My Spotmatic ESII

Backhouse
Posted 22/09/2010 - 17:36 Link
Bought of Ebay with a dodgy prism, Thanks to Mogwog and his big box of spare bits it now has a perfect spotty prism and works wonderfully

Comment Image


The 28mm lens was a bit of an extravegance with the hood and everything all cased but they are supposed to be a good one so I thought maybe worth it.

VERY nice camera to use, just has a very 'proper' feel to it.
womble
Posted 22/09/2010 - 18:23 Link
Very nice indeed. The 28mm f/3.5 is a lovely lens indeed, I am very pleased with mine. I too went and bought the proper square hood, with case.

Given they ES and ESII do not meter in manual I shouldn't like mine (an ES) as much as I do, but I am very fond of it and of the four screw mount cameras I use it is the only one that sees regular outings.

K.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
hefty1
Posted 22/09/2010 - 18:36 Link
Of all the M42 lenses I've bought and sold the 28/3.5 is the only one I miss. I'm keeping my eyes peeled for a replacement...

Nice looking outfit anyway
Joining the Q
mowog
Posted 22/09/2010 - 20:33 Link
Lovely! - A rarer (on this side of the pond, at least) American market Honeywell Pentax ES11.

Who's Mogwog?..
No man is worth his salt, who has not been banned from at least one Forum, and two Flickr groups.

Mowog.
Backhouse
Posted 22/09/2010 - 20:56 Link
mowog wrote:

Who's Mogwog?..
Some bloke called Chris who I keep miss-quoting

blame the fat fingers
puma
Posted 22/09/2010 - 21:17 Link
Wonderful lens and i love the hood
PPG link
Dangermouse
Posted 22/09/2010 - 21:56 Link
I'm given to understand that this 28mm is more or less the same as the SMC K 28mm f3.5, in which case it's an absolute cracker. Probably the most useful manual prime you can own if you have both film and digital, it's sharp enough that you can crop and enlarge images without them suffering as a result.
Matt

Shooting the Welsh Wilderness with K-m, KX, MX, ME Super and assorted lenses.

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