Poplars

womble
Posted 20/02/2011 - 21:37 Link
C&C on this image please. Pentax K10D, DA* 50-135mm lens.

Comment Image


K.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Pentaxophile
Posted 20/02/2011 - 21:45 Link
I like that very much Kris. Very minimalist.
MarkTaylor
Posted 20/02/2011 - 21:55 Link
Wow. Very stark contrast. I like it.
My FlickrPentax K-5 • K-5 II • Sigma 8-16mm F/4.5-5.6 DC HSM • Tamron SP AF 17-50mm F/2.8 XR Di II LD ASL • SMC Pentax-DA* 50-135mm F/2.8 ED [IF] SDM • SMC Pentax-DA 55-300mm F/4-5.8 ED • SMC Pentax-DA 18-135mm F/3.5-5.6 ED AL [IF] WR • Vivitar 100mm F/3.5 Macro AF • Metz Mecablitz 58 AF-2
i-Berg
Posted 20/02/2011 - 23:37 Link
I like the patterns in this Kris. There's an interesting broken branch sticking out horizontally, on the 3rd tree from the right. It's pretty much spot on the 'thirds' intersection, best location for it too.
aliengrove
Posted 21/02/2011 - 00:49 Link
I really like it. Very minimalist as Pentaxophile said. It's the sort of thing you can imagine done very large on a whole wall in a public or corporate building. Part of me wonders what it would look like with the complete trees, but I suspect it looks better just how it is.
Frogfish
Posted 21/02/2011 - 03:00 Link
Is it a bed-sheet or curtain ?

I could see that as printed material.
http://frogfish.smugmug.com/ Pentax. Pentax DA*300/4, Cosina 55/1.2, Lens Baby Composer Pro & Edge 80, AFA x1.7, Metz 50 af1.
Nikon. D800. D600. Sigma 500/4.5, Nikon 300/2.8 VRII, Sigma 120-300/2.8, Zeiss Distagon ZF2 21/2.8, Zeiss Distagon ZF2 35/2.0, Sigma 50/1.4, Nikkor 85/1.8, Nikon TC20EIII, Nikon TC14EII, Kenko x1.4, Sigma 2.0
bwlchmawr
Posted 21/02/2011 - 07:41 Link
Great shot, Kris. Is it more or less as shot, or a crop? Particularly interesting as I try to ensure either tops or bottoms of trees are included. Leaving them both out makes this an abstract as opposed to a landscape.

(Must be a great camera, by the way!)
Best wishes,

Andrew

"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference.  All of them can record what you are seeing.  But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Edited by bwlchmawr: 21/02/2011 - 07:43
womble
Posted 21/02/2011 - 09:25 Link
bwlchmawr wrote:
Great shot, Kris. Is it more or less as shot, or a crop? Particularly interesting as I try to ensure either tops or bottoms of trees are included. Leaving them both out makes this an abstract as opposed to a landscape.

(Must be a great camera, by the way!)
Only a slight crop on this one, I may give it a touch more. And yup, it is a great camera as you know!

K.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
marklj
Posted 21/02/2011 - 09:40 Link
An interesting abstract - I like it and could really see it as a very print. I seem to have developed a tree fetish since taking up photography. Its usually only satisfied by complete trees but I think this is very efective.

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