24mp APS-C?
Posted 27/01/2013 - 12:22
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Ah, yes, I've found the quote now. It would have been simpler just to make the quote by copying and pasting it, you're making us work to find it!
Best regards, John
Posted 28/01/2013 - 10:54
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johnriley wrote:
Things have expanded and we our selves have moved from having one SP1000 with 55mm lens to having three DSLR bodies, many lenses and then compacts as well. What can we possibly expand to next?
Apologies if I've read you wrong john but I think you're missing the point here. We now live in a full on consumerist capitalist world. Things don't expand they just keep going round in circles. Boom follows bust and we must keep consuming what the manufacturers deign to give us or the world will stop spinning. I know in my heart of hearts that a 24mp APS-C thingy will not make me a better photographer than I was yesterday, but there's always hope for tomorrow and it may for a brief moment fulfill that unidentifiable inner longing. Marketing sees to that.Things have expanded and we our selves have moved from having one SP1000 with 55mm lens to having three DSLR bodies, many lenses and then compacts as well. What can we possibly expand to next?
giofi and smeggypants you make some good points. You know, I'd love to see Ricoh say to Pentax here's the deal, we'll make what the majority of people think they want and rake in the dollars, while you go off and make what the people really need and keep the minority happy. Alas I think that improved dynamic range, a full frame sensor, perfect auto-focusing and a complete offering of waterproof lenses will not expand the fettered imagination and lack of ability of a lost cause such as I.
As for me, all I know is that I know nothing.
Posted 28/01/2013 - 12:33
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Quote:
Apologies if I've read you wrong john but I think you're missing the point here
I'm not sure if there's any contradiction, but the point I was making was that for a single type of consumer there's a law of diminishing returns and a saturation point. Beyond that, new products are needed that will move the saturation point back. It just gets more difficult for manufacturers to achieve this with a fixed clientele. So they have to expand the user base as well.Apologies if I've read you wrong john but I think you're missing the point here
When we bought ther SP1000 it was camera club members/enthusiasts who were the main market and many likely had darkrooms as well. That's a specialised market. Camera manufacturers have managed to expand that user base quite extensiively since then.
Best regards, John
Posted 28/01/2013 - 12:37
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A large 'part' of the reason I bought a K5 when I did was that I was worried that the upcoming replacement would have had the 24mp Sony sensor which I don't feel would suit my needs/ wants
If it does come along then so be it, it may surprise a few people
If it does come along then so be it, it may surprise a few people
Posted 30/01/2013 - 08:33
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japers45 wrote:
Here is the pointer to Toshiba sensor in the 5200 (not3200):Quote:
The Nikon D3200’s great strength lies in its Sony CMOS sensor, starting with a record dynamic range that surpassed 13EV at 100 ISO, making the D3200 of great interest for landscape photography.
that is a direct quote- you are mistakenThe Nikon D3200’s great strength lies in its Sony CMOS sensor, starting with a record dynamic range that surpassed 13EV at 100 ISO, making the D3200 of great interest for landscape photography.
link
Andy
Andy
Posted 30/01/2013 - 19:40
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johnriley wrote:
It will become increasingly difficult for manufacturers to maintain growth. When digital cameras were first introduced they were poor compared to film, in many ways. Then they became better and have now reached a point where they are good enough to keep for much longer. Some people bought a film camera that lasted them for years, decades, even for life. One camera.
Things have expanded and we our selves have moved from having one SP1000 with 55mm lens to having three DSLR bodies, many lenses and then compacts as well. What can we possibly expand to next?
Our next upgrade will be because something has failed and needs replacing, and at this time I think you already know what that would be.
Yes, the K-3, or even the K-1 if your K-5s last that long - I don't believe your goign to buy a K-5IIs in 3 years time when that much better specced K-3 is available
It will become increasingly difficult for manufacturers to maintain growth. When digital cameras were first introduced they were poor compared to film, in many ways. Then they became better and have now reached a point where they are good enough to keep for much longer. Some people bought a film camera that lasted them for years, decades, even for life. One camera.
