Bridges over the Tyne
Posted 28/10/2013 - 22:03
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Good different ideas, makes a change from the norm.
Posted 30/10/2013 - 18:44
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Thanks Stuey and Geordie - much appreciated.
Cleaned up the lamp post on the Tyne Bridge shot and have now moved it away from the edge of the frame

Tyne Bridge edit by Alan Wennington, on Flickr
Cleaned up the lamp post on the Tyne Bridge shot and have now moved it away from the edge of the frame

Tyne Bridge edit by Alan Wennington, on Flickr
Posted 30/10/2013 - 19:26
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Hi Alan, these are both nice images but I don't think they quite hit the spot as much as your shots normally do.
The shadows are a little heavy in both - maybe this is intentional but I think they would benefit from a lift in this area. The second one is much better with the lamp moved away from the edge, but there is a dark halo around it which attracts my eye a little.
I think you've chosen particularly difficult subjects here Alan. My favourite is the second one,
Regards
David
The shadows are a little heavy in both - maybe this is intentional but I think they would benefit from a lift in this area. The second one is much better with the lamp moved away from the edge, but there is a dark halo around it which attracts my eye a little.
I think you've chosen particularly difficult subjects here Alan. My favourite is the second one,
Regards
David
Posted 30/10/2013 - 20:11
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I think the alternative view is great, on the first one its a bit like what you see when you're riding on an old steam train leaning out of the window taking shots towards the engine as you're going around a corner (if you see what I mean ), and I like that effect. Here, because there's clearly a lot of stuff just outside the left edges, the impression is a bit cramped and cut off.
I'm not the one to lecture Alan on composition though , but I will mention one small technical point, at the risk of being howled down (I'll brace myself :wink - but I find the skies very 'dirty', in terms of luminance noise, and colour noise in the cloud shadows). I mentioned it on another of your shots Alan, and I find it annoying (personally). I'm well aware it may not be a priority to many people, but having very 'clean' skys is something I always try and achieve. I do feel it would help give these images that extra polish.
I'm not the one to lecture Alan on composition though , but I will mention one small technical point, at the risk of being howled down (I'll brace myself :wink - but I find the skies very 'dirty', in terms of luminance noise, and colour noise in the cloud shadows). I mentioned it on another of your shots Alan, and I find it annoying (personally). I'm well aware it may not be a priority to many people, but having very 'clean' skys is something I always try and achieve. I do feel it would help give these images that extra polish.
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Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Posted 30/10/2013 - 20:44
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I like both compositions of the bridges, Alan - the acute angles are unusual and work well, in my opinion. I would crop out the lamp-post and clone out the lamp from the second, as it is an unnecessary element (being irrelevant to the subject), and the light and dark halos around it spoil the image for me.
Philip
Philip
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4248 posts
16 years
Blyth,
Northumberland
The High Level Bridge with the DA21
High Level Bridge by Alan Wennington, on Flickr
The Tyne Bridge with the DA40mm XS
Tyne Bridge by Alan Wennington, on Flickr
PPG
Flickr