A few from Croft
Posted 30/06/2012 - 08:42
Link
Why the small pics? Some of the
links to bigger versions are mixed up
links to bigger versions are mixed up
Half Man... Half Pentax ... Half Cucumber
Pentax K-1 + K-5 and some other stuff
Algi
Pentax K-1 + K-5 and some other stuff
Algi
Posted 04/07/2012 - 07:55
Link
Algernon wrote:
Why the small pics?
Some of the links to bigger versions are mixed up
For some reason I couldn't get the full path to the larger images I'd uploaded elsewhere, only the web page that shows them. Why the small pics?
Some of the links to bigger versions are mixed up
I was a bit short for time so decided this was the best compromise - as I've also mixed up the links it seems I was wrong.
I'll have another go later when I've got time to do it properly!
Mike
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Pentax:K5ii, K7, K100D, DA18-55, DA10-17, DA55-300, DA50-200, F100-300, F50, DA35 AL, 4* M50, 2* M135, Helicoid extension, Tak 300 f4 (& 6 film bodies)
3rd Party: Bigmos (Sigma 150-500mm OS HSM),2* 28mm, 100mm macro, 28-200 zoom, 35-80 zoom, 80-200 zoom, 80-210 zoom, 300mm M42, 600 mirror, 1000-4000 scope, 50mm M42, enlarger lenses, Sony & micro 4/3 cameras with various PK mounts, Zenit E...
Far to many tele-converters, adapters, project parts & extension tubes etc.
.[size=11:].Flickr• WPF• Panoramio
.
Pentax:K5ii, K7, K100D, DA18-55, DA10-17, DA55-300, DA50-200, F100-300, F50, DA35 AL, 4* M50, 2* M135, Helicoid extension, Tak 300 f4 (& 6 film bodies)
3rd Party: Bigmos (Sigma 150-500mm OS HSM),2* 28mm, 100mm macro, 28-200 zoom, 35-80 zoom, 80-200 zoom, 80-210 zoom, 300mm M42, 600 mirror, 1000-4000 scope, 50mm M42, enlarger lenses, Sony & micro 4/3 cameras with various PK mounts, Zenit E...
Far to many tele-converters, adapters, project parts & extension tubes etc.
.[size=11:].Flickr• WPF• Panoramio
Posted 04/07/2012 - 09:42
Link
If at first you don't succeed
Half Man... Half Pentax ... Half Cucumber
Pentax K-1 + K-5 and some other stuff
Algi
Pentax K-1 + K-5 and some other stuff
Algi
Posted 04/07/2012 - 11:27
Link
Mike-P wrote:
There you go.
Great set actually, pity you couldn't get a little higher just to lose the crash barrier at the bottom of a couple of the shots (presuming that's what it is).
Thank's Mike!There you go.
Great set actually, pity you couldn't get a little higher just to lose the crash barrier at the bottom of a couple of the shots (presuming that's what it is).
They were shot over, a gate, the bed of a recovery truck, and there was a crash barrier on the far side of the truck. I agree it is a shame, but at least it avoided the chain link fence that faintly shows in so many of my shots! I could crop it out of most of the shots taken from there but typically the most interesting ones had cars just a little closer.
The shot of Jeff Smith going off was taken through a fence (lens hood in contact with the chain link) while the Porsche made use of a small opening someone had engineed in the links. I think there's quite a difference in contrast even if the links don't show at all.
Mike
.
Pentax:K5ii, K7, K100D, DA18-55, DA10-17, DA55-300, DA50-200, F100-300, F50, DA35 AL, 4* M50, 2* M135, Helicoid extension, Tak 300 f4 (& 6 film bodies)
3rd Party: Bigmos (Sigma 150-500mm OS HSM),2* 28mm, 100mm macro, 28-200 zoom, 35-80 zoom, 80-200 zoom, 80-210 zoom, 300mm M42, 600 mirror, 1000-4000 scope, 50mm M42, enlarger lenses, Sony & micro 4/3 cameras with various PK mounts, Zenit E...
Far to many tele-converters, adapters, project parts & extension tubes etc.
.[size=11:].Flickr• WPF• Panoramio
.
Pentax:K5ii, K7, K100D, DA18-55, DA10-17, DA55-300, DA50-200, F100-300, F50, DA35 AL, 4* M50, 2* M135, Helicoid extension, Tak 300 f4 (& 6 film bodies)
3rd Party: Bigmos (Sigma 150-500mm OS HSM),2* 28mm, 100mm macro, 28-200 zoom, 35-80 zoom, 80-200 zoom, 80-210 zoom, 300mm M42, 600 mirror, 1000-4000 scope, 50mm M42, enlarger lenses, Sony & micro 4/3 cameras with various PK mounts, Zenit E...
Far to many tele-converters, adapters, project parts & extension tubes etc.
.[size=11:].Flickr• WPF• Panoramio
Posted 04/07/2012 - 11:32
Link
petrochemist wrote:
The shot of Jeff Smith going off was taken through a fence (lens hood in contact with the chain link) while the Porsche made use of a small opening someone had engineed in the links. I think there's quite a difference in contrast even if the links don't show at all.
I went to a bird sanctuary a couple of months ago and shot through metal fencing, it really does degrade the pictures even if you don't actually see it in the image.
The shot of Jeff Smith going off was taken through a fence (lens hood in contact with the chain link) while the Porsche made use of a small opening someone had engineed in the links. I think there's quite a difference in contrast even if the links don't show at all.
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1001 posts
16 years
Essex
1 Smith rejoins after a spin:
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2 Pit Lane during qualifying:
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3 Flashy Porsche:
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4 Scottish Classics 1:
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5 Scottish Classics 2:
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Pentax:K5ii, K7, K100D, DA18-55, DA10-17, DA55-300, DA50-200, F100-300, F50, DA35 AL, 4* M50, 2* M135, Helicoid extension, Tak 300 f4 (& 6 film bodies)
3rd Party: Bigmos (Sigma 150-500mm OS HSM),2* 28mm, 100mm macro, 28-200 zoom, 35-80 zoom, 80-200 zoom, 80-210 zoom, 300mm M42, 600 mirror, 1000-4000 scope, 50mm M42, enlarger lenses, Sony & micro 4/3 cameras with various PK mounts, Zenit E...
Far to many tele-converters, adapters, project parts & extension tubes etc.
.[size=11:].Flickr• WPF• Panoramio