On the Road - Structures
Posted 15/09/2018 - 22:52
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A great set and the spire of Belfast cathedral is very well done.
I rarely have my camera with me when I'm working away and tend to have little free time anyway. Looking at your pictures has prompted me to make sure I take my camera with me next time.
I rarely have my camera with me when I'm working away and tend to have little free time anyway. Looking at your pictures has prompted me to make sure I take my camera with me next time.
Nigel.
Getting older and grumpier. Taking longer to decide which lens to use today.
K5 with auto-everything lenses
A collection of manual primes to keep me in touch with the pleasures of doing it old-school.
Getting older and grumpier. Taking longer to decide which lens to use today.
K5 with auto-everything lenses
A collection of manual primes to keep me in touch with the pleasures of doing it old-school.
Posted 17/09/2018 - 20:19
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Thanks David and Nigel for detailed thoughts and comments re these... much appreciated my end... David, yes, I tend to find it's very much a yin yang type thing for me... helps a lot re balance with the day job, and they often complement /feed each other, I find...
Best
Best
Posted 18/09/2018 - 12:09
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cracking set. Love them all
Gradually learning the art of polishing turds
K-3, K-1
Pentax 18-35, 35-80, 50, 85, 300
Tokina 70-210
K-3, K-1
Pentax 18-35, 35-80, 50, 85, 300
Tokina 70-210
Posted 19/09/2018 - 08:15
Link
Thanks Neil...
Best
Best
Posted 19/09/2018 - 18:14
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You can't pick a favourite as there are too many great images
What a set
What a set
Gareth Williams ARPS
My outfit: K1ii - Pentax D FA 24-70mm f2.8 - Pentax DA* 300mm f4 - Pentax modified DA* 60-250mm f4 - Irix 15mm Firefly - Pentax FA 35mm - FA 50mm f1.4 - Tamron SP 90mm macro - Pentax AF 540 FGZ II
Welsh Photographer
Flickr
Instagram
My PPG
Foundation NFT
My outfit: K1ii - Pentax D FA 24-70mm f2.8 - Pentax DA* 300mm f4 - Pentax modified DA* 60-250mm f4 - Irix 15mm Firefly - Pentax FA 35mm - FA 50mm f1.4 - Tamron SP 90mm macro - Pentax AF 540 FGZ II
Welsh Photographer
Flickr
My PPG
Foundation NFT
Posted 19/09/2018 - 23:32
Link
The first 4 just jump out for me,
The convergence in #1 is is perfect, that you have framed it as you have, by cutting out the foreground and lower part of the buildings just add to the over all effect. Makes you think.
I've always been a big fan of your shooting style / styles, that you can see something in isolation, out of context, from its environment, while still being in it, is stunning.
Looking forward to seeing more ☺☺☺
The convergence in #1 is is perfect, that you have framed it as you have, by cutting out the foreground and lower part of the buildings just add to the over all effect. Makes you think.
I've always been a big fan of your shooting style / styles, that you can see something in isolation, out of context, from its environment, while still being in it, is stunning.
Looking forward to seeing more ☺☺☺
I know what i like, If not always why.
Posted 22/09/2018 - 15:33
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Thanks Gareth and Derek... much appreciated my end... Derek, have a fair few different series, so will def post them when I have a mo...
Thanks and best
Thanks and best
Posted 22/09/2018 - 21:20
Link
like the one in cambridge i posted one of this veiw a while back great chimmerys
k5iis sigma 10-20 hsm tamron 17-50 pentax da 18-135 pentax A 50 f 1;1 7
pentax da*60-250 pentax da 55-300 sigma apo 150-500 hsm os pentax af1.7 adapter
Pentax af aw 1.4 rear converter and a flash
pentax da*60-250 pentax da 55-300 sigma apo 150-500 hsm os pentax af1.7 adapter
Pentax af aw 1.4 rear converter and a flash
Posted 26/09/2018 - 20:28
Link
Thanks Phill... ah, interesting... they must definitely draw the eye...
Best
Best
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3312 posts
18 years
Durham,
England
When photographers submit a range of images for others to see, as here, many like to pick out personal favourites for comment but I generally prefer to take an overall view of the set as that somehow demonstrates how the photographer's mind is working. But I must say I love the graphic lines of 2 and 3 and the selective piece of Blackpool Tower with the lift perfectly placed to satisfy even the most particular of composition experts. The passing seagull helps too.
David