Restoration

womble
Posted 30/03/2010 - 22:19 Link
As said above. I like 1964 as it was a very good year.

Well done. K.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Cliff-P
Posted 31/03/2010 - 07:45 Link
First one for me Andrew lovely composition.
Cliff.




My Flickr link
Nikon D750, D7000 , Nikkor 80-400, 70-300 and 18-200 lenses
i-Berg
Posted 31/03/2010 - 08:10 Link
First and last also Andrew, although I do like the colour and detail in the next to last. Great use of excellent material and opportunity available to you Andrew.
bwlchmawr
Posted 31/03/2010 - 10:53 Link
Thanks everyone. Glad you liked them, although I'm not convinced Kris is judging "Sprit of 1964" on its artistic merits. Perhaps we could use the image and print one of those naff t-shirts for him ...

i-Berg wrote:
Great use of excellent material and opportunity available to you Andrew.
Of course, i-Berg, you're right: you can only shoot what's in front of you. Unlike an artist, we can't imagine things or make things up; we're stuck with what's there and have to do our best to maked sense of it.

Regards,

Andrew
Best wishes,

Andrew

"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference.  All of them can record what you are seeing.  But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
i-Berg
Posted 31/03/2010 - 11:52 Link
bwichmawr wrote:
Thanks everyone. Glad you liked them, although I'm not convinced Kris is judging "Sprit of 1964" on its artistic merits. Perhaps we could use the image and print one of those naff t-shirts for him ...

i-Berg wrote:
Great use of excellent material and opportunity available to you Andrew.
Of course, i-Berg, you're right: you can only shoot what's in front of you. Unlike an artist, we can't imagine things or make things up; we're stuck with what's there and have to do our best to maked sense of it.

Regards,

Andrew
Andrew,

That may be, however here are legion of choices open to you as the photographer. The exercise of that discretion in itself, is artistry, IMO.
paulgee20
Posted 31/03/2010 - 16:39 Link
The Photographers 'discression' is always his personnel preference. It may not be another mans liking or perfection, but it is the 'owners preferred option'

Personally, and it is my opinion, then Andrew's shots are excellent, and clearly fine captures.

Paul
K5's (2)both gripped, K10d gripped, Pentax 28-90 f3.5, Sigma 18-250mm, Sigma 150-500mm. Sigma 105mm f/2.8 EX DG Macro, Sigma 10-20 f.4-5.6.EX DC, Hoya 135 f2.8, Take on 28mm f2.8 Pentax AF360 flash, 2 fill in slaves. 30 metre remote release, Rt angle viewfinder, Giotto NOT 3261B Tripod with Manfrotto 808Rd4 ball head, Manfroto 4861RC2 monopoly, shoulder stock, various filters etc, Panasonic SET HBS HD Video cam, Tamrac Explorer 8x backpack and a sore back.....
-------------------------------------------------------
Photography is an index for measuring futility and pride.......

Paul

:wink
http://s743.photobucket.com/home/pg20_photos/index
https://www.flickr.com/photos/pg20

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