Mono shots from Cornwall
Posted 29/03/2007 - 19:00
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Lilly,
Well done - both shots very impressive!
Mike
Well done - both shots very impressive!
Mike
Posted 29/03/2007 - 19:37
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The cross is super! The bridge could do with a horse and cart in the distance, IMHO.
Posted 29/03/2007 - 23:40
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I'm just wondering how the cross would look if shot at more of an angle instead of straight on.
Detail is good on both, though duo toning is not evident to me. they both look like mono shots. What colours did you use for duotone?
Detail is good on both, though duo toning is not evident to me. they both look like mono shots. What colours did you use for duotone?
Please call me aj,
I use a Pentax K10D, on a MacBook with LightRoom (vers 1.3 + beta 2)
http://www.ba-joseph.co.uk/gallery
I use a Pentax K10D, on a MacBook with LightRoom (vers 1.3 + beta 2)
http://www.ba-joseph.co.uk/gallery
Posted 30/03/2007 - 02:12
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I like
!javascript:emoticon('')
!javascript:emoticon('')
Fired many shots. Didn't kill anything.
Posted 30/03/2007 - 12:24
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Quote:
I'm just wondering how the cross would look if shot at more of an angle instead of straight on.
Detail is good on both, though duo toning is not evident to me. they both look like mono shots. What colours did you use for duotone?
Thanks Andrew, the duotone I applied was quiet subtle in both shots, perhaps too subtle, not as dramatic as the ones I have seen on your siteI'm just wondering how the cross would look if shot at more of an angle instead of straight on.
Detail is good on both, though duo toning is not evident to me. they both look like mono shots. What colours did you use for duotone?
For the cross I used:
Blk., Pantone Cool Gray 5c & Pantone 461C
I can't remember the bridge dutone spec. as I didnt save the profile for that one and I havnt got up to speed with the history button yet, on a steep learning curve!
Posted 30/03/2007 - 13:14
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I like them, they do just look like monos to me but then I always think the best PS work should be undetectable.
Posted 30/03/2007 - 13:14
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Lilly,
You've just provided two stunning examples that prove that lighting is one of the most important elements in all visual arts.
Excellent eye!
You've just provided two stunning examples that prove that lighting is one of the most important elements in all visual arts.
Excellent eye!
Mac from Montreal
SP, SPII, SPF, PZ-10, P30, SFX, K110D, istDS, Optio 60, Z-10, H90, RZ10, I-10, f3.5 28mm, f1.8 55mm, f1.4 50mm, f3.5 135mm, f2.5 135mm, f4 50mm Macro, f4.5 80-200 F, f4 35-70, f3.5 28-80, f3.5 35-135, f3.5 18-55, f1.8 31mm Ltd., two Auto 110's, Auto 110 lenses and filters, tubes, bellows, Manfrottos and a sore back.
SP, SPII, SPF, PZ-10, P30, SFX, K110D, istDS, Optio 60, Z-10, H90, RZ10, I-10, f3.5 28mm, f1.8 55mm, f1.4 50mm, f3.5 135mm, f2.5 135mm, f4 50mm Macro, f4.5 80-200 F, f4 35-70, f3.5 28-80, f3.5 35-135, f3.5 18-55, f1.8 31mm Ltd., two Auto 110's, Auto 110 lenses and filters, tubes, bellows, Manfrottos and a sore back.
Posted 30/03/2007 - 14:49
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Amazing texture in the shot of the cross... makes one almost feel the roughness of the stone... amazing lighting to cast the necessary shadows... B&W presentation also a perfect choice - colour would have distracted from light/shadow/texture...
I would agree with Mongoose - (slight paraphrase) Photos should never 'look' like they've been modified after pressing the shutter button - post-processing has it's place, to be sure, but, IMO, subtle is definitely the way to go...
I would agree with Mongoose - (slight paraphrase) Photos should never 'look' like they've been modified after pressing the shutter button - post-processing has it's place, to be sure, but, IMO, subtle is definitely the way to go...
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MZ-6,K10D,K20D,Grip,DA*Zooms,DA 18-55-200 Kit,FA50,1.7TC,AFZ360
For Saleentax FA28-90,FA100-300,Sigma EX28-80,DC18-200,
Makinon 500mm Mirror
Posted 30/03/2007 - 18:14
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thank you all so much for the positive feedback, it is very encouraging to know I am heading in the right direction, I want so much to prove my worth as a photographer and portray this beautiful county at its mystical mono best!
Posted 30/03/2007 - 22:45
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I'm just jealous of someone who lives in such an attractive part of the country!
Posted 31/03/2007 - 14:51
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Hi,
Lilly...GOOD...well done..keep going..
it is just so nice to see a landscaper NOT trying to be Bl**** Joe Cornish for a change. If I never see another ND grad/polarised earlylight blah blah tedious in the extreme shot it will be too soon..
SO WELL DONE YOU!!
cheers Steve.
Lilly...GOOD...well done..keep going..
it is just so nice to see a landscaper NOT trying to be Bl**** Joe Cornish for a change. If I never see another ND grad/polarised earlylight blah blah tedious in the extreme shot it will be too soon..
SO WELL DONE YOU!!
cheers Steve.
Posted 01/04/2007 - 14:16
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Quote:
... If I never see another ND grad/polarised earlylight blah blah tedious in the extreme shot it will be too soon..
Oh...... bye then..... ... If I never see another ND grad/polarised earlylight blah blah tedious in the extreme shot it will be too soon..
Please call me aj,
I use a Pentax K10D, on a MacBook with LightRoom (vers 1.3 + beta 2)
http://www.ba-joseph.co.uk/gallery
I use a Pentax K10D, on a MacBook with LightRoom (vers 1.3 + beta 2)
http://www.ba-joseph.co.uk/gallery
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979 posts
19 years
Duchy of Cornwall
I am trying to convey the mystical atmosphere of this celtic land and would appreciate any constructive comments if you feel so inclined.
Does the exposure look spot on to you?
This is of a railway bridge looking towards Hayle Estuary, not sure if it needs a walking figure on the road or not, what do you think?
I have duo toned, K10D, F16 1/45 ISO 100 17mm with 17-55mm kit lens
This is of a celtic cross at the head of a tomb I found in our local cemetary, originally it was a pretty mediochre image, I was testing out the K10D, but when I cropped it down by 50%, mono and duotoned, it became more interesting and atmospheric with the spooky trees out of focus in the background, well to me anyway
K10D, F5.6 1/125 with 17-55mm kit lens
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