K-3 studio test shots now on Imaging Resource
However, it's overall high ISO noise more than anything else that interests me, so it looks like I'll be skipping yet another model in the Pentax line-up. Hopefully the rumours of a FF digital LX are true.
Each different model may not have the same starting points (numerically) for any given processing parameter, or the reduction effect may not kick in until further up. I woudn't be concerned if the K3 needed 35 or 40 of ACR colour noise reduction, so long as there was no increased artifacts as a result of that input.
I'd question any assertion that if you need more NR input numerically for a particular sensor / camera model then the noise performance of that camera must be inferior. As I discovered with the K5II/s comparisons, actual pixel data responds differently and at different amounts of adjustment when the starting point of that data is different.
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Could be that Lightroom needs an update to understand how to deal with K-3 files. The camera is not officially out in the wild just yet.
I expect Adobe will eventually create their own camera profile for the K-3, but I never use Adobe profiles. I'll create my own for the K-3, just as I have for all my previous cameras.
Could be that Lightroom needs an update to understand how to deal with K-3 files. The camera is not officially out in the wild just yet.
I expect Adobe will eventually create their own camera profile for the K-3, but I never use Adobe profiles. I'll create my own for the K-3, just as I have for all my previous cameras.
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Imported into Lightroom 4.2 and applied my standard NR settings for ISO52100 to each. I have to say the K-5 beats the K-3 hands down. And it's not just colour noise. the colour noise setting in LR4.2 on these 21/100. Even wacking it up to 100/100 on the k3 version, still left loads more luminance noise than the K-5 version.
The next step was to increase the luminance setting ( which is on 47/100 for these examples ) so that the K-3's luminance noise levels roughly equalled that of the K-5. Somewhere around 70/100 did the trick but left that hideous 69th generation VHS copy smear that high NR gives.
So far I conclude that the K-3's ISO performance has suffered because of the marketing need to keep up with the MegaPixel race. I hate this damn MP race, and would rather have better IQ than more MP. However before making a solid conclusion I aim to repeat his test at mid range ISO values, i.e ISO6400. I wager it will be the same proportional difference given Dynamic range/ISO specs are pretty linear. i.e you roughly lose 1 stop of dynamic range for 1 stop of ISO
Here's the full image and 100% pixel peep versions for each ( click on pics to avoid annoying dinosaur 800px restriction )
K3 ISO51200 - full pic

K5 ISO51200 - full pic

K3 ISO51200 - 100% pixel peep

K5 ISO51200 - 100% pixel peep

Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Does anybody actually shoot at these iso levels anyway? I don't think I've ever gone above 6400 and even then incredibly rarely.
Does anybody actually shoot at these iso levels anyway? I don't think I've ever gone above 6400 and even then incredibly rarely.
The reason we don't go above ISO 6400 or whatever is because the result is bad. If it wasn't, surely we would?
Pentax K-3, DA18-135, DA35 F2.4, DA17-70, DA55-300, FA28-200, A50 F1.7, A100 F4 Macro, A400 F5.6, Sigma 10-20 EXDC, 50-500 F4.5-6.3 APO DG OS Samsung flash SEF-54PZF(x2)
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Pentax K-3, DA18-135, DA35 F2.4, DA17-70, DA55-300, FA28-200, A50 F1.7, A100 F4 Macro, A400 F5.6, Sigma 10-20 EXDC, 50-500 F4.5-6.3 APO DG OS Samsung flash SEF-54PZF(x2)
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Consider upgrading to LR4 or 5. Noise reduction is much better, as is the overall processing.
Yes, I will be upgrading to the latest versions of Lightroom and Photoshop when I have upgraded my Victorian-era Windows XP PC to something more recent! Thanks.
What would we conclude the significance of that would be?
OK, downloaded the ISO 51200 DNG's of K3 and K-5 from Imaging resource....
Imported into Lightroom 4.2 and applied my standard NR settings for ISO52100 to each. I have to say the K-5 beats the K-3 hands down. And it's not just colour noise. the colour noise setting in LR4.2 on these 21/100. Even wacking it up to 100/100 on the k3 version, still left loads more luminance noise than the K-5 version.
The next step was to increase the luminance setting ( which is on 47/100 for these examples ) so that the K-3's luminance noise levels roughly equalled that of the K-5. Somewhere around 70/100 did the trick but left that hideous 69th generation VHS copy smear that high NR gives.
I will soon know. The latest Track & Trace for my K-3 reads:
31-10-2013 - 06:32 - Manchester Piccadilly Depot - Loaded to vehicle for delivery
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39 posts
11 years
Stockport
No software noise defaults would be expected to deal with such extreme high iso. It is not unexpected that you`d need much higher corrections. Perhaps your results are not unexpected either?
When my K-3 arrives in a week or so I will have to experiment to get a feel for how hard I can push it within the range that Lightroom can handle. My K-5IIs will become my back-up camera, always reasonably accessible, so if the K-3 turns out not to be as good in this case as the K-5IIs I won't be too upset, because I will have the latter to fall back on. But I would obviously prefer to be able to stick with just my K-3.