Why video on a DSLR?
From what I understand it costs only a few pounds to include the option and it would take a brave manufacturer to leave it out on a mainstream camera now.
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And have no interest in doing so
I use to have a vidieo camera a do oh used it a couple of times so I got shut of it as it was like a hover collecting dust
People that do a lot of filming will buy a video camera not stills camera so why can't we have a dedicate stills camera top of the range without ll the crap excuse the swaring
Regards stu
Next thing you know there will be someone on here that thinks post processing is the work of the devil

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The camcorder is properly designed to do one thing very well.
Not disagreeing with that, but seriously, this is the same old response to a feature that Pentax has had for a large number of models and years now. Time to get used to it I think. If you don't want to use it, don't select that mode stop on the mode dial

For those asking why video on a DSLR? - The answer is all the same reasons you would pick a DSLR over a bridge or point and shoot camera. Interchangeable lenses, weather sealing, sensor stabilisation, investment in lenses etc. Sound familiar?! A DSLR (or frankly newer tech mirrorless bodies seem far more progressive and/or suited) offers the flexibility to produce results that match my creative vision. If your videos don't look good enough for you, that's not a valid reason to dump a feature others are capable of using.
Video is fundamentally lots of 2MP stills pictures, and it uses information from the light that the sensor receives. It's not some physical bolt on piece that enables it. It is software, much like the other software based features, such as sensor shift correction, intervalometer, in camera HDR etc? There is no such thing as a non video capable body as all you need is a sensor to write the pictures to a video file. There is no money to be saved here, and instead it would cost more to supply the 'purist' / OCD crowd a one off custom body design with no button or mode dial option to enable the inherent video mode available on all cameras.
From what I see, these people who use video seem to be complaining that "video is rubbish on Pentax cameras" and keep asking for better video - then go and buy a video camera!

Look harder then.
Pentax has awesome hardware, but their software implementation of this feature needs only a few small tweaks to be very useful; at which point the complaining will stop. Stuffing up/going backwards with the sensor stabilisation from the K-5 family is one such example.
https://www.youtube.com/watch?v=HqLdCQ_Jpks&list=UUWKHORK-rmkUl5VLN3npUvA
After watching this the other day my very anti video on DSLR has started to sway in his opinion somewhat
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If video is your sole reason for buying a camera then yes it makes sense to buy a video camera, but many people like both options.
If you want the video specific equivalent of a DSLR then you are talking significant prices, hence the appeal of a dslr for video.
My Guides to the Pentax Digital Camera Flash Lighting System : Download here from the PentaxForums Homepage Article .... link
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
A dedicated video camera that output the recorded quality of my Pentax camera, with the IQ available from the lenses I can put on it, would cost some very serious cash!
Doesn't that camera already exist and costs £2.5K, the A7S.
My Guides to the Pentax Digital Camera Flash Lighting System : Download here from the PentaxForums Homepage Article .... link
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
A handy cam is essentially the equivalent of a bridge camera.
If you want the video specific equivalent of a DSLR then you are talking significant prices, hence the appeal of a dslr for video.
I'm sorry if I wasn't clear - it is the way it works not what it can do. The DSLR just isn't designed to be handled in the same way. Motorised zoom? Pan and zoom in one motion? Basic stuff.
RobL
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Warwickshire