Windmill
Posted 09/01/2015 - 16:00
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Its lovely and clear, and the bright red wheel provides that strong colour contrast. I like the white balance with its very pure white also.
For me I feel you have overcooked the 'depth' in the sky. Now its well known that I often complain of over-moody skies with very dark moisture charged clouds, and its no different here. Its really very dramatic, to the extent of looking unrealistic I think .... it looks like an impending natural catastrophe is coming your way that even Pentax WR will be powerless to resist
I do think some gentle selective (on the sky only) shadow lifting and small midtone brightening, will improve it. By all means hold the highlights as you don't want a glaring bright sky of course, but less contrast overall and a lower black point will help IMO.
For me I feel you have overcooked the 'depth' in the sky. Now its well known that I often complain of over-moody skies with very dark moisture charged clouds, and its no different here. Its really very dramatic, to the extent of looking unrealistic I think .... it looks like an impending natural catastrophe is coming your way that even Pentax WR will be powerless to resist
I do think some gentle selective (on the sky only) shadow lifting and small midtone brightening, will improve it. By all means hold the highlights as you don't want a glaring bright sky of course, but less contrast overall and a lower black point will help IMO.
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Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Posted 09/01/2015 - 16:17
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Thanks Nigel, it was a darkish sky but as you correctly notice I have dramatised it a tad more, I wii look at your suggestion to lower the black point.
Chris
www.chrismillsphotography.co.uk
" A Hangover is something that occupies the Head you neglected to use the night before".
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K1 - Sigma 85mm F1.4, Pentax DFA 150 -450 F4.5 / 5.6, Pentax DFA* 24 - 70 F2.8
Samyang 14mm F2.8, Pentax DFA* 70-200 F2.8, Pentax A 50mm F1.2
K3iii + K3ii + K5iis converted to IR, Sigma 17 - 70 F2.8, Pentax 55 - 300 F4.5 / F5.6 PLM
www.chrismillsphotography.co.uk
" A Hangover is something that occupies the Head you neglected to use the night before".
-------------------------------------------------------------
K1 - Sigma 85mm F1.4, Pentax DFA 150 -450 F4.5 / 5.6, Pentax DFA* 24 - 70 F2.8
Samyang 14mm F2.8, Pentax DFA* 70-200 F2.8, Pentax A 50mm F1.2
K3iii + K3ii + K5iis converted to IR, Sigma 17 - 70 F2.8, Pentax 55 - 300 F4.5 / F5.6 PLM
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2130 posts
16 years
St Austell,
Cornwall
a little Photoshop work just to bring some depth into the Sky
www.chrismillsphotography.co.uk
" A Hangover is something that occupies the Head you neglected to use the night before".
-------------------------------------------------------------
K1 - Sigma 85mm F1.4, Pentax DFA 150 -450 F4.5 / 5.6, Pentax DFA* 24 - 70 F2.8
Samyang 14mm F2.8, Pentax DFA* 70-200 F2.8, Pentax A 50mm F1.2
K3iii + K3ii + K5iis converted to IR, Sigma 17 - 70 F2.8, Pentax 55 - 300 F4.5 / F5.6 PLM