Out of the woods (2)
Posted 25/04/2020 - 17:50
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Some nice shooting there John
I like the classic nature of 3, 5 & 7 in particular
I like the classic nature of 3, 5 & 7 in particular
LennyBloke
Posted 27/04/2020 - 13:12
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2, 3 and 7
2 & 3 - Love the hills in the distance that fade just to shades, these would look killer with a sunset or just after when they'll be lovely hues
7 - I like the scale to this, part of me wonders what it'd look like with the sky cropped and removed
2 & 3 - Love the hills in the distance that fade just to shades, these would look killer with a sunset or just after when they'll be lovely hues
7 - I like the scale to this, part of me wonders what it'd look like with the sky cropped and removed
Gareth Williams ARPS
My outfit: K1ii - Pentax D FA 24-70mm f2.8 - Pentax DA* 300mm f4 - Pentax modified DA* 60-250mm f4 - Irix 15mm Firefly - Pentax FA 35mm - FA 50mm f1.4 - Tamron SP 90mm macro - Pentax AF 540 FGZ II
Welsh Photographer
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My outfit: K1ii - Pentax D FA 24-70mm f2.8 - Pentax DA* 300mm f4 - Pentax modified DA* 60-250mm f4 - Irix 15mm Firefly - Pentax FA 35mm - FA 50mm f1.4 - Tamron SP 90mm macro - Pentax AF 540 FGZ II
Welsh Photographer
Flickr
My PPG
Foundation NFT
Posted 27/04/2020 - 15:02
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Number 7 - great depth to the composition, in two of its three dimensions!
Philip
Philip
Posted 27/04/2020 - 15:49
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Its no. 10 for me, the lambs giving foreground interest, the water in the middle distance and then I like the way the hills layer away into the far distance. Brings back memories of walks I have done in the area.
Paul
Paul
Paul
K1000, Espio 140, ist, istD, K70, K3iii and numerous lenses, just don't tell my wife.
K1000, Espio 140, ist, istD, K70, K3iii and numerous lenses, just don't tell my wife.
Posted 27/04/2020 - 22:56
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Thanks for your comments - very interesting.
Gareth, I know what you mean about “shades” in the distance and I’m pleased you make that point as it’s just what I try to capture with images like these. I’m not so sure about cropping out the sky in 7 though - I think the short section of road winding up to the tiny buildings on the skyline helps emphasise the depth from top to bottom. I suspect that’s Philip’s point, too.
Paul, I’m glad you see 10 the way I wanted. I wondered if the lambs might be a bit naff but they do bring something to the foreground, don’t they.
Gareth, I know what you mean about “shades” in the distance and I’m pleased you make that point as it’s just what I try to capture with images like these. I’m not so sure about cropping out the sky in 7 though - I think the short section of road winding up to the tiny buildings on the skyline helps emphasise the depth from top to bottom. I suspect that’s Philip’s point, too.
Paul, I’m glad you see 10 the way I wanted. I wondered if the lambs might be a bit naff but they do bring something to the foreground, don’t they.
John
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