Some Smeggy Slutwalk pics
Best regards
Love the last one too and you did well to stay hidden in #15
#7 and #16 I'm not too sure of the noise/detail/clarity/HDR ????, a wee shade to much for me
Brian.
LBA is good for you, a Lens a day helps you work, rest and play.
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Regards - Steve
karlo
I find some of them, especially the black and white ones, a bit over-sharp though, with a grainy effect that's almost like reticulation.
So in general I prefer the colour shots.
What do we have? - some very creative, up close 'n personal images recording a most unusual, and worthy, street protest.
Well done for getting right in there - it involves a pluck and forthrightness that I doubt I could carry off myself, and as said above plenty of quickfire technique in action - great focussing and eyeing up the various compos, all very effective.
The best for me are the close up portraits - favourite being the long-haired guy with the shades and amazing reflection in them. And of course that B & W of the organiser, clearly intensive and focussed on the seriousness of the day, no doubt with personal experiences to tell - it all comes through in the shot.
One thing that I find a little odd - some of the OOF backgrouds, as well as showing strong bokeh, also have some movement blur - but the subjects are sharp ... I find this additional blurring distracts a bit. Is it the result of the particular 'in motion' shooting style used? I know you probably use high ISOs and consequently very high shutter speeds in this bright light, which is how the subjects are so sharp - maybe this slight movement in the background is a small price to pay for that?
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Great eye on the day, step away from the 'sharpen button'
I agree on the over sharpness of some of them . These were edited on my old CRT Monitors, which I only replaced relatively recently, and sharpening isn't so easy to gauge correctly. After finally getting some decent LED screens I had to adjust my sharpening right down in lightroom.
There's also some artifacts on some of them caused by the Lightroom 3 rendering, which has been eliminated in Lightroom 4.
Nigel, EXIFs are in the images if you've got the EXIF Viewer extension for your browser. This wasn't a high ISO shoot, given the daylight, I dont' think there's one above 400.
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
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7671 posts
16 years
Smegland
#1
#2 - Anastasia Farquar-Incubater-Richardson. The organiser
#3
#4
#5
#6
#7
#8
#9
#10
#11
#12
#13
#14
#15
#16
#17
#18
#19
#20 - Managed to grab a boot shot in the middle of a deserted piccadilly
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283