London exhibitions
Posted 12/01/2013 - 11:02
Link
Yes, I read a report in "The Times" of the exhibition at Somerset House where the custodian of the exhibition was of the opinion that Bresson did not understand colour.
I agree.
I agree.
Pentax K1-ii and MZ6
Pentax Lenses 28-80 F, 300 DA*, 80-200 F, 35 F2.4 AL, M50 F1.7, 28-105 DFA, 20 F4 SMC
ONE UNITED Member
Pentax Lenses 28-80 F, 300 DA*, 80-200 F, 35 F2.4 AL, M50 F1.7, 28-105 DFA, 20 F4 SMC
ONE UNITED Member
Posted 26/01/2013 - 15:31
Link
walkeja wrote:
Yes, I read a report in "The Times" of the exhibition at Somerset House where the custodian of the exhibition was of the opinion that Bresson did not understand colour.
I agree.
That killed this one then.
Yes, I read a report in "The Times" of the exhibition at Somerset House where the custodian of the exhibition was of the opinion that Bresson did not understand colour.
I agree.
Pentax K1-ii and MZ6
Pentax Lenses 28-80 F, 300 DA*, 80-200 F, 35 F2.4 AL, M50 F1.7, 28-105 DFA, 20 F4 SMC
ONE UNITED Member
Pentax Lenses 28-80 F, 300 DA*, 80-200 F, 35 F2.4 AL, M50 F1.7, 28-105 DFA, 20 F4 SMC
ONE UNITED Member
Posted 26/01/2013 - 18:40
Link
I can't recall seeing a Cartier-Bresson photo in colour. He wasn't bad at black and white.
Actually, the premise behind the exhibition worked (it's over now, I think) very well. There were a handful of HCB photos (in b'n'w) to give an idea of aspects of his work that colour togs might have drawn inspiration from - and this was quite apparent in some of the selected photos (eg. Leiter, Meyerowitz) but less so in others.
Actually, the premise behind the exhibition worked (it's over now, I think) very well. There were a handful of HCB photos (in b'n'w) to give an idea of aspects of his work that colour togs might have drawn inspiration from - and this was quite apparent in some of the selected photos (eg. Leiter, Meyerowitz) but less so in others.
Posted 27/01/2013 - 00:46
Link
Considering that his heyday was in the days when B&W was the norm (I know colour started to creep in during WW2, but was not overwhelmingly popular) may well go some way in explaining why there are no (or very, very few) colour photographs.
regards
Bernard
regards
Bernard
Add Comment
To leave a comment - Log in to Pentax User or create a new account.


1425 posts
18 years
Geneva
The Ansel Adams at Greenwich is good too, but you have to pay for that!
500px