Things have expanded and we our selves have moved from having one SP1000 with 55mm lens to having three DSLR bodies, many lenses and then compacts as well. What can we possibly expand to next?
Our next upgrade will be because something has failed and needs replacing, and at this time I think you already know what that would be.
[i]Bodies: 1x K-5IIs, 2x K-5, Sony TX-5, Nokia 808
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Posted 30/01/2013 - 19:55
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johnriley wrote:
When we bought ther SP1000 it was camera club members/enthusiasts who were the main market and many likely had darkrooms as well. That's a specialised market. Camera manufacturers have managed to expand that user base quite extensiively since then.
They certainly do and there's plenty of Oppurtunity for pentax to do this.Quote:
Apologies if I've read you wrong john but I think you're missing the point here
I'm not sure if there's any contradiction, but the point I was making was that for a single type of consumer there's a law of diminishing returns and a saturation point. Beyond that, new products are needed that will move the saturation point back. It just gets more difficult for manufacturers to achieve this with a fixed clientele. So they have to expand the user base as well.Apologies if I've read you wrong john but I think you're missing the point here
When we bought ther SP1000 it was camera club members/enthusiasts who were the main market and many likely had darkrooms as well. That's a specialised market. Camera manufacturers have managed to expand that user base quite extensiively since then.
Remember that Nokia were the World's largest mobile company but now others have surpassed them. Logically it's also possible that either Canon or Mikon could suffer the same path as Nokia and get overtaken by another company. That company could be Pentax.
But Pentax have to get some marketing. There current lack of it is, IMO, a big reason why there market share is as low as it is.
[i]Bodies: 1x K-5IIs, 2x K-5, Sony TX-5, Nokia 808
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Posted 30/01/2013 - 20:00
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I still have my first serious camera, a Yashica FX2, built like a tank and I'm sure it would still work if I cared to put a film in it. However, as I've just bought a K5 (Mk1)at a very good price, that's not going to happen.
Buying the previous model does have economic advantages.
Buying the previous model does have economic advantages.
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DA AL 35mm f2.4, K3,18-135 WR, DA 55-300, Pentax KX, K5 x 2, 18-50 50-200 kit lenses, Tamron 17-50 f2.8, Fuji X10, 2x Mamiya 1000s 2x 80mm f2.8, 150mm f3.5, 210mm f4, Yashica 124G TLR, 2x Yashica FX3 Super 2000, Tamron 28mm f2.8, 90mm SP f2.5, 135mm f2.5, Olympus 35RC, 2x Yashica FX2, Kodak Pocket Instamatic, Kodak Box Brownie
DA AL 35mm f2.4, K3,18-135 WR, DA 55-300, Pentax KX, K5 x 2, 18-50 50-200 kit lenses, Tamron 17-50 f2.8, Fuji X10, 2x Mamiya 1000s 2x 80mm f2.8, 150mm f3.5, 210mm f4, Yashica 124G TLR, 2x Yashica FX3 Super 2000, Tamron 28mm f2.8, 90mm SP f2.5, 135mm f2.5, Olympus 35RC, 2x Yashica FX2, Kodak Pocket Instamatic, Kodak Box Brownie
Posted 31/01/2013 - 06:43
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Quote:
Apologies if I've read you wrong john but I think you're missing the point here
Apologies if I've read you wrong john but I think you're missing the point here
Quote:
:johnriley
I'm not sure if there's any contradiction, but the point I was making was that for a single type of consumer there's a law of diminishing returns and a saturation point. Beyond that, new products are needed that will move the saturation point back. It just gets more difficult for manufacturers to achieve this with a fixed clientele. So they have to expand the user base as well.
When we bought ther SP1000 it was camera club members/enthusiasts who were the main market and many likely had darkrooms as well. That's a specialised market. Camera manufacturers have managed to expand that user base quite extensiively since then.
