informal portrait poses?
Posted 09/07/2008 - 19:28
Link
here's one tip you likely won't find in any book or magazine article:
Set up your group shots with two angles in mind....
Build your shot...(when doing a group shot, start with one person, pose them, shoot then add another person, shoot, and so on. eg Wife, then Husband and wife, then husband wife and child).
ask the people who are waiting to be posed, to stay in one spot, right near where you're working. Make sure it has good light, and background.
You or your assistant can snap some "Candid" shots of the people that think they're waiting to be photographed.
Set up your group shots with two angles in mind....
Build your shot...(when doing a group shot, start with one person, pose them, shoot then add another person, shoot, and so on. eg Wife, then Husband and wife, then husband wife and child).
ask the people who are waiting to be posed, to stay in one spot, right near where you're working. Make sure it has good light, and background.
You or your assistant can snap some "Candid" shots of the people that think they're waiting to be photographed.
Fired many shots. Didn't kill anything.
Posted 09/07/2008 - 19:35
Link
These may be helpfull....
http://www.focusingonflorida.com/Documents/Benji_RulesOfPortraiture.pdf
http://www.vci.net/~mmorgan/pg2.pdf
http://www.focusingonflorida.com/Documents/Benji_RulesOfPortraiture.pdf
http://www.vci.net/~mmorgan/pg2.pdf
Cheers
Brian.
LBA is good for you, a Lens a day helps you work, rest and play.
Brian.
LBA is good for you, a Lens a day helps you work, rest and play.
Posted 16/07/2008 - 15:45
Link
Thanks to you both for the feedback!
Don, I had a wedding photographer tell me recently that she works in just the opposite way - starting with the largest group of people, so that the "wanderers" don't have to be repeatedly rounded up. But I like your approach of having a candid waiting area - I bet many of your gems have come from this time.
Brian, the links are indeed helpful - thanks!
One thing that I'm trying to do is to think about the characteristic gestures, expressions, environments, etc, of people I hope to photograph. Then when the opportunity presents itself, I am asking them to do something that they are already familiar/comfortable with, and hopefully end up with an image that really represents who they are.
Any further tips on informal and available light portraits?
Don, I had a wedding photographer tell me recently that she works in just the opposite way - starting with the largest group of people, so that the "wanderers" don't have to be repeatedly rounded up. But I like your approach of having a candid waiting area - I bet many of your gems have come from this time.
Brian, the links are indeed helpful - thanks!
One thing that I'm trying to do is to think about the characteristic gestures, expressions, environments, etc, of people I hope to photograph. Then when the opportunity presents itself, I am asking them to do something that they are already familiar/comfortable with, and hopefully end up with an image that really represents who they are.
Any further tips on informal and available light portraits?
Keith
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
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124 posts
18 years
Nova Scotia,
Canada
Most of the time, I find myself working with:
- available light (rather than a studio set up or flashguns)
- one, or two lenses at most
- available patience, if you know what I mean
So, my question: can you suggest some general poses, angles, or other tips, that you can recommend, so that the short window of opportunity isn't frittered away?
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard