You really can't win

robbie_d
Posted 12/09/2011 - 22:19 Link
ChrisA wrote:
robbie_d wrote:
gartmore wrote:
The pictures on the web site were, judging by them all being off-axis, were taken in guest mode.
Is that 'PB' mode? As in 'Post-Bar'?
No, he means taken by a wedding guest, ie to one side of the actual tog - so the couple are looking slightly off to one side.

In fairness, some of the pics aren't dreadful.
Sorry, I should have put a smiley, I was desribing the reason why photos I take as a guest at weddings are 'off axis' (the vertical one that is) tends to be due to too many trips to the watering hole!
If you can't say something nice about Pentax, you won't say anything at all.

Apparently.
jeff0000
Posted 13/09/2011 - 13:15 Link
at least they are being honest. is right we must start some were so good on them we are all Guilty of doing this and them who say they have not tell lies we have all done photos for our friends and family and we had to start some were and when we get to were we are going or in other words get better then we can up the cost and charge what we want
playing firm but fair all the way
Dangermouse
Posted 13/09/2011 - 13:18 Link
After looking at those I'm beginning to think that, as with politics, you should only employ people who don't volunteer to do the job!

I would never want to shoot weddings professionally simply due to the stress. While you can take every reasonable precaution in terms of kit, venue, etc there's always Murphy's Law waiting to trip you up, only this time it'll ruin the record of what remains one of the biggest days of anyone's life.
Matt

Shooting the Welsh Wilderness with K-m, KX, MX, ME Super and assorted lenses.
jeff0000
Posted 13/09/2011 - 13:21 Link
Quote:
I would never want to shoot weddings professionally simply due to the stress.
thats why poeple like this do it becouse no one whats it or they charge to much like $1799.99c
playing firm but fair all the way
johnriley
Posted 13/09/2011 - 13:55 Link
If you think it's too much that professionals charge, then think of the equipment, transport, time at the wedding, time spent after the wedding, insurance and the time spent gaining the skills to do the job properly.

Then it may start to look less expensive.
Best regards, John
ChrisA
Posted 13/09/2011 - 14:41 Link
Dangermouse wrote:
I would never want to shoot weddings professionally simply due to the stress. While you can take every reasonable precaution in terms of kit, venue, etc there's always Murphy's Law waiting to trip you up, only this time it'll ruin the record of what remains one of the biggest days of anyone's life.
Professionally, I'd agree. But what do you do when a hard-up close friend practically begs you to do it for them?

It's happened to me twice - in each case they couldn't afford a pro, and in fact were doing their own catering in the local village hall, in conjunction with some of the guests that were bringing food.

The answer is, in my case, you agonise, dither, and eventually agree to give it your best shot. You prepare the very best you can, you get as much advice as you can, and you make sure you know how your kit works.

People with digital cameras faced with this dilemma don't know they're born, frankly. These days, you can retake after looking on the back, and fix some imperfections later. On the other hand, there seems to be a lot more in the way of 'arty' shots required these days, which wasn't so much in vogue in the '80s.

The ones I did were with a Super A, a Me Super, a couple of primes and a 28-80 zoom. They worked out Ok, and the couples were pleased, so all's well that ended.

Scarred for life, me, though. It was an adrenaline kind of day, each time.
.
Pentax K-3, DA18-135, DA35 F2.4, DA17-70, DA55-300, FA28-200, A50 F1.7, A100 F4 Macro, A400 F5.6, Sigma 10-20 EXDC, 50-500 F4.5-6.3 APO DG OS Samsung flash SEF-54PZF(x2)
.
gartmore
Posted 13/09/2011 - 20:31 Link
Chris, digital has made it all much harder for the pro, not easier.

The shoot is much the same except you'll shoot more. In the past you handed your film into the lab showed the couple proofs and stuck the chosen prints in an album. Now I spend twice as much time in front of the screen as I did shooting and I'm the kind of photographer of gets it right in camera
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
ChrisA
Posted 13/09/2011 - 23:49 Link
gartmore wrote:
Chris, digital has made it all much harder for the pro, not easier.

The shoot is much the same except you'll shoot more. In the past you handed your film into the lab showed the couple proofs and stuck the chosen prints in an album. Now I spend twice as much time in front of the screen as I did shooting and I'm the kind of photographer of gets it right in camera
Gawd. More than happy to be corrected - is that because the standard expected has gone up? Because it's possible to achieve more?

I just kind of imagined that I'd prefer to have the flexibility of digital if I had to do it again.

Here's hoping I don't
.
Pentax K-3, DA18-135, DA35 F2.4, DA17-70, DA55-300, FA28-200, A50 F1.7, A100 F4 Macro, A400 F5.6, Sigma 10-20 EXDC, 50-500 F4.5-6.3 APO DG OS Samsung flash SEF-54PZF(x2)
.
Edited by ChrisA: 13/09/2011 - 23:50
Dangermouse
Posted 13/09/2011 - 23:52 Link
I do think people expect more from digital than they did from film.

In film days they were happy with well exposed/composed/focussed shots which looked as natural as possible. Most of the work was done in-camera.

Now with the rise of photo manipulation packages they all want to look like the airbrushed airheads in the waste-of-paper magazines. A lot more effort for the photographer in converting their realistic shots to "perfect" portraits which hide any blemishes!

If I ever get invited to a wedding as a guest I'm taking the MX and the 40mm pancake. Should be a good conversation starter and decent mono images will be very different to anything else friends of the couple would be likely to produce!
Matt

Shooting the Welsh Wilderness with K-m, KX, MX, ME Super and assorted lenses.
Edited by Dangermouse: 13/09/2011 - 23:54
Steep
Posted 14/09/2011 - 15:08 Link
I think my parents had two black and white shots done for their wedding, one family group and a bride and groom only standing on the church steps, bring back the good old days

I've been pressganged into shooting weddings three times (free for friends) and I'll not shoot another, I agree with the comments above, they are just too stressful and I'm not good enough to do them justice especially if money is involved.
thoughton
Posted 14/09/2011 - 15:36 Link
Dangermouse wrote:
If I ever get invited to a wedding as a guest I'm taking the MX and the 40mm pancake.
You've never been invited to a wedding? You're either younger than I thought, or you're a right liability at parties
Tim
AF - Pentax K5, Sigma 10-20/4-5.6, Tamron 17-50/2.8, Sigma 30/1.4, Sigma 70-200/2.8, Tamron 70-300/4-5.6
MF - Vivitar CF 28/2.8, Tamron AD2 90/2.5, MTO 1000/11
Stuff - Metz 58 AF1, Cactus v4, Nikon SB24, Raynox 150, Sigma 1.4x TC, Sigma 2x TC, Kenko 2x macro TC, Redsnapper 283 tripod, iMac 27”, Macbook Pro 17”, iPad, iPhone 3G
FlickrFluidrPPGStreetPortfolio site
Feel free to edit any of my posted photos! If I post a photo for critique, I want brutal honesty. If you don't like it, please say so and tell me why!
Dangermouse
Posted 14/09/2011 - 16:19 Link
thoughton wrote:
Dangermouse wrote:
If I ever get invited to a wedding as a guest I'm taking the MX and the 40mm pancake.
You've never been invited to a wedding? You're either younger than I thought, or you're a right liability at parties
Not entirely sure which!

I think it's a case of people getting married in their 30s rather than 20s now, and the ones I know well enough to expect an invitation aren't likely to be booking a venue in the near future. I only seem to know either people who aren't likely to be getting married for some time or people who already were by the time I met them!
Matt

Shooting the Welsh Wilderness with K-m, KX, MX, ME Super and assorted lenses.
Edited by Dangermouse: 14/09/2011 - 16:20
Frogherder
Posted 14/09/2011 - 17:22 Link
I used to know a chap whose "hobby" was wedding photography.

He would dress smartly and turn up at a wedding and start snapping away, then leave.

It was years before he was challenged as everyone thought he was either the official photographers assistant or a guest from the other side.

So don't despair Matt, put your glad rags on and get out there. Who knows you might forge a career from the portflio you'll acquire

Bernard
tyronet2000
Posted 16/09/2011 - 08:53 Link
Algernon wrote:
Other photographers aren't competition regardless
of what they charge!

The REAL competition for a wedding tog is the cost of the reception, cars
dresses, flowers, cake etc....... Just make sure that you get
your slice
MMmmmmmm Cake! yes please

Regards
Regards
Stan

PPG
Dangermouse
Posted 16/09/2011 - 13:43 Link
That could actually work in the prospective wedding 'togs favour, of course...

Would you buy an Aston Martin and fit cheap Chinese tyres?

Would you buy a Marentz Hi-Fi and listen to it through Tesco Value headphones?

So why are you booking the venue, the caterer, the car, the dress, and having the photos taken by someone using a compact stuck on Auto?
Matt

Shooting the Welsh Wilderness with K-m, KX, MX, ME Super and assorted lenses.

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