A walk in the woods
There are some nice ideas here and some lovely things seen which, to my mind, would benefit from being taken from the original snapshot, via some post processing, into digital art. For example, rows of the same or similar items shout "pattern", so I grabbed that and cropped to present the most orderly part of the scene to emphasize that pattern. Before that, however, I had FastStone Image Viewer (it's both free and excellent) denoise the original - you'd be amazed at how noisy even the nicest of images can be!. That done, a judicious amount of sharpening (in FastStone) produced a rather different result.
Close-ups are really susceptible to the effects of camera shake, which can be seen in the acorn , top left of the leaf in the final image. When you find a super scene, like this one and you get an encouraging initial shot, come back later or the next day with a tripod. Dial the ISO down as far as possible because shake won't be a problem, frame the image using live view (magnified a bit) and turn OFF auto focus. Focus it manually because your eye is always better in this situation. When you are happy, trip the shutter with an IR release or cable release so you don't touch the camera at all. With a 'flat' view, like this one, you can open the aperture as wide as it will go since the depth of field will be same across the entire frame. If the subject has depth, then close the aperture just enough to get all of it in focus - pull the On/Off button to the right to activate the Iris stop down while in live view. This will show you the result of closing the aperture.
Father Ted: please forgive me for making a tutorial out of your lovely images. As I said, someone else did it with mine and it transformed how I worked so I hope the same will happen as a result of this.
Grey overcast sky, so no lovely autumn colours, but hey....I remember someone saying that is ideal for close ups.
Can't argue with that, seeing as how I was doing the same earlier today . And you can see from your shots that it's right. Nothing to do with being close-up or not, of course. It's the flat lighting that softens shadows and eliminates highlights, which is often what a close-up needs.
I'll go along with much of what davidwozhere says. However, I'd also suggest standing back and allowing a bit more room around your subjects as they all either have bits cut off or are rather squashed up against the edges. You can always crop the edges off later if you want, but you can't add what didn't quite make the frame.
Re camera shake. if in doubt and without a tripod I'll do anything to keep exposure time as short as possible and reduce camera moverment. I even once (but only once!) got away with resting the camera on a family member's shoulder . As for going back again with a tripod... depends how far, how desparate for the shot, whether the light is likely to change etc. etc. Lugging a tripod around on a walk 'just in case', though, can be a pain. A monopod can be a reasonable compromise. And they can double as a walking stick, too .
Steve
No point in asking permission to take liberties because I already have! (Ask forgiveness afterwards - it's easier).
Father Ted: please forgive me for making a tutorial out of your lovely images. As I said, someone else did it with mine and it transformed how I worked so I hope the same will happen as a result of this.
No need for permission, or forgiveness. I'm here to learn
Thanks both for the tips.
I like your sharpened image. I am currently getting used to Lightroom, but I've downloaded FastStone today.
I feel I am having focus issues with my Tamron 70 - 300 on my K3, not an issue I ever noticed on the K10d, so I will be looking into this when my new tripod mounting plate arrives.
I'll definitely go back (it's only 15mins away) and try again....
Pentax K3ii, Pentax K10d, Kit lens ( 18-55mm ), 50mm f1.7 lens, Tamron 70-300mm lens, Prinzflex 70-162 manual lens, Various old flashes.
Keep shooting, keep processing and keep posting
Trying to take on board the tips, I had another go. Some of the fungi had deteriorated since last week, but this goes well, with the autumn feel (I feel).
As always, C&C welcome
Pentax K3ii, Pentax K10d, Kit lens ( 18-55mm ), 50mm f1.7 lens, Tamron 70-300mm lens, Prinzflex 70-162 manual lens, Various old flashes.
I use one of these ( with a small ball head ) a well engineered mini tripod that'll go completely flat and is ideal for fungi.
www.chrismillsphotography.co.uk
" A Hangover is something that occupies the Head you neglected to use the night before".
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K1 - Sigma 85mm F1.4, Pentax DFA 150 -450 F4.5 / 5.6, Pentax DFA* 24 - 70 F2.8
Samyang 14mm F2.8, Pentax DFA* 70-200 F2.8, Pentax A 50mm F1.2
K3iii + K3ii + K5iis converted to IR, Sigma 17 - 70 F2.8, Pentax 55 - 300 F4.5 / F5.6 PLM
Despite my K5 not having an articulated screen, I don't mind getting down and low, but I may have difficulty in getting back up! The mini tripod suggestion by Chris is a very good idea. Thank you.
Getting older and grumpier. Taking longer to decide which lens to use today.
K5 with auto-everything lenses
A collection of manual primes to keep me in touch with the pleasures of doing it old-school.
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2561 posts
16 years
Wirral
Pentax K3ii, Pentax K10d, Kit lens ( 18-55mm ), 50mm f1.7 lens, Tamron 70-300mm lens, Prinzflex 70-162 manual lens, Various old flashes.