Yes john, I thinks we've got the same perspective but I believe we're on the losing side of a zero sum game here. Back in the day I reckon fewer people owned 35mm cameras than now own DSLR's, but there's a difference between owning and using. I'd bet most of the DSLR's in the world today sit in the back of a cupboard depreciating while waiting for the next big positive life event and most of these devices will function primarily as fashion accessories or symbols of status. I don't think the specialist market has expanded that much otherwise I'd see people out and about everyday taking pictures with DSLR's. At a guess I'd say most people on this site migrated from old skool film to the new skool digital.:johnriley
I'm not sure if there's any contradiction, but the point I was making was that for a single type of consumer there's a law of diminishing returns and a saturation point. Beyond that, new products are needed that will move the saturation point back. It just gets more difficult for manufacturers to achieve this with a fixed clientele. So they have to expand the user base as well.
When we bought ther SP1000 it was camera club members/enthusiasts who were the main market and many likely had darkrooms as well. That's a specialised market. Camera manufacturers have managed to expand that user base quite extensiively since then.
The owner base has grown by providing a product that is attractive, versatile, easy to use and can be sold at the lowest actual cost to the uninformed masses (more pixels for the same money must mean it's got to be better). While the minority specialists who would prefer a technically more refined product (K52s) will pay a premium to get that extra quality. These specialist cameras no matter how much they are marketed will only ever sell in small numbers because, cheaper devices are readily available for the less discerning on whats left of the High St. I reckon DSLR development and sales will decline as camera phones 'the new product' continue to improve. If you were Ricoh where would you spend your product development budget?
As for me, all I know is that I know nothing.
Posted 31/01/2013 - 10:59
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sportyman531 wrote:
I still have my first serious camera, a Yashica FX2, built like a tank and I'm sure it would still work if I cared to put a film in it. However, as I've just bought a K5 (Mk1)at a very good price, that's not going to happen.
Buying the previous model does have economic advantages.
I've hung onto my Z-1s and M645 as they are built to withstand a lifetime of abuse - more staying power than the current crop of DSLRs - however sourcing film is getting harder and harder - Kodak's demise has left me looking forlornly at my 4 5-packs of EliteChrome EC in my fridge - it's a super film but I know that once that is all used up, I can't get any more, the only options remaining are Provia or Velvia 100 in that range....I still have my first serious camera, a Yashica FX2, built like a tank and I'm sure it would still work if I cared to put a film in it. However, as I've just bought a K5 (Mk1)at a very good price, that's not going to happen.
Buying the previous model does have economic advantages.
Meanwhile, My K-5, K20D and D3 are serving me well, all in different ways but all I now wish for is an affordably lens longer than 300mm.....
AKA Welshwizard/PWynneJ
Assorted Pentax/Nikon/Mamiya stuff
Assorted Pentax/Nikon/Mamiya stuff
Posted 01/02/2013 - 23:21
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When we refer to 'IQ improvements', a lot of the emphasis, both on what people desire and what might be delivered, is on high ISO / low light performance (ie reduced noise at ever higher iso settings), which is obviously important to people.
As a photographer who only infrequently makes use of high iso settings (400 +), I am curious to know whether upgrading to a newer model (which boasts of improved high iso performance) would also offer any additional IQ at the low settings - I mean, would the sensor give more IQ to images shot at ISO 100 with the camera on a tripod?
I don't see sensor performance under these conditions referred to in discussions (or advertising) about new models.
As a photographer who only infrequently makes use of high iso settings (400 +), I am curious to know whether upgrading to a newer model (which boasts of improved high iso performance) would also offer any additional IQ at the low settings - I mean, would the sensor give more IQ to images shot at ISO 100 with the camera on a tripod?
I don't see sensor performance under these conditions referred to in discussions (or advertising) about new models.
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Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Posted 01/02/2013 - 23:36
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McGregNi wrote:
When we refer to 'IQ improvements', a lot of the emphasis, both on what people desire and what might be delivered, is on high ISO / low light performance (ie reduced noise at ever higher iso settings), which is obviously important to people.
Absolutely - that is the main reason why I upgraded from a K200D to a K30. My impression is that the K30 does provide improved performance at low ISOs too - but I haven't done any comparitive testing to verify that.When we refer to 'IQ improvements', a lot of the emphasis, both on what people desire and what might be delivered, is on high ISO / low light performance (ie reduced noise at ever higher iso settings), which is obviously important to people.
