I just found out.
Posted 04/12/2015 - 07:11
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I am not so sure if it is a problem at any speed. But it makes me feel better.
Regards, Horst
Regards, Horst
Posted 04/12/2015 - 08:44
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There have been suggestions that there can be a problem around 1/125 sec, not with any particular marque but generally. In practice, I have never noticed it, but on the other hand some shots can be sharper than others for no discernable reason.
On a tripod I use the 2 second timer and the mirror is therefore lifted out of the way before the exposure.
On a tripod I use the 2 second timer and the mirror is therefore lifted out of the way before the exposure.
Best regards, John
Posted 04/12/2015 - 08:53
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Some shots can be sharper than others due to the variability of the autofocus, which still isn't great on my K5-IIs. Couple that with a lens that shifts focus with aperture and it all gets a bit hit & miss!
Posted 05/12/2015 - 00:43
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I made the comment because my K5 goes "clack" when pressing LV and "Ker-LACK clack" when you press the shutter. Without LV the mirror goes up and the shutter is very quiet so I assumed the racket was due to the mirror banging about. (Which surely can induce vibration?)
Posted 05/12/2015 - 01:05
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I think the "clack" is the mirror up and the "Ker-LACK clack" is the shutter then the mirror down when the exposure is done.
Posted 04/01/2016 - 08:42
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I just found out the solution to a problem which bugged me for a long time.
The problem with light entering in to the viewfinder window when taking shots from a tripod.
I had all sorts of suggestions, but they all required something to be stuck on or covering the viewfinder window.
But the other day, I was sitting on the throne and reading my K5 manual and I found the solution:
when using the tripod, after focusing, leave your eye on the viewfinder window and press the > AE-L<
button. This stores the exposure time and no matter how much sun shines in to the window, The exposure value from before is used to take the picture.
I tried it, and it works.
You know the old sayings: If all else fails, read...........................
I hope this helps others too.
Regards, Horst
The problem with light entering in to the viewfinder window when taking shots from a tripod.
I had all sorts of suggestions, but they all required something to be stuck on or covering the viewfinder window.
But the other day, I was sitting on the throne and reading my K5 manual and I found the solution:
when using the tripod, after focusing, leave your eye on the viewfinder window and press the > AE-L<
button. This stores the exposure time and no matter how much sun shines in to the window, The exposure value from before is used to take the picture.
I tried it, and it works.
You know the old sayings: If all else fails, read...........................
I hope this helps others too.
Regards, Horst
Posted 04/01/2016 - 09:11
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Horst wrote:
But the other day, I was sitting on the throne and reading my K5 manual and I found the solution:
when using the tripod, after focusing, leave your eye on the viewfinder window and press the > AE-L<
button. This stores the exposure time and no matter how much sun shines in to the window, The exposure value from before is used to take the picture.
I tried it, and it works.
That's a good idea to get around the metering problem but it doesn't prevent the other problem - light entering the viewfinder and getting onto the sensor. I think that problem really becomes significant when using large stop ND filters.
But the other day, I was sitting on the throne and reading my K5 manual and I found the solution:
when using the tripod, after focusing, leave your eye on the viewfinder window and press the > AE-L<
button. This stores the exposure time and no matter how much sun shines in to the window, The exposure value from before is used to take the picture.
I tried it, and it works.
Posted 04/01/2016 - 09:18
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It does stop light getting in to the sensor through the viewfinder and hitting the sensor, because the mirror flips up .
Normally the light reading is taken before the mirror flips up . This way it does not matter, because the original reading is saved. Only the light which hits the sensor from the lens is used for thaking the picture.
Regards, Horst
Normally the light reading is taken before the mirror flips up . This way it does not matter, because the original reading is saved. Only the light which hits the sensor from the lens is used for thaking the picture.
Regards, Horst
Posted 04/01/2016 - 09:46
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Horst wrote:
It does stop light getting in to the sensor through the viewfinder and hitting the sensor, because the mirror flips up .
