K-3 studio test shots now on Imaging Resource

BarryPearson
Posted 30/10/2013 - 10:25 Link
McGregNi wrote:
No software noise defaults would be expected to deal with such extreme high iso. It is not unexpected that you`d need much higher corrections. Perhaps your results are not unexpected either?
I was comparing the K-3 at ISO 51,200 with the K-5IIS at ISO 51,200. The K-5IIs worked OK with the Lightroom default "Color" noise reduction value of 25, but the K-3 didn't.

When my K-3 arrives in a week or so I will have to experiment to get a feel for how hard I can push it within the range that Lightroom can handle. My K-5IIs will become my back-up camera, always reasonably accessible, so if the K-3 turns out not to be as good in this case as the K-5IIs I won't be too upset, because I will have the latter to fall back on. But I would obviously prefer to be able to stick with just my K-3.
aliengrove
Posted 30/10/2013 - 12:44 Link
Colour noise reduction is far less destructive than luminance noise reduction, so having to crank it up shouldn't affect the images.

However, it's overall high ISO noise more than anything else that interests me, so it looks like I'll be skipping yet another model in the Pentax line-up. Hopefully the rumours of a FF digital LX are true.
McGregNi
Posted 30/10/2013 - 21:08 Link
I suppose the really important thing is not so much the exact numerical value of any processing correction, but rather how well the image responds to the processing - how easily the noise disappears and what after-effects remain.

Each different model may not have the same starting points (numerically) for any given processing parameter, or the reduction effect may not kick in until further up. I woudn't be concerned if the K3 needed 35 or 40 of ACR colour noise reduction, so long as there was no increased artifacts as a result of that input.

I'd question any assertion that if you need more NR input numerically for a particular sensor / camera model then the noise performance of that camera must be inferior. As I discovered with the K5II/s comparisons, actual pixel data responds differently and at different amounts of adjustment when the starting point of that data is different.
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Edited by McGregNi: 30/10/2013 - 21:08
Smeggypants
Posted 30/10/2013 - 22:43 Link
There are always increased artefacts as a result of increase NR settings. personally I prefer to have a bit of noise than the "hideous 10th generation VHS copy" smearing effect you get from too much NR
[i]Bodies: 1x K-5IIs, 2x K-5, Sony TX-5, Nokia 808
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
robbiec
Posted 31/10/2013 - 00:24 Link
Could be that Lightroom needs an update to understand how to deal with K-3 files. The camera is not officially out in the wild just yet.
BarryPearson
Posted 31/10/2013 - 05:47 Link
robbiec wrote:
Could be that Lightroom needs an update to understand how to deal with K-3 files. The camera is not officially out in the wild just yet.
I'm still using Lightroom 3.6, and it handles the K-3 DNGs well. (In fact, it handles my K-5IIs DNGs well, even though it was released before the K-5IIs). My Lightroom is currently using the K-3's DNGs' embedded profiles.

I expect Adobe will eventually create their own camera profile for the K-3, but I never use Adobe profiles. I'll create my own for the K-3, just as I have for all my previous cameras.
Smeggypants
Posted 31/10/2013 - 06:07 Link
BarryPearson wrote:
robbiec wrote:
Could be that Lightroom needs an update to understand how to deal with K-3 files. The camera is not officially out in the wild just yet.
I'm still using Lightroom 3.6, and it handles the K-3 DNGs well. (In fact, it handles my K-5IIs DNGs well, even though it was released before the K-5IIs). My Lightroom is currently using the K-3's DNGs' embedded profiles.

I expect Adobe will eventually create their own camera profile for the K-3, but I never use Adobe profiles. I'll create my own for the K-3, just as I have for all my previous cameras.
Consider upgrading to LR4 or 5. Noise reduction is much better, as is the overall processing.
[i]Bodies: 1x K-5IIs, 2x K-5, Sony TX-5, Nokia 808
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Smeggypants
Posted 31/10/2013 - 07:06 Link
OK, downloaded the ISO 51200 DNG's of K3 and K-5 from Imaging resource....

Imported into Lightroom 4.2 and applied my standard NR settings for ISO52100 to each. I have to say the K-5 beats the K-3 hands down. And it's not just colour noise. the colour noise setting in LR4.2 on these 21/100. Even wacking it up to 100/100 on the k3 version, still left loads more luminance noise than the K-5 version.

The next step was to increase the luminance setting ( which is on 47/100 for these examples ) so that the K-3's luminance noise levels roughly equalled that of the K-5. Somewhere around 70/100 did the trick but left that hideous 69th generation VHS copy smear that high NR gives.

