COMMENTS - MOVEMENT Fortnightly Competition
Posted 16/06/2009 - 22:02
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Shaking with anticipation - I think
Hyram
Bodies: K20D (2), K10D, Super A, ME Super, Auto 110 SLR, X70, Optio P70
Pentax Glass: DA* 300, DA* 60-250, DA* 50-135, DA* 16-50, DA 70 Ltd, FA 31 Ltd, DA 35 Ltd, DA 18-55 (2), DA 12-24, DA 10-17, M 200, A 35-70, M 40, M 28, Converter-A 2X-S, 1.4X-S, AF 1.7, Pentax-110 50, Pentax-110 24
Other Glass: Sigma 105 macro, Sigma-A APO 75-300
Flash: Metz 58 AF-1 P, Pentax AF160FC ringflash, Pentax AF280T
Bodies: K20D (2), K10D, Super A, ME Super, Auto 110 SLR, X70, Optio P70
Pentax Glass: DA* 300, DA* 60-250, DA* 50-135, DA* 16-50, DA 70 Ltd, FA 31 Ltd, DA 35 Ltd, DA 18-55 (2), DA 12-24, DA 10-17, M 200, A 35-70, M 40, M 28, Converter-A 2X-S, 1.4X-S, AF 1.7, Pentax-110 50, Pentax-110 24
Other Glass: Sigma 105 macro, Sigma-A APO 75-300
Flash: Metz 58 AF-1 P, Pentax AF160FC ringflash, Pentax AF280T
Posted 19/06/2009 - 10:44
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Well, I discovered something last night.
It's a lot harder to get controlled motion blur than it is to get the accidental motion blur I usually get
I am surprised at how fast a shutter speed I can use and still have motion blur.
Good job I have a little time left as none of the shots I took last night worked.
It's a lot harder to get controlled motion blur than it is to get the accidental motion blur I usually get
I am surprised at how fast a shutter speed I can use and still have motion blur.
Good job I have a little time left as none of the shots I took last night worked.
Getting there! Thanks to you guys
Pentax K3ii, Pentax K10d, Kit lens ( 18-55mm ), 50mm f1.7 lens, Tamron 70-300mm lens, Prinzflex 70-162 manual lens, Various old flashes.
Pentax K3ii, Pentax K10d, Kit lens ( 18-55mm ), 50mm f1.7 lens, Tamron 70-300mm lens, Prinzflex 70-162 manual lens, Various old flashes.
Posted 23/06/2009 - 17:30
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Are we looking at the last ever picture by Daniel Bridge?
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Posted 23/06/2009 - 18:03
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gartmore wrote:
Are we looking at the last ever picture by Daniel Bridge?
Difficult to know how he survived that
Are we looking at the last ever picture by Daniel Bridge?
Hyram
Bodies: K20D (2), K10D, Super A, ME Super, Auto 110 SLR, X70, Optio P70
Pentax Glass: DA* 300, DA* 60-250, DA* 50-135, DA* 16-50, DA 70 Ltd, FA 31 Ltd, DA 35 Ltd, DA 18-55 (2), DA 12-24, DA 10-17, M 200, A 35-70, M 40, M 28, Converter-A 2X-S, 1.4X-S, AF 1.7, Pentax-110 50, Pentax-110 24
Other Glass: Sigma 105 macro, Sigma-A APO 75-300
Flash: Metz 58 AF-1 P, Pentax AF160FC ringflash, Pentax AF280T
Bodies: K20D (2), K10D, Super A, ME Super, Auto 110 SLR, X70, Optio P70
Pentax Glass: DA* 300, DA* 60-250, DA* 50-135, DA* 16-50, DA 70 Ltd, FA 31 Ltd, DA 35 Ltd, DA 18-55 (2), DA 12-24, DA 10-17, M 200, A 35-70, M 40, M 28, Converter-A 2X-S, 1.4X-S, AF 1.7, Pentax-110 50, Pentax-110 24
Other Glass: Sigma 105 macro, Sigma-A APO 75-300
Flash: Metz 58 AF-1 P, Pentax AF160FC ringflash, Pentax AF280T
Posted 23/06/2009 - 18:11
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Hyram wrote:
He goes out with the shot of his life though
gartmore wrote:
Are we looking at the last ever picture by Daniel Bridge?
Difficult to know how he survived that Are we looking at the last ever picture by Daniel Bridge?