Compared with the K200D, the things I love about the K30 are indeed its low light performance. I'm quite keen on focus peaking with manual focus lenses. I've also spent quite a bit of time micro-adjusting the focus for a couple of old zooms (F 35-70mm and a FA 100-300) but have yet to discover whether that will result in a practical improvement in their performance.
Downsides? I do slightly miss the top LCD screen - but don't miss the battery grip anything like as much as I thought I might.
Andrew
Posted 05/02/2013 - 00:23
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McGregNi wrote:
As a photographer who only infrequently makes use of high iso settings (400 +), I am curious to know whether upgrading to a newer model (which boasts of improved high iso performance) would also offer any additional IQ at the low settings - I mean, would the sensor give more IQ to images shot at ISO 100 with the camera on a tripod?
I don't see sensor performance under these conditions referred to in discussions (or advertising) about new models.
You have hit one of my pet peeves. As a photographer who only infrequently makes use of high iso settings (400 +), I am curious to know whether upgrading to a newer model (which boasts of improved high iso performance) would also offer any additional IQ at the low settings - I mean, would the sensor give more IQ to images shot at ISO 100 with the camera on a tripod?
I don't see sensor performance under these conditions referred to in discussions (or advertising) about new models.
My K20D produces better low ISO images than the subsequent couple of models I have used (K-x, K-7). I haven't used the K-5 or K-30 but there is absolutely no indication that this has changed.
In fact base ISO is creeping up. Instead, give me a base ISO 50 camera with zero noise. Yeah, it can go to IS1600 if you like, but leave the stratospheric numbers to the marketing dept.
Posted 05/02/2013 - 00:47
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rparmar wrote:
My K20D produces better low ISO images than the subsequent couple of models I have used (K-x, K-7). I haven't used the K-5 or K-30 but there is absolutely no indication that this has changed.
Having upgraded from a K20D to a K-5, I must say I'm most impressed with the lower noise at ISO100 ( higher dynamic range ) from the K-5 which allows much more leeway when boosting shadows and midtones during editingMcGregNi wrote:
As a photographer who only infrequently makes use of high iso settings (400 +), I am curious to know whether upgrading to a newer model (which boasts of improved high iso performance) would also offer any additional IQ at the low settings - I mean, would the sensor give more IQ to images shot at ISO 100 with the camera on a tripod?
I don't see sensor performance under these conditions referred to in discussions (or advertising) about new models.
You have hit one of my pet peeves. As a photographer who only infrequently makes use of high iso settings (400 +), I am curious to know whether upgrading to a newer model (which boasts of improved high iso performance) would also offer any additional IQ at the low settings - I mean, would the sensor give more IQ to images shot at ISO 100 with the camera on a tripod?
I don't see sensor performance under these conditions referred to in discussions (or advertising) about new models.
My K20D produces better low ISO images than the subsequent couple of models I have used (K-x, K-7). I haven't used the K-5 or K-30 but there is absolutely no indication that this has changed.
If you don't do much editing and boosting then the differences at ISO100 won't be so apparent
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In fact base ISO is creeping up. Instead, give me a base ISO 50 camera with zero noise. Yeah, it can go to IS1600 if you like, but leave the stratospheric numbers to the marketing dept.
ISO 1600 on the K-5 is like ISO400 on the K20D.In fact base ISO is creeping up. Instead, give me a base ISO 50 camera with zero noise. Yeah, it can go to IS1600 if you like, but leave the stratospheric numbers to the marketing dept.
This is ISO12800 on the K-5

I love the ability to take decent high ISO shots. It allows shutter speeds and apertures you'd never get away with on earlier models.
I want even higher ISO performance.
[i]Bodies: 1x K-5IIs, 2x K-5, Sony TX-5, Nokia 808
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
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The Nikon D3200’s great strength lies in its Sony CMOS sensor, starting with a record dynamic range that surpassed 13EV at 100 ISO, making the D3200 of great interest for landscape photography.