A Bit More Limoges

DrOrloff
Posted 31/03/2011 - 13:55 Link
I had to visit Limoges again yesterday. I like photography, it turned my 30 minute walk back to the station into four hours. I've used the Lightroom 300 preset which I discovered yesterday from the Venice thread on some of these (warning some converging verticals):

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Edited by DrOrloff: 31/03/2011 - 14:20
ReklawyksEkul
Posted 31/03/2011 - 14:51 Link
i like the last 4!
especially the last one, stunning image
iqbal

learning in progress...

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Pentaxophile
Posted 31/03/2011 - 15:47 Link
Really nice, I love no. 2... looks like it's about to roll off down the hill!
thoughton
Posted 31/03/2011 - 16:15 Link
Nice set! I like number 2 as well, I think we've seen this little shop before! I do like the cathedral shots as well, nice tones. The graffitti made me smile
Tim
AF - Pentax K5, Sigma 10-20/4-5.6, Tamron 17-50/2.8, Sigma 30/1.4, Sigma 70-200/2.8, Tamron 70-300/4-5.6
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CoDa
Posted 31/03/2011 - 17:20 Link
Last one for me as well.
Colin

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paulyrichard
Posted 31/03/2011 - 17:25 Link
#3 is interesting. The structure on the left suggests a building of great importance, while the building opposite suggests otherwise.

Are those shutters of any colour at all?
"All the technique in the world doesn’t compensate for the inability to notice." - Elliott Erwitt

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Edited by paulyrichard: 31/03/2011 - 17:26
DrOrloff
Posted 01/04/2011 - 09:13 Link
Thanks all. The little shop is next to the other little shop, I liked the wee clothes rack.

The cathedral interior was my handheld test shot but then I mucked up my tripod mounted efforts. It's 1/5th second so the shake reduction did well.

Here's the context of the third, taken some weeks ago, to the left is a 15th century chapel. The shutters to the right are just faded white (probably, as I am pretty colour blind):

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womble
Posted 01/04/2011 - 13:38 Link
I like the abstract pattern of the first image and the lovely faded colours of the second.

K.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.

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