time to play
by pink
studio work for a friend
Uploaded23/09/2009 - 09:26
CategoryPortraits / People
Unique Views / Likes0/0
TagsN/A
Posted 23/09/2009 - 20:58
Link
yes I was once told it is important to have the light in the eye to make the subject live in the portrait is this wrong
please comment as I am still learning.....
James
please comment as I am still learning.....
James
My Fluidr
"To see in colour is a delight for the eye, But to see in black and white is a delight for the soul" ANDRI HERY
"To see in colour is a delight for the eye, But to see in black and white is a delight for the soul" ANDRI HERY
Posted 23/09/2009 - 21:09
Link
I don't really know, to me the eyes look best and most commercial with big reflections rather than points of light, but some shoots require more directional lighting for editorial reasons etc.
I think you have a similar studio setup to me but you don't appear to use the softboxes ?
The first thing I did with my kit was buy a 100cm softbox for use as close as possible, for that 'next to a window' look.
I think you have a similar studio setup to me but you don't appear to use the softboxes ?
The first thing I did with my kit was buy a 100cm softbox for use as close as possible, for that 'next to a window' look.
Posted 23/09/2009 - 22:11
Link
I am using a soft box above the head at 45 deg and at around 25 inch away from the subject with two b/ground lights to keep the b/g white and various reflectors.
I think the soft box is the two foot one (interfit kit)
James
I think the soft box is the two foot one (interfit kit)
James
My Fluidr
"To see in colour is a delight for the eye, But to see in black and white is a delight for the soul" ANDRI HERY
"To see in colour is a delight for the eye, But to see in black and white is a delight for the soul" ANDRI HERY
Add Comment
To leave a comment - Log in to Pentax User or create a new account.


1753 posts
19 years
Plymouth,
UK
I've noticed you like small catch lights in the eyes, is that deliberate?
Plymouth Photographer