135mm lenses
Posted 02/10/2009 - 14:20
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But the K is a prime.
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Posted 02/10/2009 - 15:17
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gartmore wrote:
But the K is a prime.
... and a rather lovely one if heavy. No idea why the auto-white balance was quite so different though and makes me realise I'll need to be more proactive with WB when using that lens. Shame I didn't have my SMC Takumar 135mm with me too.
But the K is a prime.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Posted 02/10/2009 - 16:57
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Very odd! I have used K and M primes from 20mm up to 300mm and white balance has been no different to the DA zooms or even the Kit Lenses so i`m baffled by your results. If the Framing were different (say showing less sky) or the lighting had changed between shots then i could understand it but that certainly is not the case here!
Best Regards - Pete
Best Regards - Pete
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7663 posts
17 years
Hertfordshire,
mostly.
All the images were uploaded as RAW files to Lightroom. The DA* and the Tamron both had a white balance of 5100/-8 but the K had 4250/+14. Changing the K to the same as the other two lenses improved the look of the image a great deal, as you can see below. I don't know why auto WB on the K10D was so different from the other two lenses and could explain why I haven't always been happy with the results from the K.
The only other edit was to up the sharpening a little bit, and to produce the so-called "100% crops". All images were converted to jpgs using Lightoom's export function, for the full-size images reducing to 800 pixels on the long edge, for the crops at full size.
Comparing sharpness is a bit of a problem here as (a) they are handheld and (b) the first two lenses are AF, the last manual, although all should have been on infinity.
The images were then posted to flickr for inclusion here, and the full-size images used so that should mean no flickr-induced problems (I hope).
As I say, this is all bad science, but interesting nevertheless. Personally, I feel the K f/2.5 comes out of this with flying colours although why the K10D messes up the white balance is a mystery to me.
Best wishes, Kris.
DA* 50-135mm @ 135mm, full image:
so-called 100% crop:
Tamron 70-300mm @ 133mm, full image:
so-called 100% crop
SMC "K" 135mm, f/2.5 @ f/8, full image, white balance as for other photos:
SMC "K" 135mm, f/2.5 @ f/8, full image, white balance as set by K10D:
As penultimate image, 100% crop:
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.