Arches and light
Posted 21/02/2010 - 09:11
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There is enough potential here, but the point of view used on this one makes it almost impossible to get the best out of it. It would need a lot of cloning and perspective control. I love the pastel colours and dabbled light on the three arcs. It would work
both in colour and B&W. This is a typical shot that only gets the best, when using a tripod and having all the time. Sorry...I can't give any more help.
both in colour and B&W. This is a typical shot that only gets the best, when using a tripod and having all the time. Sorry...I can't give any more help.
Posted 21/02/2010 - 09:20
Link
Thank you Martin
I will have a go at cloning the rails out but what to do with the bricks at the end of the arches.
The light and the row of lights caught my eye and framed within the arches
i may return for a better composition later in the year.
James
I will have a go at cloning the rails out but what to do with the bricks at the end of the arches.
The light and the row of lights caught my eye and framed within the arches
i may return for a better composition later in the year.
James
Posted 21/02/2010 - 09:25
Link
James,
What would it look like if you were to stand at the other end of that row of arches, looking back to where you were when you took this shot?
And what about at night?
What would it look like if you were to stand at the other end of that row of arches, looking back to where you were when you took this shot?
And what about at night?
Posted 21/02/2010 - 09:46
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I-berg
That's a good point on both suggestion the arches are 40 mile away but i think it would be worth the trip as it is a nice location.
James
That's a good point on both suggestion the arches are 40 mile away but i think it would be worth the trip as it is a nice location.
James
Posted 21/02/2010 - 09:52
Link
Well...You know I like a challenge.....
So I'll see what I can do to it, using the good old clone and perspective tools.
Luckily there are a lot of straight lines involved. I'll come back to you.
So I'll see what I can do to it, using the good old clone and perspective tools.
Luckily there are a lot of straight lines involved. I'll come back to you.
Posted 21/02/2010 - 09:55
Link
Martin
you are a true gent thank you.
James
you are a true gent thank you.
James
Posted 21/02/2010 - 10:00
Link
I tried a fairly extreme crop as a starting point but that did not work so I look forward to Martin's interpretation
Hyram
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Posted 21/02/2010 - 10:04
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Getting the pressure upped......my friends??
Posted 21/02/2010 - 11:13
Link
OK...Here it is.
I used GIMP and first duplicated the layer.
Then cloned out the fairly simple stuff like the lamp on the left wall beside the entrance.
After that I took care about the rails and two metal pillars in front of the entrance.
After saving the work I corrected the perspective a bit on the left side wall.
Then....what to do about the brick wall at the end. The surveillance camera had to go and after that
I decided to "close" the brick wall by extending it using "perspective cloning".
Which basicly means you are cloning on a 1 pixel level and using the shift key to keep lines straight.
It make a totally different picture but gives a hint of what was possible if you had more time and a tripod,
carefully adjusting the view point by checking in the viewfinder.
Hope you like it.

I used GIMP and first duplicated the layer.
Then cloned out the fairly simple stuff like the lamp on the left wall beside the entrance.
After that I took care about the rails and two metal pillars in front of the entrance.
After saving the work I corrected the perspective a bit on the left side wall.
Then....what to do about the brick wall at the end. The surveillance camera had to go and after that
I decided to "close" the brick wall by extending it using "perspective cloning".
Which basicly means you are cloning on a 1 pixel level and using the shift key to keep lines straight.
It make a totally different picture but gives a hint of what was possible if you had more time and a tripod,
carefully adjusting the view point by checking in the viewfinder.
Hope you like it.

Posted 21/02/2010 - 11:19
Link
Martin,
It is interesting what can be done in 80-odd minutes! This has come up well.
It is interesting what can be done in 80-odd minutes! This has come up well.
Posted 21/02/2010 - 11:21
Link
Martin is that the same image wooohooo
what a great job
you could make loads of dosh doing this.
BUT i think you know that.
James
what a great job
you could make loads of dosh doing this.
BUT i think you know that.
James
Posted 21/02/2010 - 11:22
Link
This scene has great potential but would need a few minutes shuffling about to get the best angle. I like the light and shadows. Would make an interesting mono conversion.
Regards,
A.
Regards,
A.
Best wishes,
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Posted 21/02/2010 - 17:24
Link
Very impressive - Martin.
As a composition it possibly needs a person going up the steps on the LH side.
As a composition it possibly needs a person going up the steps on the LH side.
Hyram
Bodies: K20D (2), K10D, Super A, ME Super, Auto 110 SLR, X70, Optio P70
Pentax Glass: DA* 300, DA* 60-250, DA* 50-135, DA* 16-50, DA 70 Ltd, FA 31 Ltd, DA 35 Ltd, DA 18-55 (2), DA 12-24, DA 10-17, M 200, A 35-70, M 40, M 28, Converter-A 2X-S, 1.4X-S, AF 1.7, Pentax-110 50, Pentax-110 24
Other Glass: Sigma 105 macro, Sigma-A APO 75-300
Flash: Metz 58 AF-1 P, Pentax AF160FC ringflash, Pentax AF280T
Bodies: K20D (2), K10D, Super A, ME Super, Auto 110 SLR, X70, Optio P70
Pentax Glass: DA* 300, DA* 60-250, DA* 50-135, DA* 16-50, DA 70 Ltd, FA 31 Ltd, DA 35 Ltd, DA 18-55 (2), DA 12-24, DA 10-17, M 200, A 35-70, M 40, M 28, Converter-A 2X-S, 1.4X-S, AF 1.7, Pentax-110 50, Pentax-110 24
Other Glass: Sigma 105 macro, Sigma-A APO 75-300
Flash: Metz 58 AF-1 P, Pentax AF160FC ringflash, Pentax AF280T
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1249 posts
17 years
Warwickshire
Hand held
Arches and light
I was just wondering if their is a image in this or am I just reaching and wasting my time with it
what to do with the brick wall at the end of the run of arches?
James
Comments always welcome thank you in advance
edit didn't post image silly me