#belgrade

womble
Posted 25/10/2021 - 22:17 Link
Pentax ME Super, a K series prime (K24/3.5? K30/2.8? I didn't keep notes), Adox HR-50 film, commercial dev and scan.

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#belgrade par Kris Lockyear, on ipernity

K.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
HarisF1
Posted 26/10/2021 - 18:38 Link
Wow, look at that shadow detail. Was it a bright day?
All the gear with no idea
womble
Posted 26/10/2021 - 19:21 Link
HarisF1 wrote:
Wow, look at that shadow detail. Was it a bright day?
Blindingly bright. I'm very pleased with the latitude of this film.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
K10D
Posted 27/10/2021 - 09:08 Link
Excellent B&W and even better subject matter.

Best regards
Too far from a shore.
womble
Posted 27/10/2021 - 11:05 Link
To follow-up on the earlier comment, this is not a very interesting photo but this white ?marble sculpture in bright sunshine was a challenge to meter, and shows the excellent characteristics of Adox HR-50 film. Pentax ME Super.

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Modern sculpture par Kris Lockyear, on ipernity
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
pschlute
Posted 27/10/2021 - 16:03 Link
Really like the first one Kris.
Sry
Posted 28/10/2021 - 21:25 Link
pschlute wrote:
Really like the first one Kris.
Same here.
womble
Posted 08/11/2021 - 06:52 Link
The first image was "highly commended" in the October Analogue Wonderland competition. 😊
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.

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