All Forum Comments
Comment by Mannesty posted on Chromatic Abberation for RAW Files? at 19/06/2012 - 22:56
To confuse things, there is now a 1:3.5 constant aperture version of this lens too.
Comment by Mannesty posted on What's the difference between these two Sigma lenses? at 19/06/2012 - 14:47
The real reason as I see it for using a setting like Daylight (which is the one I usually use) is to preserve the changing colour quality of the ambient light. If we use AWB all the time, as the colour of the light changes so the system will try to negate that change.
EG: If you were to use AWB at a gig where numerous coloured lights are often used, AWB would have a hard/impossible job interpreting the changing scene correctly.
Comment by Mannesty posted on Chromatic Abberation for RAW Files? at 19/06/2012 - 09:12
So I'm assuming that saving CA removal settings in the Pentax utility creates a side car file, which other editors like Lightroom can interpret?
I do have a trial update from Topaz Labs for their photoFXLab software and I'm going to experiment with that for a while. They are hoping to have fixed the 'missing EXIF' problem.
Comment by Mannesty posted on Chromatic Abberation for RAW Files? at 19/06/2012 - 09:07
EG: you could shoot all day in sunlight, yet have the white balance set to something inappropriate for sunny conditions, like cool fluorescent light (6400K) for example (I've done it, once). With RAW images, you can just change the WB to sunny and the images take on the correct colours.
My example was just that, an example of how RAW files can be 'saved' later if some settings weren't quite right on the day.
RE: Pentax utility affecting RAW files, I don't think any RAW converter software makes changes to the original image file. Lightroom, for example, uses sidecar files and a database to hold the changes you make to an image. Hence the ability to undo all your changes at a later date if you want/need to.
Comment by Mannesty posted on Chromatic Abberation for RAW Files? at 19/06/2012 - 07:26
You are right, there is no point having any corrections set in-camera when shooting RAW, but if your camera can shoot RAW+, the plus is an additional JPG image which will have the corrections/adjustments applied.
Any and all corrections can be applied to a RAW file in post-processing, irrespective of whether or not any particular function was selected at the time of the shot. The RAW image is like film, you make the adjustments in development and printing, not in camera.
EG: you could shoot all day in sunlight, yet have the white balance set to something inappropriate for sunny conditions, like cool fluorescent light (6400K) for example (I've done it, once). With RAW images, you can just change the WB to sunny and the images take on the correct colours.
Comment by Mannesty posted on Chromatic Abberation for RAW Files? at 18/06/2012 - 22:48
The first thing to understand about RAW files, both .DNG and .PEF, is that absolutely no processing is applied to them in camera. The RAW image is essentially straight from the sensor. Any adjustments or corrections are then down to you to accomplish with your chosen post-processing software.
Adobe Lightroom 4 is very good at handling chromatic aberrations (CA).
CA corrections etc. that are turned on in camera will only be applied to images saved in JPG format.
Comment by Mannesty posted on Chromatic Abberation for RAW Files? at 18/06/2012 - 22:03
I think you would have to define 'waste', Peter.
Used OEM equipment nowadays is undervalued already. A third party grip would be almost unsaleable in used condition. Hence, waste.
Why not just wait until one can afford the OEM one, either used or new.
Comment by Mannesty posted on Third party grips at 16/06/2012 - 23:01
Comment by Mannesty posted on Third party grips at 15/06/2012 - 20:00
Actually, I tell a lie, I have an M 50mm attached to my Super-A which will be swapped for an A version if I can find one at a decent (cheap) price.
Comment by Mannesty posted on 50mm FA1.4 vs FA1.7 at 15/06/2012 - 19:58


. . . ACR allows for either the data to be written to the main file or in a separate sidecar . . .
As far as I am aware, RAW images, either .DNG or .PEF are effectively read only and can't be edited.
RAW conversion s/w needs to know how to de-mosaic the raw file. I'm not sure that they are clever enough to be able to re-write a mosaic'd file.