So far I conclude that the K-3's ISO performance has suffered because of the marketing need to keep up with the MegaPixel race. I hate this damn MP race, and would rather have better IQ than more MP. However before making a solid conclusion I aim to repeat his test at mid range ISO values, i.e ISO6400. I wager it will be the same proportional difference given Dynamic range/ISO specs are pretty linear. i.e you roughly lose 1 stop of dynamic range for 1 stop of ISO



Here's the full image and 100% pixel peep versions for each ( click on pics to avoid annoying dinosaur 800px restriction )


K3 ISO51200 - full pic

Comment Image



K5 ISO51200 - full pic

Comment Image



K3 ISO51200 - 100% pixel peep

Comment Image



K5 ISO51200 - 100% pixel peep

Comment Image
[i]Bodies: 1x K-5IIs, 2x K-5, Sony TX-5, Nokia 808
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Edited by Smeggypants: 31/10/2013 - 07:09
scotjames
Posted 31/10/2013 - 07:35 Link
Does anybody actually shoot at these iso levels anyway? I don't think I've ever gone above 6400 and even then incredibly rarely.
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mille19
Posted 31/10/2013 - 07:55 Link
scotjames wrote:
Does anybody actually shoot at these iso levels anyway? I don't think I've ever gone above 6400 and even then incredibly rarely.
Totally agree
ChrisA
Posted 31/10/2013 - 08:25 Link
scotjames wrote:
Does anybody actually shoot at these iso levels anyway? I don't think I've ever gone above 6400 and even then incredibly rarely.
This, as an argument for not worrying about the very high ISO settings, is putting the cart before the horse.

The reason we don't go above ISO 6400 or whatever is because the result is bad. If it wasn't, surely we would?
.
Pentax K-3, DA18-135, DA35 F2.4, DA17-70, DA55-300, FA28-200, A50 F1.7, A100 F4 Macro, A400 F5.6, Sigma 10-20 EXDC, 50-500 F4.5-6.3 APO DG OS Samsung flash SEF-54PZF(x2)
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Edited by ChrisA: 31/10/2013 - 08:25
ChrisA
Posted 31/10/2013 - 08:26 Link
By the way, Smeggy, if you have time, please would you compare the still lifes from the K-3 and D7100 at a suitable range of ISO values?
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Pentax K-3, DA18-135, DA35 F2.4, DA17-70, DA55-300, FA28-200, A50 F1.7, A100 F4 Macro, A400 F5.6, Sigma 10-20 EXDC, 50-500 F4.5-6.3 APO DG OS Samsung flash SEF-54PZF(x2)
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BarryPearson
Posted 31/10/2013 - 08:42 Link
Smeggypants wrote:
Consider upgrading to LR4 or 5. Noise reduction is much better, as is the overall processing.
Process 2010 was introduced with Lightroom 3, not 4. My understanding is that noise reduction, which was dramatically improved in Lightroom 3, is pretty much the same since then. (But the Basic panel was very much improved in Lightroom 4).

Yes, I will be upgrading to the latest versions of Lightroom and Photoshop when I have upgraded my Victorian-era Windows XP PC to something more recent! Thanks.
johnriley
Posted 31/10/2013 - 08:46 Link
The 100% images result in different magnifications with the K-3 and K-5, thus introducing another variable.

What would we conclude the significance of that would be?
Best regards, John
BarryPearson
Posted 31/10/2013 - 08:48 Link
Smeggypants wrote:
OK, downloaded the ISO 51200 DNG's of K3 and K-5 from Imaging resource....

Imported into Lightroom 4.2 and applied my standard NR settings for ISO52100 to each. I have to say the K-5 beats the K-3 hands down. And it's not just colour noise. the colour noise setting in LR4.2 on these 21/100. Even wacking it up to 100/100 on the k3 version, still left loads more luminance noise than the K-5 version.

The next step was to increase the luminance setting ( which is on 47/100 for these examples ) so that the K-3's luminance noise levels roughly equalled that of the K-5. Somewhere around 70/100 did the trick but left that hideous 69th generation VHS copy smear that high NR gives.
Unfortunately, that agrees with my own assessment. I was hoping I was wrong. (But I think up to about ISO 6400 there is much more similarity between the K-5IIs and the K-3).

I will soon know. The latest Track & Trace for my K-3 reads:
31-10-2013 - 06:32 - Manchester Piccadilly Depot - Loaded to vehicle for delivery

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