lenses designed for digital

stevejcoe
Posted 14/07/2009 - 13:19 Link
johnriley wrote:
You may be right Ben, in which case my FA lenses might find new found favour. Although I do rather like the Quick Shift facility on the DA lenses...
John, I believe that most of the recently introduced lenses are FF. We know that Hoya hired consultants to develop a new strategy for Pentax, this would almost certainly have included a review of the lens lineup. I may well be wrong, but it could explain why many took so long to come to market after first appearing on the roadmap.

Regards - Steve
Edited by stevejcoe: 14/07/2009 - 13:37
Posted 14/07/2009 - 13:20 Link
The quickshift is a handy tool John especially for doing close up work
Edited by sanderscapes: 14/07/2009 - 13:21
Hardgravity
Posted 14/07/2009 - 13:49 Link
stevejcoe wrote:
johnriley wrote:
You may be right Ben, in which case my FA lenses might find new found favour. Although I do rather like the Quick Shift facility on the DA lenses...
John, I believe that most of the recently introduced lenses are FF. We know that Hoya hired consultants to develop a new strategy for Pentax, this would almost certainly have included a review of the lens lineup. I may well be wrong, but it could explain why many took so long to come to market after first appearing on the roadmap.

Regards - Steve
So does this mean the latest lenses are in fact suitable for use on a 35mm size sensor?

Not just maximised for the APS-C sensor!
Cheers, HG

K110+DA40, K200+DA35, K3 and a bag of lenses, bodies and other bits.

Mustn't forget the Zenits, or folders, or...

PPG entries.
johnriley
Posted 14/07/2009 - 13:59 Link
I have heard that some are. The way to find out is put them on a film camera.
Best regards, John
Posted 14/07/2009 - 14:09 Link
I put a DA16-45mm on a programA viewfinder seemed very clear not cropped down in any way
Hardgravity
Posted 14/07/2009 - 16:54 Link
The 18-55 crops at the corners below 24mm(ish) and we know that's a digital lens.

So the 16-45 must be designed for a full frame!

When will we see a Pentax FF body then?
Cheers, HG

K110+DA40, K200+DA35, K3 and a bag of lenses, bodies and other bits.

Mustn't forget the Zenits, or folders, or...

PPG entries.
Posted 14/07/2009 - 17:44 Link
I've just thought about it Hardgravity i put on the 16-45mm but because the zoom is the wrong way round there is a chance of it being at 45mm not 16mm.

I've just tried it again and stops vignetting at about 18mm(what a dipstick i am at times)


Sorry for any confusion
Edited by sanderscapes: 14/07/2009 - 17:54
ttk
Posted 14/07/2009 - 17:57 Link
sanderscapes wrote:


I've just tried it again and stops vignetting at about 18mm(what a dipstick i am at times)
Yes
Tel,
Posted 14/07/2009 - 17:58 Link
easy Tel
Rees
Posted 14/07/2009 - 18:18 Link
johnriley wrote:
I have heard that some are. The way to find out is put them on a film camera.
I shall have to try mine on the old LX then and see.
Not everything in life is Black & White, If only it were!
Kind Regards,
Rees
Hardgravity
Posted 14/07/2009 - 19:33 Link
sanderscapes wrote:
I've just thought about it Hardgravity i put on the 16-45mm but because the zoom is the wrong way round there is a chance of it being at 45mm not 16mm.

I've just tried it again and stops vignetting at about 18mm(what a dipstick i am at times)


Sorry for any confusion
Sounds like it acts the same as the 18-55, you loose about the same percentage in the range but can still use it on a film body.
Cheers, HG

K110+DA40, K200+DA35, K3 and a bag of lenses, bodies and other bits.

Mustn't forget the Zenits, or folders, or...

PPG entries.
Anvh
Posted 14/07/2009 - 19:47 Link
The longer lenses all work on film only the wide angle lenses give problems.
Stefan
Comment Image

K10D, K5
DA* 16-50, DA* 50-135, D-FA 100 Macro, DA 40 Ltd, DA 18-55
AF-540FGZ
stevejcoe
Posted 14/07/2009 - 21:10 Link
The DA 16-45 shows a little vignetting at 20mm, after that it is pretty good. Matt (matic) did some trials a couple of years back, the results were pretty good.

It might be an idea to create a thread that shows DA lens performance on 35mm. I think we can rule out the 18-55 and the 50-200 as both show significant vignetting.

The DA 200 and 300 are reworked FA lenses so, they are FF.

The DFA 50 and 100 are also FF.

Anyone with some DA* lenses care to try them on film?

Steve
George Lazarette
Posted 14/07/2009 - 21:20 Link
I think you may be right about the 200mm, but wrong about the 300mm. The DA has fewer elements and groups than the F/FA.

G
Keywords: Charming, polite, and generally agreeable.
Anvh
Posted 14/07/2009 - 21:21 Link
stevejcoe wrote:
The DA 200 and 300 are reworked FA lenses so, they are FF.
I thought so to Steve but only the DA*200 is redisgned.

Here are some test results with the DA on fullframe link
Stefan
Comment Image

K10D, K5
DA* 16-50, DA* 50-135, D-FA 100 Macro, DA 40 Ltd, DA 18-55
AF-540FGZ

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