Luskentyre
Posted 28/04/2019 - 11:25
Link
Superb set, well worth the trip
Chris
www.chrismillsphotography.co.uk
" A Hangover is something that occupies the Head you neglected to use the night before".
-------------------------------------------------------------
K1 - Sigma 85mm F1.4, Pentax DFA 150 -450 F4.5 / 5.6, Pentax DFA* 24 - 70 F2.8
Samyang 14mm F2.8, Pentax DFA* 70-200 F2.8, Pentax A 50mm F1.2
K3iii + K3ii + K5iis converted to IR, Sigma 17 - 70 F2.8, Pentax 55 - 300 F4.5 / F5.6 PLM
www.chrismillsphotography.co.uk
" A Hangover is something that occupies the Head you neglected to use the night before".
-------------------------------------------------------------
K1 - Sigma 85mm F1.4, Pentax DFA 150 -450 F4.5 / 5.6, Pentax DFA* 24 - 70 F2.8
Samyang 14mm F2.8, Pentax DFA* 70-200 F2.8, Pentax A 50mm F1.2
K3iii + K3ii + K5iis converted to IR, Sigma 17 - 70 F2.8, Pentax 55 - 300 F4.5 / F5.6 PLM
Posted 29/04/2019 - 09:07
Link
Thanks Kris and Chris...
Best
Best
Posted 30/04/2019 - 22:42
Link
Yet another set of beautiful paintings #1 is a great show-starter, somehow putting everything into context despite its seeming to stand a bit apart from the rest (to me). #6 is a bit of an eye-grabber, with its curving movement echoed later in #9, 12 and 16. The 'pastel' series (#s 8,10, 11,12, 17) really make your softly flowing colour wizardry shine (they all do, of course, but here they form the subject matter itself, IMO). And the 'traces' series (#s12 through 14 - 15 being a close relation) brings strong yet subtle structure to the party. #s 2 through 7 bring everything into broad daylight, so to speak. #17 is quite compelling, the landscape fading into light and darkness together...
Now, waiting on those ICMs...
Now, waiting on those ICMs...
Posted 05/05/2019 - 09:19
Link
Thanks Serge for your detailed thoughts... very useful as ever... will post some abstracts/ICMs in a bit...
Best
Best
Add Comment
To leave a comment - Log in to Pentax User or create a new account.


7684 posts
18 years
Hertfordshire,
mostly.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.