Mannesty

Joined: 17th February 2005

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Mannesty
McGregNi wrote:
. . . ACR allows for either the data to be written to the main file or in a separate sidecar . . .
I'm not sure that is true.

As far as I am aware, RAW images, either .DNG or .PEF are effectively read only and can't be edited.

RAW conversion s/w needs to know how to de-mosaic the raw file. I'm not sure that they are clever enough to be able to re-write a mosaic'd file.

Comment by Mannesty posted on Chromatic Abberation for RAW Files? at 19/06/2012 - 22:56

Mannesty
Well they are supposed to be the same lens, but I suspect one is an older model, although I don't know which.

To confuse things, there is now a 1:3.5 constant aperture version of this lens too.

Comment by Mannesty posted on What's the difference between these two Sigma lenses? at 19/06/2012 - 14:47

Mannesty
johnriley wrote:
The real reason as I see it for using a setting like Daylight (which is the one I usually use) is to preserve the changing colour quality of the ambient light. If we use AWB all the time, as the colour of the light changes so the system will try to negate that change.
Exactly right John. AWB is good at times, but I believe that using a fixed colour temperature is better.

EG: If you were to use AWB at a gig where numerous coloured lights are often used, AWB would have a hard/impossible job interpreting the changing scene correctly.

Comment by Mannesty posted on Chromatic Abberation for RAW Files? at 19/06/2012 - 09:12

Mannesty
Smeggypants wrote:
So I'm assuming that saving CA removal settings in the Pentax utility creates a side car file, which other editors like Lightroom can interpret?
Sorry, I don't know the answer to that. I only use Lightroom because to me, it's about the most complete Raw Converter there is right now. I use it for 99.999% of my finished product, and I very rarely use Photoshop or any other digital wizardry.

I do have a trial update from Topaz Labs for their photoFXLab software and I'm going to experiment with that for a while. They are hoping to have fixed the 'missing EXIF' problem.

Comment by Mannesty posted on Chromatic Abberation for RAW Files? at 19/06/2012 - 09:07

Mannesty
Smeggypants wrote:
Mannesty wrote:


EG: you could shoot all day in sunlight, yet have the white balance set to something inappropriate for sunny conditions, like cool fluorescent light (6400K) for example (I've done it, once). With RAW images, you can just change the WB to sunny and the images take on the correct colours.
I just leave the Camera in Auto WB all the time. I then adjust WB in Lightroom. Daylight, tungsten, Flourescant, etc in the camera are only approximations anyway. Daylight can mean anything from 4000k to 12000k, so setting it 5500k is pointless IMO.
Horses for courses Smeggy. I prefer to fix my WB to daylight most of the time unless I want a warmer look to daylight images, then I set it to flash. Shooting indoors in artificial light, AWB can get it wrong quite often.

My example was just that, an example of how RAW files can be 'saved' later if some settings weren't quite right on the day.

RE: Pentax utility affecting RAW files, I don't think any RAW converter software makes changes to the original image file. Lightroom, for example, uses sidecar files and a database to hold the changes you make to an image. Hence the ability to undo all your changes at a later date if you want/need to.

Comment by Mannesty posted on Chromatic Abberation for RAW Files? at 19/06/2012 - 07:26

Mannesty
I couldn't say what it is that is taking the extra time, except that the image displayed on the rear screen is a JPG image embedded in the RAW file. Maybe some processing is applied to that.

You are right, there is no point having any corrections set in-camera when shooting RAW, but if your camera can shoot RAW+, the plus is an additional JPG image which will have the corrections/adjustments applied.

Any and all corrections can be applied to a RAW file in post-processing, irrespective of whether or not any particular function was selected at the time of the shot. The RAW image is like film, you make the adjustments in development and printing, not in camera.

EG: you could shoot all day in sunlight, yet have the white balance set to something inappropriate for sunny conditions, like cool fluorescent light (6400K) for example (I've done it, once). With RAW images, you can just change the WB to sunny and the images take on the correct colours.

Comment by Mannesty posted on Chromatic Abberation for RAW Files? at 18/06/2012 - 22:48

Mannesty
Welcome to the forum.

The first thing to understand about RAW files, both .DNG and .PEF, is that absolutely no processing is applied to them in camera. The RAW image is essentially straight from the sensor. Any adjustments or corrections are then down to you to accomplish with your chosen post-processing software.

Adobe Lightroom 4 is very good at handling chromatic aberrations (CA).

CA corrections etc. that are turned on in camera will only be applied to images saved in JPG format.

Comment by Mannesty posted on Chromatic Abberation for RAW Files? at 18/06/2012 - 22:03

Mannesty
Galoot wrote:
I think you would have to define 'waste', Peter.

Sure, I define 'waste' as the practice of buying something like a third party grip when it's affordable, only to replace it later with the OEM one.

Used OEM equipment nowadays is undervalued already. A third party grip would be almost unsaleable in used condition. Hence, waste.

Why not just wait until one can afford the OEM one, either used or new.

Comment by Mannesty posted on Third party grips at 16/06/2012 - 23:01

Mannesty
Try this. I wouldn't waste my money on a third party grip.

Comment by Mannesty posted on Third party grips at 15/06/2012 - 20:00

Mannesty
I think the DA* SDM 55mm 1:1.4 lens beats 'em all in every respect, which is why I don't own a 'nifty fifty' any more, and I've owned most of them in the past, including a K 50mm 1:1.2 which I only really ever used wide open but could not get good results from it, an FA 50mm 1:1.4, and an A and an F 50mm 1:1.7.

Actually, I tell a lie, I have an M 50mm attached to my Super-A which will be swapped for an A version if I can find one at a decent (cheap) price.

Comment by Mannesty posted on 50mm FA1.4 vs FA1.7 at 15/06/2012 - 19:58

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