All Forum Comments
Comment by ChrisA posted on K-5 video question at 12/12/2013 - 19:19
You can get a free trial of Sony Vegas which will do what you want and I recommend it as an editing package too. A tenth of a second isn't 'a tiny bit'.
Comment by ChrisA posted on K-5 video question at 12/12/2013 - 16:36
I filmed a post-dance-class demo last night, and the couple teaching are both extremely good dancers (Argentine Tango, if anyone's interested), and it's inconceivable that they would ever be out of time with the music.
I certainly didn't notice anything while I was filming, and was only watching the LCD to make sure they were in shot.
Yet on the AVI file as uploaded, the audio seems a tiny bit behind. By tiny, I mean a tenth of a second or so, and I'm not even convinced that it's a real effect. I've watched it in VLC player, and opened it in Windows Movie Maker (yes, I know.. ), and they're the same.
Anyone seen this? I was very close to the action, and the speakers, far too close for any speed-of-sound effect.
I can't show you the video, unfortunately. Not a very good video, protection of reputation and all that.
As a supplementary question, is there any free software that would let me shift the soundtrack in an AVI file by a very small amount?
Comment by ChrisA posted on K-5 video question at 12/12/2013 - 12:42
Thank you ChrisA!
I hadn't thought of that!
Would a sledgehammer work?
It did occur to me to borrow my mate's oxy-acetylene torch if all else failed!
As the saying goes, 'Don't force it, get a hammer'.
Comment by ChrisA posted on Stuck battery in my new K-5 II at 12/12/2013 - 12:27
Comment by ChrisA posted on Stuck battery in my new K-5 II at 12/12/2013 - 12:22
Thinking about where your misty bridge picture was taken, if you remember we all piled back into the Jeep and drove up the valley to the bridge. We were all soaking wet (especially DM who wasn't wearing waterproofs :shock and the the heater was on full blast
Phew, I don't have to relearn all my Physical Chemistry after all
Comment by ChrisA posted on Using Limiteds in mist & fog at 12/12/2013 - 11:50
...That misting was on the middle lens elements !!
Then you zoomed the lens to the long end, sucking in a big gulp of warm moist air from the house. Warm air, cold surface, hence condensation.
Then once the lens' internals had warmed up to room temperature, the condensation would evaporate, and would find its way out.
Nothing to worry about.
It did lash it down and then some more !!
I'm now even more curious - I'd have thought if it misted up inside while you were out, the innards must have been cooling down, and then been subjected to an increase in humidity.
Any phase-change specialists out there able to tell me what I'm missing here?
Comment by ChrisA posted on Using Limiteds in mist & fog at 11/12/2013 - 23:49
My latest image in the PPG thread of path to nowhere was taken with the 18-55mm WR in mild adverse weather . That misting was on the middle lens elements !!
Then you zoomed the lens to the long end, sucking in a big gulp of warm moist air from the house. Warm air, cold surface, hence condensation.
Then once the lens' internals had warmed up to room temperature, the condensation would evaporate, and would find its way out.
Nothing to worry about.
Comment by ChrisA posted on Using Limiteds in mist & fog at 11/12/2013 - 15:21
Secondly, the mist is only a potential problem if it adheres to the inner surfaces and then doesn't have a chance to evaporate when you bring it back indoors.
So with any lens, weather-sealed or not, you don't want to take it from a high-humidity environment to a low one, and then seal it inside a bag - leave it where the air can circulate.
Conversely, if you've been using the lens outside in very cold dry air, and then bring it into a warm, moist house, moisture from the air will condense on the lens surfaces, inside and out.
Again, the answer is to leave the camera and lens somewhere where the air can circulate - any condensation will evaporate as the gear approaches room temperature provided the air can get to it.
To prevent (most of) the condensation in the first place, put the camera in a sealed freezer bag before bringing it indoors, and then take it out once it's reached room temperature.
In practice, mist is a non-issue, as Ken says. Normal good practice (ie, don't leave lenses sealed into moist environments) is all that's needed.
Comment by ChrisA posted on Using Limiteds in mist & fog at 11/12/2013 - 12:50
I also think if sports was important to Pentax they would have brought out a 2.8 70-200mm lens by now.
So why is 70-200 the 'sports' benchmark now?
Comment by ChrisA posted on K-5iis + DA*50-135 fast avtion sports shots at 10/12/2013 - 16:59


distance between the mic and subject could explain the problem..or your software/hardware playing back the video.. read up on "doppler effect"… I have noticed a slight difference in sync when doin a multi cam edit from large auditoriums where one camera at the back, and one at the front are used… it is always preferable to use an audio recorder taking a line feed off the venue's main soundboard for such work.
audacity(free), premier pro and FCPX are all capable of shifting/synching audio..
even in simpler programs like imovie it CAN be done (detach the audio then shift it or add spacer frames)..