On the rocks
Posted 06/04/2008 - 04:26
Link
Ouch I can feel the pain, well worth it though, I like 2
C&C welcome.
Don.
Don.
Posted 06/04/2008 - 22:20
Link
In my opinion the exposure seems just about right - at least on my monitor. Like the scene, wouldn't mint having it on my wall.
Best regards
Terry
K20D, Optio I10, DA 18-55 1:3.5-5.6 AL II, A 1:1.7/50, D FA 1:2.8/100 Macro, Sigma 70-300 1:4-5.6 APO DG Macro, Pentax AF 360FGZ
Terry
K20D, Optio I10, DA 18-55 1:3.5-5.6 AL II, A 1:1.7/50, D FA 1:2.8/100 Macro, Sigma 70-300 1:4-5.6 APO DG Macro, Pentax AF 360FGZ
Posted 06/04/2008 - 22:50
Link
Exposure looks about right but it looks to me to be lacking in contrast. Could be that it is, or might be partly down to the colour space. Keith, was the image saved as AdobeRGB? If so, that would be why it looks a bit flat to me. sRGB is the best for web viewing.
Hope you don't mind, but I had a tinker with the contrast:

That's more how I would prefer it, but that may not be the look you were going for.
Dan
P.S. I like the simplicity of it, nice shot. ANd the second shot is even nicer.
Hope you don't mind, but I had a tinker with the contrast:

That's more how I would prefer it, but that may not be the look you were going for.
Dan
P.S. I like the simplicity of it, nice shot. ANd the second shot is even nicer.
K-3, a macro lens and a DA*300mm...
Posted 07/04/2008 - 00:24
Link
I like number 1 myself. The different textures are great - smooth pebbles, jagged rocks, swirling clouds in the sky. I would definitely hang that on my wall!
Fiona
Fiona
"Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep". ~Scott Adams
Q | Various Q lenses & filters | KP | 35mm 2.8 Macro
Q | Various Q lenses & filters | KP | 35mm 2.8 Macro
Posted 07/04/2008 - 01:07
Link
Hi folks,
Thanks for the feedback so far (keep it coming - all very helpful).
On the exposure, Lily you may well be right, as I'm still just figuring out my monitor's calibration. How does the second image look vis a vis exposure?
Dan, I like the increased contrast a lot. Thanks! I'm looking forward to using Elements, rather than what I imagine is a fairly blunt set of tools in iPhoto. (It is saved in sRGB, btw.)
This may be a "dumb question," but other than tinkering with levels in post-production, is there a way to consider contrast when actually making the photo in-camera? Is it a function of depth of field or exposure or...??
Cheers!
Thanks for the feedback so far (keep it coming - all very helpful).
On the exposure, Lily you may well be right, as I'm still just figuring out my monitor's calibration. How does the second image look vis a vis exposure?
Dan, I like the increased contrast a lot. Thanks! I'm looking forward to using Elements, rather than what I imagine is a fairly blunt set of tools in iPhoto. (It is saved in sRGB, btw.)
This may be a "dumb question," but other than tinkering with levels in post-production, is there a way to consider contrast when actually making the photo in-camera? Is it a function of depth of field or exposure or...??
Cheers!
Keith
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
Posted 07/04/2008 - 09:27
Link
Quote:
...is there a way to consider contrast when actually making the photo in-camera?
Not when you're shooting RAW. Contrast adjustments are made purely in post processing. Of course, if it's a really sunny day and you're going to get a more contrasty image than if it's overcast, but other than ensuring you have a good exposure (are you familiar with the histogram feature when reviewing the pictures on the camera's screen?) you can't actually make a shot like this more contrasty at the shooting stage....is there a way to consider contrast when actually making the photo in-camera?
In iPhoto (I haven't used it, just had a look at the Mac website), you have the adjustments tool, which looks like this:

The graph at the top is the histogram, which shows levels of dark to light (left to right). The little arrows underneath it are sliders, if you move the left hand one to the point where the graph starts (the bottom of the blue peak on the example above) that will mean that blacks are actually black, not dark grey. Likewise, move the right hand slider in to ensure whites are white, but not too far or you'll lose detail in the highlights. The middle slider affects the overall look of the shot, moved to the left the image will look brighter, but can look washed out. To the right and it will go darker over all, but can look too dark.
That's a powerful tool in itself, which can easily be overlooked, but it's the place to start when considering contrast. Have a play too with the sliders for exposure, contrast, saturation etc. Just don't take it too far! Also, remember to keep checking that histogram to make sure the changes you've made haven't moved the histogram around and meant that you're losing detail in shadows or highlights, you can always readjust those sliders.
Dan
K-3, a macro lens and a DA*300mm...
Posted 07/04/2008 - 16:59
Link
Thanks Dan, that's helpful! I have been using those adjustment sliders, but hadn't yet got a handle on the histogram - your explanation makes sense (and I've got another book or two on the shelf to keep reading!).
I can see the in-camera histogram being really useful: on a bright day with glare on the LCD screen, it's a little difficult to tell just by eye whether a shot is exposed properly - but the histogram could give me those details. Do you actually use it very often yourself?
PS I appreciated the "simplicity" comment about pic 1 - that's something I've been giving a lot of thought to lately, both in photography and in life!
Learning,
I can see the in-camera histogram being really useful: on a bright day with glare on the LCD screen, it's a little difficult to tell just by eye whether a shot is exposed properly - but the histogram could give me those details. Do you actually use it very often yourself?
PS I appreciated the "simplicity" comment about pic 1 - that's something I've been giving a lot of thought to lately, both in photography and in life!
Learning,
Keith
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
Posted 07/04/2008 - 17:28
Link
I use the histogram on the camera a lot, it's the best way to see if you've got the exposure correct, and as you say, the screen isn't easy to see well in bright light.
A simple shot is often the most effective - if there's too much going on it can be a bit confusing (again, as you say, like life ).
Dan
A simple shot is often the most effective - if there's too much going on it can be a bit confusing (again, as you say, like life ).
Dan
K-3, a macro lens and a DA*300mm...
Posted 07/04/2008 - 19:31
Link
I really love the second one. Have to give it a try next time I'm on the pebble beach close bye.
First one looks fine, too, but the second one does it for me. Great!
Prieni
First one looks fine, too, but the second one does it for me. Great!
Prieni
How inappropriate to call this planet earth when it is quite clearly Ocean. - Arthur C. Clarke
Prieni's PPG page
Prieni's PPG page
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124 posts
18 years
Nova Scotia,
Canada
Taken in RAW, saved as JPEG, and only cropped in iPhoto (waiting for PS Elements to arrive this week!).
DA 18-55 @ 20 mm, 1/45 sec, f22, ISO 200, handheld
M 50 1.4 @ 1/4000, f2 (?), ISO 200, handheld, on my stomach! ''
Cheers!
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard