Low Light by the Canal
In both I like the detail and tones in the foregrounds and treatment of the sky.
In the first one the composition in relation to the foreground moving up the diagonal to the hedge line is strong, and the cloud lines in the sky are interesting as well. The tree does not work for me.
In the second one, the texture and treatment of the foreground is really what I like, the building is interesting as well. I would want to lose the the buildings on the left.
Are these how you experienced the light at the time, or have you dragged the sky detail out after?
Nigel
I would crop (brush) out the house(s) on the second photo, and leave that abandoned tower there.
The compositions are not exactly arresting, though I think something could be done with the second one. It needs more emphasis on the building, but there are the makings of a picture there.
It's old hat but it needs repeating. It's difficult to make a good picture with bad light. On a better day, these two might come alive, so it would be worth a return visit.
G
Having read an article on hand held photography in low light it occurred to me that I wouldn't be so reliant on dusk/dawn golden lighting which is a bit restricting when you've got so much else going on. So I thought - just get out there and have a go and if necessary turn up the ISO to get some shots. these were two of the better ones.
I think they are okay- I like the textures in both, but no more than that. I havent posted any images for a while so i thought "what the hell".
Opethian- thanks for your encouragment (I'm sure you were being kind really:wink- I imagine the difference in the lighting is probably down to slightly different processing- they were taken within a few minutes of each other.
Tomorrow I am going to expose a roll of film (my first) so looking forward to that. Should be fun
In my view, flat light is more unkind to mono than it is to colour. You can sometimes get some nice muted colours from a dull day whereas you will almost never get a good mono shot except when there's some drama in the lighting.
G
I will have another look at the RAW colour files again.
Thanks.
The second one lacks a certain crispness, to my eye. The shadow area in the middle would be perfect, if the building had a little more to say for itself, but again, it's slightly unsatisfying. Is there more detail to be seen there?
I also see no canal
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Regards
David
Opethian, if that is your sincere opinion, then I can't really argue with you, since it's partly subjective. However, the lighting in both is dull, and consequently the pictures are rather lifeless.
And by being lifeless, the photos get my vote for that!
I love how the trees were captured without any leaves. It looks like a scene where I DO NOT want to be in. Beautiful nonetheless.
I hope you do not mind Japers, just twiddling about here:
But that's me. Again, save for the houses, I wouldn't change a thing.
But I think G has a point... I don't find the flatness of the light and the total blackness of the dark areas particularly enticing. However the crop makes much more of the composition IMO.
the distracting houses at the left[quote]
[quote]save for the houses, I wouldn't change a thing
It may just be me, but I think that the house really lifts the image, although it may have been more effective set off more to the left.
G
I'll not talk about the composition of the photos, as that's been done, but about Silver Efex Pro.
I've been a user for a while now and I find it is brilliant. However, it is a part of a suite of programs that work best together, rather than in isolation. Or, at least, it takes time to know "what else" to do with an image to make the most of Silver Efex.
I have found that it is pretty much essential to do the "cleaning up" of the image 1st. So, I use a couple of other Nix software packages to remove the noise and make any light adjustments I want to do. You can try those programs on trial too. They are Define and Viveza. Also, I do any dust removal 1st too. That's because the Silver Efex processing accentuates any dust and noise. That is evident in the sky on your 2nd shot.
After you come out of Silver Efex you can do any remaining cleaning up made evident from the processing.
Hope this helps.
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803 posts
13 years
Worcestershire
I went out in fading light because I read an article in a old mag about low light hand held photography. I was intending them as B&W and trying to find some texture and tone and try and get the depth of field correct- sharp front to back.
They've been tidied up in Lightroom and I've tweaked them in Silver FX pro 2 (trial version)- I find this
programme is very good for B & W (although it is quite easy to go too far with the effects available, I hope I have shown restraint)
Feedback much appreciated.
Thanks
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