All Forum Comments
Comment by johnriley posted on Wireless trigger for studio lights at 07/03/2011 - 21:54
An INterfit IR trigger or similar will do the trick. It just fits in the camera hotshoe and fires an IR pulse that sets off the studio lights.
Comment by johnriley posted on Wireless trigger for studio lights at 07/03/2011 - 21:01
Or do they? Perhaps we know better and they should pay a little more attention to detail....
Comment by johnriley posted on K-x review blasts K-5 (!?) at 07/03/2011 - 20:53
I presume you want mid-roll rewind to change film types, so have you considered adding a second film body and having two types of film loaded? It would cost you a lot less than changing all your lenses, plus you would have a back-up.
Comment by johnriley posted on *ist maybe? at 07/03/2011 - 20:39
Comment by johnriley posted on KOWA PROMINAR 500mm F5.6 FL at 07/03/2011 - 17:18
Comment by johnriley posted on How understanding is your partner? at 07/03/2011 - 16:22
I think I'd still try to keep to one system if possible and if the lens is a real cracker look for an adapter to use it on a Pentax body.
However, if it's a dedicated macro set up it won't be as potentially confusing as say trying to shoot a wedding using two different marques at the same time.
Comment by johnriley posted on Pentax lens on Canon body question . . . at 07/03/2011 - 11:17
Can the Canon macro lens not be fitted to a Pentax body? The canon body you mention isn't all that great, so you'll be putting a tremendous lens on a relatively poor camera. I would be concerned that it was wasting the quality of the lens. A Pentax macro on a Pentax body would be much better. Or indeed the canon macro on a Pentax body, or a better Canon body than the one mentioned.
Comment by johnriley posted on Pentax lens on Canon body question . . . at 07/03/2011 - 10:46
Comment by johnriley posted on Another pointless thread at 07/03/2011 - 10:41
After you've got the basic shots done then you can play with special effects. Fast lenses hand held on the dance floor will get lots of coloured light and swirling dancers - no flash for these as it will kill the atmosphere.
Practice first as much as you can to make sure that you can take a good well exposed standard shot without messing about on the night - the mood soon dissipates if the photographer has to fiddle with his or her camera!
Comment by johnriley posted on Shooting a birthday event - What camera settings please? at 07/03/2011 - 10:36


John the Interfit one has mainly terible reviews (build quality), any others to be recommended ?