Duality, a series
I'm still boggling at the Notre Dame shot. Just how many 2's can you squeeze into one picture?

I also like the two joggers shot very much.
Tim
AF - Pentax K5, Sigma 10-20/4-5.6, Tamron 17-50/2.8, Sigma 30/1.4, Sigma 70-200/2.8, Tamron 70-300/4-5.6
MF - Vivitar CF 28/2.8, Tamron AD2 90/2.5, MTO 1000/11
Stuff - Metz 58 AF1, Cactus v4, Nikon SB24, Raynox 150, Sigma 1.4x TC, Sigma 2x TC, Kenko 2x macro TC, Redsnapper 283 tripod, iMac 27”, Macbook Pro 17”, iPad, iPhone 3G
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Feel free to edit any of my posted photos! If I post a photo for critique, I want brutal honesty. If you don't like it, please say so and tell me why!
Most people understand "duality" to mean "opposites" in the way the Buddhists use it to describe the world we live in.... a world of duality where opposites exist and have a right to exist... day and night.. short and tall... hot and cold etc.
Half Man... Half Pentax ... Half Cucumber
Pentax K-1 + K-5 and some other stuff
Algi
Are the two pairs of pigeons as shot?
What am I missing about the three friends?
You can see some of my photos here if you are so inclined
I agree about the semantics.
Yes. 'Duality' is completely wrong given its usual meaning.
But I do like the set. It's a great example of how a series can be so much more than its constituent images.
What am I missing about the three friends?
There are two pairs that I can see. Two don't have a strap over their shoulder.
And another two have a plain hair band, with the third having what looks like a small bow on it. A bit tenuous, I confess, the latter one

The monkeys could do with a little shadow detail work, perhaps.
In fact, on reflection, I'd suggest that you consider leaving out the monkeys altogether. Although the poses are similar, they're not facing the same way. It leaves me feeling that although the shadows are paired well, the others are just so much stronger that their strength seems to draw attention to the monkeys' relative weakness.
Terrific observational work though.
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Pentax K-3, DA18-135, DA35 F2.4, DA17-70, DA55-300, FA28-200, A50 F1.7, A100 F4 Macro, A400 F5.6, Sigma 10-20 EXDC, 50-500 F4.5-6.3 APO DG OS Samsung flash SEF-54PZF(x2)
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That's the trendiest old man I've ever seen, in shot 4!

No man is worth his salt, who has not been banned from at least one Forum, and two Flickr groups.
Mowog.
Only got a minute but just quickly on the title 'Duality' - the reason I chose it and labelled one photo with it is because the people are not the same. The series is about people/creatures/objects physically reflecting each other, or giving a visual impression of this, but in reality are they actually alike? Many of these are separate people, who don't know each other now, or might not know each other in the future. In that way they reflect each other only temporarily, but there's a schism - they're not the same person, even if their lives run parallel at this moment.
'The camera is an instrument that teaches people how to see without a camera' - Dorothea Lange
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the reason I chose it and labelled one photo with it is because the people are not the same. The series is about people/creatures/objects physically reflecting each other, or giving a visual impression of this, but in reality are they actually alike? Many of these are separate people, who don't know each other now, or might not know each other in the future. In that way they reflect each other only temporarily, but there's a schism - they're not the same person, even if their lives run parallel at this moment.
I'd still maintain that duality is the wrong word.
"Similar but actually a bit different", as you seem to be saying, is not the same as "exhibiting dualism".
I mean, I don't care, it's not my exhibition. But look it up. The word simply doesn't mean what you're using it to mean, and that introduces a dissonance when people that do know what the word means look at the pictures.
It's another example IMO of why captions generally suck. It's a really, really good series of images, and here we are, trying to work out what the bl***y caption means.
IMO, the series stands on its own. You don't need to stick a posh title on it to get people to engage with, think about, smile at, be impressed with, marvel at, look again at, look yet again at...
... and if you can achieve that, it's what most of us here would love to be able to do.
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Pentax K-3, DA18-135, DA35 F2.4, DA17-70, DA55-300, FA28-200, A50 F1.7, A100 F4 Macro, A400 F5.6, Sigma 10-20 EXDC, 50-500 F4.5-6.3 APO DG OS Samsung flash SEF-54PZF(x2)
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'The camera is an instrument that teaches people how to see without a camera' - Dorothea Lange
My Photography Portfolio
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It is hard for me to pick a favourite; Notre Dame is sublime, but I think I'd jump for Brothers.
Getting there! Thanks to you guys

Pentax K10d, *istDL, Kit lens ( 18-55mm ), 50mm f1.7 lens, Tamron 70-300mm lens, Prinzflex 70-162 manual lens, Various old flashes.
http://seacollectiv.wordpress.com/2010/08/23/moments-issue-4-august-2010/
'The camera is an instrument that teaches people how to see without a camera' - Dorothea Lange
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Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
CWyatt
Member
New Zealand
Duality
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Men, Wellington
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Monkeys, Siem Reap, Cambodia
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Notre Dame at two o'clock, Saigon
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In the gardens, Wellington
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In step, Wellington
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Friends, Hanoi
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Family, Wellington
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Duality, Wellington
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Couples, Wellington
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Couple, Wellington
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Commuters, Wellington
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Prayers, Bangkok
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Brothers, Wellington
'The camera is an instrument that teaches people how to see without a camera' - Dorothea Lange
My Photography Portfolio
Facebook page