Platform#1
Best wishes,
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050 http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
A highly professional and polished image. Very thoughtfully constructed.
I very much agree, Ilike the ghostly figure at the bottom of the steps, love this image
Great simplicity is only won by an intense moment or by years of intelligent effort. T.S Eliot
PPG
Gear Not enough!!

Flickr
My not so new website
C.O.L.B.A.S victim
(Compulsive Obsessive Lens Buying Addiction Syndrome)
What you need are lenses, more lenses, bigger lenses, better lenses, faster lenses, older lenses, and when you have these, your pictures will be perfect!
Nobody better say "Would be better in B&W" this time!

Mac from Montreal
SP, SPII, SPF, PZ-10, P30, SFX, K110D, istDS, Optio 60, Z-10, H90, RZ10, I-10, f3.5 28mm, f1.8 55mm, f1.4 50mm, f3.5 135mm, f2.5 135mm, f4 50mm Macro, f4.5 80-200 F, f4 35-70, f3.5 28-80, f3.5 35-135, f3.5 18-55, f1.8 31mm Ltd., two Auto 110's, Auto 110 lenses and filters, tubes, bellows, Manfrottos and a sore back.
Regards
David
Flickr
Nicola's Apartments, Kassiopi, Corfu
Some cameras, some lenses, some bits 'n' bobs
Regards,

R

flickr ID: SteveW46243 or sw46246
DA AL 35mm f2.4, K3,18-135 WR, DA 55-300, Pentax KX, K5 x 2, 18-50 50-200 kit lenses, Tamron 17-50 f2.8, Fuji X10, 2x Mamiya 1000s 2x 80mm f2.8, 150mm f3.5, 210mm f4, Yashica 124G TLR, 2x Yashica FX3 Super 2000, Tamron 28mm f2.8, 90mm SP f2.5, 135mm f2.5, Olympus 35RC, 2x Yashica FX2, Kodak Pocket Instamatic, Kodak Box Brownie
You can see some of my photos here if you are so inclined
This was my favourite from a series on twilight and returning home from work, link below:
Twilight series
@davidstorm - no, not set up surprisingly; I was just VERY lucky that she stood still under the pool of light (sending a text or something) just as the tram opposite pulled away and the man came down the stairs. One of those rare moments when all the elements just came together at the right time.
'The RAW is the score and the print is the performance' - Apologies to Ansel Adams
Blog
Flickr
All the best
David
SMarsden
12 yearsMember
SMarsden
My website
Flickr
Pentax Photo Gallery
"Intellectual brilliance is no guarantee against being dead wrong" Carl Sagan