Posted 23/06/2009 - 18:21
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'Pusher' train, ain't it.... still outstanding shot (I'm not winning this fortnight then )
Bodies: GX20 | MZ-3 | MZ-M | Auto 110 complete kit
Primes: DA*300 F4 | DA40 F2.8 Ltd. | SMC-A 50/1.7 | Sigma 30mm F1.4 | Sirius 28/2.8
Macro : SMC-A Dental 100 macro
Zooms: 12-24 SA | 18-55 SA | 50-200 SA | 28-80 FA | 35-80 F | Vivitar 28-200
Other: Bellows | Tube sets | Vivitar 2x PK/A Tele | SEF-36PZF Flash | SBG-D1V Grip | Billingham 335
My Flickr
Primes: DA*300 F4 | DA40 F2.8 Ltd. | SMC-A 50/1.7 | Sigma 30mm F1.4 | Sirius 28/2.8
Macro : SMC-A Dental 100 macro
Zooms: 12-24 SA | 18-55 SA | 50-200 SA | 28-80 FA | 35-80 F | Vivitar 28-200
Other: Bellows | Tube sets | Vivitar 2x PK/A Tele | SEF-36PZF Flash | SBG-D1V Grip | Billingham 335
My Flickr
Posted 24/06/2009 - 01:25
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gartmore wrote:
Are we looking at the last ever picture by Daniel Bridge?
No, took some more earlier today. Are we looking at the last ever picture by Daniel Bridge?
Hyram wrote:
Cat-like agility!gartmore wrote:
Are we looking at the last ever picture by Daniel Bridge?
Difficult to know how he survived that Are we looking at the last ever picture by Daniel Bridge?
Anvh wrote:
He goes out with the shot of his life though
Would be a nice way to go. Getting the shot of a lifetime I mean, not being hit by a steam train. He goes out with the shot of his life though
Telstar wrote:
'Pusher' train, ain't it...
Puller, actually. So it's going backwards, and the carriage I was in had a handy 'balcony' bit at the end that you could stand on and get a face full of smoke. 'Pusher' train, ain't it...
Took loads of shots, this, I think, was the best of the bunch. But there were a few nice ones, pity the sky wasn't blue.
Dan
K-3, a macro lens and a DA*300mm...
Posted 24/06/2009 - 10:37
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I don't want to be rude here, but most of these photographs show movement from a stationary position, and I think that the ones that are panned, and still in focus, are of a much higher level of technical ability (although we are probably not judging technical ability here..)
Heidi's shot is almost in perfect focus, and its very good IMO, and I am also very please about shot which was taken from a running carriage, trying to capture movement in the opposite direction. This is very hard and as much as the subject has movement blur, i was extremely pleased with this shot, and the fact that I managed to pan the background and almost get the subjects as well!
Stationary movement shots are surely more clean, and detailed, and this is admirable, but learning to move the camera during the exposure is so much fun!!!
Heidi's shot is almost in perfect focus, and its very good IMO, and I am also very please about shot which was taken from a running carriage, trying to capture movement in the opposite direction. This is very hard and as much as the subject has movement blur, i was extremely pleased with this shot, and the fact that I managed to pan the background and almost get the subjects as well!
Stationary movement shots are surely more clean, and detailed, and this is admirable, but learning to move the camera during the exposure is so much fun!!!
Posted 24/06/2009 - 11:25
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I agree with you Nathan, however the suggestion of movement is in the brief.
I also like Heidi's shot.
For me Anvh's shot ticks all the technical boxes.
Panning is fun and does take some practise and results can be very interesting.
A technically fantastic picture does not necessarily mean an ascetically fantastic picture!
I also like Heidi's shot.
For me Anvh's shot ticks all the technical boxes.
Panning is fun and does take some practise and results can be very interesting.
A technically fantastic picture does not necessarily mean an ascetically fantastic picture!