The light still gets in and bounces around inside the camera, some of it reaching the sensor. It can reduce contrast and create streaky effects, like I said particularly noticeable when using big stop ND filters (because the light leak through the viewfinder is no longer insignificant in comparison with that through the lens). I posted here on 30/11/2015 my tests showing the effect.
It does stop light getting in to the sensor through the viewfinder and hitting the sensor, because the mirror flips up .
Posted 04/01/2016 - 10:05
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I concur with Waypoints finding - I, too, have taken some where the contrast is greatly reduced with a bigstop ND on the lens; physically block the viewfinder with a cap/ glove or something and the problem goes away.
Andy
Posted 04/01/2016 - 20:05
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Yes two different issues going on here.
The first is the metering being off, leading to the wrong exposure settings being selected. As mentioned earlier, with big ND filters I'm not asking the camera to auto meter for me.
The second is light entering whilst the shutter is open and the shot is being taken. This gets worse on longer shots, but is an issue EVEN when the mirror is up.
The first is the metering being off, leading to the wrong exposure settings being selected. As mentioned earlier, with big ND filters I'm not asking the camera to auto meter for me.
The second is light entering whilst the shutter is open and the shot is being taken. This gets worse on longer shots, but is an issue EVEN when the mirror is up.
Posted 05/01/2016 - 08:33
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richandfleur wrote:
Light entering during the exposure is definitely a thing,
It's one of the reasons I prefer to use mirrorless cameras for long exposures. If it wasn't for the looks & lack of EVF the K-01 would be perfect!.
Light entering during the exposure is definitely a thing,
Mike
.
Pentax:K5ii, K7, K100D, DA18-55, DA10-17, DA55-300, DA50-200, F100-300, F50, DA35 AL, 4* M50, 2* M135, Helicoid extension, Tak 300 f4 (& 6 film bodies)
3rd Party: Bigmos (Sigma 150-500mm OS HSM),2* 28mm, 100mm macro, 28-200 zoom, 35-80 zoom, 80-200 zoom, 80-210 zoom, 300mm M42, 600 mirror, 1000-4000 scope, 50mm M42, enlarger lenses, Sony & micro 4/3 cameras with various PK mounts, Zenit E...
Far to many tele-converters, adapters, project parts & extension tubes etc.
.[size=11:].Flickr• WPF• Panoramio
.
Pentax:K5ii, K7, K100D, DA18-55, DA10-17, DA55-300, DA50-200, F100-300, F50, DA35 AL, 4* M50, 2* M135, Helicoid extension, Tak 300 f4 (& 6 film bodies)
3rd Party: Bigmos (Sigma 150-500mm OS HSM),2* 28mm, 100mm macro, 28-200 zoom, 35-80 zoom, 80-200 zoom, 80-210 zoom, 300mm M42, 600 mirror, 1000-4000 scope, 50mm M42, enlarger lenses, Sony & micro 4/3 cameras with various PK mounts, Zenit E...
Far to many tele-converters, adapters, project parts & extension tubes etc.
.[size=11:].Flickr• WPF• Panoramio
Posted 05/01/2016 - 09:35
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Yes, mirrorless has distinct advantages for this type of work.
Live view is still the most precise way of nailing focus of static shots such as landscapes also - using digital zoom to punch in and focus peaking for precision.
Live view is still the most precise way of nailing focus of static shots such as landscapes also - using digital zoom to punch in and focus peaking for precision.
Posted 05/01/2016 - 23:37
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I use mirror lock up and a cabled release. I hadn't thought to cover the viewfinder so thanks for the heads up on that.
- -
Mike
Pentax K5 / Pentax K5 11/ Pentax K200D / Canon Rebel T1 i / Canon 650D / Pentax MX-1 / Fuji XF1 /Fuji X 10 / Canon EOS-M / Canon G10/ Pentax Mz-7 x 2
Mike
Pentax K5 / Pentax K5 11/ Pentax K200D / Canon Rebel T1 i / Canon 650D / Pentax MX-1 / Fuji XF1 /Fuji X 10 / Canon EOS-M / Canon G10/ Pentax Mz-7 x 2
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