Longleat & Monkey World
Joining the Q
Fiona
"Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep". ~Scott Adams
Q | Various Q lenses & filters | KP | 35mm 2.8 Macro
K.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
My website

Tweak herewith - a bit of fill light, additional brightness and a heavy handed play with the tone curve.
I cropped some of the sky away also, to focus more attention on our friend.
The intention was to darken the background, and bring some more light and detail out of the chimp (poor bugger).
My guess is that your camera exposed for the (brighter) sky more so than your (darker) subject. That was good in one sense, because it meant you got to keep the detail in the clouds.
Can you recall which metering mode you used for these shots? The mode can make a fair bit of difference.
http://www.pbase.com/iberg
The lion shots look over-processed to me, either over sharpened, over contrasted .. or both !
http://frogfish.smugmug.com/ Pentax. Pentax DA*300/4, Cosina 55/1.2, Lens Baby Composer Pro & Edge 80, AFA x1.7, Metz 50 af1.
Nikon. D800. D600. Sigma 500/4.5, Nikon 300/2.8 VRII, Sigma 120-300/2.8, Zeiss Distagon ZF2 21/2.8, Zeiss Distagon ZF2 35/2.0, Sigma 50/1.4, Nikkor 85/1.8, Nikon TC20EIII, Nikon TC14EII, Kenko x1.4, Sigma 2.0
i-berg - i used multi-segment metering but did dial in +1.7 of exposure compensation to get some detail in the chimp.
Gareth & Frogfish - the funny lines in the sky have come from some fairly heavy burning i think. (i'm still new to all this post processing stuff)as there is no sign of them on a straight b&w conversion from the original raw file
As for the lion your right it has had rather alot of sharpening to try and compensate for shooting a moving subject through a windscreen. i've also probably been a bit heavy handed with the saturation slider aswell lol

I'll have a go at re-working both shots and re-posting them and i'd appreciate if u guys could tell me if you think there's any improvement.
Pentax K-x, Da-L 18-55mm, Da-L 50-200mm, Tamron Di Ld 70-300mm
regards
Roy
Pentax K3 gripped,and some lenses
https://www.flickr.com/photos/pentaxroy/
my pbase gallery
Fiona
"Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep". ~Scott Adams
Q | Various Q lenses & filters | KP | 35mm 2.8 Macro

Pentax K-x, Da-L 18-55mm, Da-L 50-200mm, Tamron Di Ld 70-300mm
Dhumpy
Member
Redditch
Black & white conversion of the above
Pentax K-x, Da-L 18-55mm, Da-L 50-200mm, Tamron Di Ld 70-300mm