Bodies: K5IIs, K7, MZ5n, LX, MV
Lenses: DA*16-50, DA18-55WR, DA18-135, DAL35, M50 F2, A50 f1.4, FA50 f1.4, DA*50-135, DA55-300, Tamron 70-300, DFA 100 WR Macro, M135 f3.5, Sigma 120-400 APO DG HSM, Tokina 500 f8.0
Flash: Metz 58, Metz 48
Accessories: BG4, Pentax right angle finder, Pentax mirror adaptor lens, O-ME53 Viewfinder Loupe
Auto 110 System: Auto 110, Winder, 18mm, 24mm, 50mm, 70mm, 20-40mm, AF100P, 1.7x telecon
Lenses: DA*16-50, DA18-55WR, DA18-135, DAL35, M50 F2, A50 f1.4, FA50 f1.4, DA*50-135, DA55-300, Tamron 70-300, DFA 100 WR Macro, M135 f3.5, Sigma 120-400 APO DG HSM, Tokina 500 f8.0
Flash: Metz 58, Metz 48
Accessories: BG4, Pentax right angle finder, Pentax mirror adaptor lens, O-ME53 Viewfinder Loupe
Auto 110 System: Auto 110, Winder, 18mm, 24mm, 50mm, 70mm, 20-40mm, AF100P, 1.7x telecon
Posted 24/06/2009 - 11:33
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nathanever82 wrote:
I don't want to be rude here, but most of these photographs show movement from a stationary position, and I think that the ones that are panned, and still in focus, are of a much higher level of technical ability (although we are probably not judging technical ability here..)
Certainly not rude at all in my books...I don't want to be rude here, but most of these photographs show movement from a stationary position, and I think that the ones that are panned, and still in focus, are of a much higher level of technical ability (although we are probably not judging technical ability here..)
You are certainly right that panned shots require a higher level of technical ability. But as you rightly say "we are probably not judging technical ability here" (and I would strike out the probably).
Basically we have several options:
1. Movement of an object blurs photo taken with stationary camera
2. Movement of an object frozen with stationary camera
3. Movement of an object frozen by moving camera (a.k.a. panning)
4. Movement blurred by movement of object and camera
5. Still object blurred by moving camera
6. combinations of above and/or PP
7. the ones I forgot to mention
What option we choose depends on the movement we are trying to capture or the image we have in mind.
While the appreciation for the skill level required for a shot most likely will play some role in judging the entries I think the impression of the finished product on the viewer/judge is most important.
Prieni
How inappropriate to call this planet earth when it is quite clearly Ocean. - Arthur C. Clarke
Prieni's PPG page
Prieni's PPG page
Posted 24/06/2009 - 12:51
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I am very conscious that my writing is offensive to some, and therefore I am thinking of a disclaimer I can add to the bottom of my posts, in the meantime, I am cautious...
BTW, completely agree with you, and mine was a simple consideration...
BTW, completely agree with you, and mine was a simple consideration...
Posted 24/06/2009 - 13:16
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One thing I would add Nathan, seeing as mine was one you were being rude about ( Disclaimer time...No Offence Taken! ).
It is getting a suitable oppurtunity during the fortnight. Mine was a bit rushed, one evening as I arrived home from work as it was the only chance I was going to get. It would be great if I could have got to a race track, or to the park, or a steam railway, but time just doesn't allow for that.
Now, maybe I could have decided not to enter but, due to time restrictions, I found I've fallen out of the habit of entering, so something is better than nothing and it all helps me to learn.
Having said all of that, I've picked what I think is the winner and it is one which meets your criteria. So, maybe you are right after all.
Maybe there is not right or wrong...just opinions between friends
It is getting a suitable oppurtunity during the fortnight. Mine was a bit rushed, one evening as I arrived home from work as it was the only chance I was going to get. It would be great if I could have got to a race track, or to the park, or a steam railway, but time just doesn't allow for that.
Now, maybe I could have decided not to enter but, due to time restrictions, I found I've fallen out of the habit of entering, so something is better than nothing and it all helps me to learn.
Having said all of that, I've picked what I think is the winner and it is one which meets your criteria. So, maybe you are right after all.
Maybe there is not right or wrong...just opinions between friends
Getting there! Thanks to you guys
Pentax K3ii, Pentax K10d, Kit lens ( 18-55mm ), 50mm f1.7 lens, Tamron 70-300mm lens, Prinzflex 70-162 manual lens, Various old flashes.
Pentax K3ii, Pentax K10d, Kit lens ( 18-55mm ), 50mm f1.7 lens, Tamron 70-300mm lens, Prinzflex 70-162 manual lens, Various old flashes.
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1753 posts
18 years
Plymouth,
UK
I (the judge) won't read this after the first submission.
Plymouth Photographer