to start with is undoubtably the M 50mm f/1.7. It can be had for 20 quid or less and has superb IQ. Manual focus takes some getting used to on a DSLR though.
Pentax hybrid user - Digital K3, film 645 and 35mm SLR and Pentax (&other) lenses adapted to Fuji X and Panasonic L digital
Fan of DA limited and old manual lenses
Fan of DA limited and old manual lenses
Posted 13/06/2014 - 07:08
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Imho nothing can beat the feel of a good quality manual focus lens I use quite a few of them one of my favourites is the k55/f1.8 which can be had for not a lot.As for focusing on digital live view focus peaking helps.
Posted 13/06/2014 - 07:26
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I've still got my original M20-f4, M28-f2.8, M50-f1.4, M100-f2.8 and M200-f4 from the late 70s - early 80s. They perform very well on my K5 and the build quality and feel is second to none. Even better than my 300DA*
Posted 13/06/2014 - 07:34
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I have a lovely Pentax 50mm 1.7 but although great for portraits and of high quality, it's too long for my tastes. My current favourite lens is a Pentax 28mm 3.5 which is a permanent fixture on my K100.
I actually find critical focusing easier, as the automatic focusing lenses often pick the "wrong" point, so you have to fuss about correcting it. Setting hyper-focus distances to ensure maximum depth of field is easy too, as old lenses have proper distance/aperture markings on the barrel. I also like to set apertures on the lens rather than through buttons on the camera, it seems more intuitive to someone brought up in the bad old film days.
And as for build quality... well, let's just say I have an autofocus Pentax 35mm 2.4 lens. It has a plastic mount.
I actually find critical focusing easier, as the automatic focusing lenses often pick the "wrong" point, so you have to fuss about correcting it. Setting hyper-focus distances to ensure maximum depth of field is easy too, as old lenses have proper distance/aperture markings on the barrel. I also like to set apertures on the lens rather than through buttons on the camera, it seems more intuitive to someone brought up in the bad old film days.
And as for build quality... well, let's just say I have an autofocus Pentax 35mm 2.4 lens. It has a plastic mount.
Best wishes,
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Posted 13/06/2014 - 08:54
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stub wrote:
Well I guess most of us have.. I was wondering how many of our gathering were still coupling up the film type lenses. As they seem to be around for very little money. What are the better purchases of this type of lens ?
If you are patient then sooner or later one of these will crop up on eBay for next to nothing, especially if attached to an old film body ...Well I guess most of us have.. I was wondering how many of our gathering were still coupling up the film type lenses. As they seem to be around for very little money. What are the better purchases of this type of lens ?
SMC Pentax M 135m f3.5
SMC Pentax M 75-150mm f4
SMC Pentax M 50mm f1.4
etc. ...
Posted 13/06/2014 - 09:18
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I'm not new to this style of lens. I love them. I have a manual 50mm M 1.7.SMC A 35-70 and recently won a camera club competition with a auto focusing SMC F 35-80 which I picked up on ebay for a mere 99p. I do a great deal of gig photography in very low light conditions and find an old Vivitar 28mm 2.8 invaluable.
Quote:
I actually find critical focusing easier, as the automatic focusing lenses often pick the "wrong" point
Interesting comment..I actually find critical focusing easier, as the automatic focusing lenses often pick the "wrong" point
Quote:
SMC Pentax M 135m f3.5
SMC Pentax M 75-150mm f4
SMC Pentax M 50mm f1.4
I will look out for examples..
SMC Pentax M 135m f3.5
SMC Pentax M 75-150mm f4
SMC Pentax M 50mm f1.4
K-1Gripped K-1 ungripped K-5ii K7 Various lenses
Stuart..
Stuart..
Posted 13/06/2014 - 09:23
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I have seven A and M series lens and one Tokina PKA zoom. All bar the Tokina owned since my 35mm days. Some get more use than others but they are all good. I've recently 'rediscovered' my SMC-A F4 35-70mm on digital and it's an excellent perfomer, particularly at the long end. It was used on the last six pictures in my Gallery and it's very good for close ups that don't go into macro territory.
Posted 13/06/2014 - 09:33
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Plus there are some fine Russian M42 fit lenses if you get good copies where the grease hasn't dried up. Unfortunately the prices have risen quite a lot over the last year or two for some of these. Additionally if your eyes are sharp and fingers nimble it's an interesting exercise to dismantle and, hopefully, reassemble them if you end up with one which needs a re-grease!
Helios 44-2 58/2
MIR-1 37/2.8
Industar 61 L/Z 50/2.8
Jupiter 9 85/2
Helios 44-2 58/2
MIR-1 37/2.8
Industar 61 L/Z 50/2.8
Jupiter 9 85/2
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1973 posts
15 years
Manchester
Stuart..