I saw this on another forum
1,090 posts
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Posted 03/11/2018 - 08:11
Wowser! Great abstract images, probably no two ever the same.
David
David
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Posted 03/11/2018 - 09:16
Wow! How great are they! Stunning individual work.
Link
Posted 03/11/2018 - 10:10
Thanks for posting this, fabulous!
Regards
Mike
Regards
Mike
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Posted 03/11/2018 - 10:10
What a great creative look. Thanks for the link.
Walt
My newer photos google photos
My older Flickr photos Flickr
Even older ones Picasa
Walt
My newer photos google photos
My older Flickr photos Flickr
Even older ones Picasa
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Posted 03/11/2018 - 10:27
To answer my own question - how?
Bou snaps hundreds of photos of birds in flight and stitches them together in Photoshop, compressing several seconds of movement into one frame.
Bou realized he needed to combine multiple shots, a technique that draws on the chronophotography that Étienne-Jules Marey and Eadweard Muybridge pioneered in the 19th century. It worked exactly as he envisioned.
Bou uses a variety of cameras, including a Sony F27 and Blackmagic Ursa Mini 4K, and shoots 30 to 60 frames per second. A final image might include more than 600 shots woven together into amazing patterns—the black slash of starlings, the lazy loops of storks, the frenetic lines of swifts. The shapes are as varied and beautiful as the birds that created them.
Bou snaps hundreds of photos of birds in flight and stitches them together in Photoshop, compressing several seconds of movement into one frame.
Bou realized he needed to combine multiple shots, a technique that draws on the chronophotography that Étienne-Jules Marey and Eadweard Muybridge pioneered in the 19th century. It worked exactly as he envisioned.
Bou uses a variety of cameras, including a Sony F27 and Blackmagic Ursa Mini 4K, and shoots 30 to 60 frames per second. A final image might include more than 600 shots woven together into amazing patterns—the black slash of starlings, the lazy loops of storks, the frenetic lines of swifts. The shapes are as varied and beautiful as the birds that created them.
Last Edited by JohnX on 03/11/2018 - 10:28
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Posted 03/11/2018 - 21:06
I recognise the waterfall, as might a few folk on here - Skogafoss
AKA Welshwizard/PWynneJ
Assorted Pentax/Nikon/Mamiya stuff
AKA Welshwizard/PWynneJ
Assorted Pentax/Nikon/Mamiya stuff
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Posted 04/11/2018 - 03:54
ilovesaabs wrote:
I recognise the waterfall, as might a few folk on here - Skogafoss
I recognise the waterfall, as might a few folk on here - Skogafoss
Well spotted,
I'd say the series was probably shot in Iceland, as there's at least 3 others shot there too,
Looks like Vik black sand beach, stack at Vik and ice lagoon as well.
I know what i like, If not always why.
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Posted 04/11/2018 - 09:32
Very cool. I imagine a product of combining images taken at very short intervals.
Pentax hybrid user - Digital K3, film 645 and 35mm SLR and Pentax (&other) lenses adapted to Fuji X and Panasonic L digital
Fan of DA limited and old manual lenses
Pentax hybrid user - Digital K3, film 645 and 35mm SLR and Pentax (&other) lenses adapted to Fuji X and Panasonic L digital
Fan of DA limited and old manual lenses
Link
Posted 04/11/2018 - 11:24
I suppose the results are better than combining individual frames from a video?
Link
Posted 24/11/2018 - 18:25
JohnX wrote:
To answer my own question - how?
Bou snaps hundreds of photos of birds in flight and stitches them together in Photoshop, compressing several seconds of movement into one frame.
Bou realized he needed to combine multiple shots, a technique that draws on the chronophotography that Étienne-Jules Marey and Eadweard Muybridge pioneered in the 19th century. It worked exactly as he envisioned.
Bou uses a variety of cameras, including a Sony F27 and Blackmagic Ursa Mini 4K, and shoots 30 to 60 frames per second. A final image might include more than 600 shots woven together into amazing patterns—the black slash of starlings, the lazy loops of storks, the frenetic lines of swifts. The shapes are as varied and beautiful as the birds that created them.
To answer my own question - how?
Bou snaps hundreds of photos of birds in flight and stitches them together in Photoshop, compressing several seconds of movement into one frame.
Bou realized he needed to combine multiple shots, a technique that draws on the chronophotography that Étienne-Jules Marey and Eadweard Muybridge pioneered in the 19th century. It worked exactly as he envisioned.
Bou uses a variety of cameras, including a Sony F27 and Blackmagic Ursa Mini 4K, and shoots 30 to 60 frames per second. A final image might include more than 600 shots woven together into amazing patterns—the black slash of starlings, the lazy loops of storks, the frenetic lines of swifts. The shapes are as varied and beautiful as the birds that created them.
Could this effect be made by using multiple exposures?
Regards,
Kea828
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Posted 24/11/2018 - 19:43
He shoots 30-60 frames per second, then stitches them together in Photoshop.
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K10D
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Best regards
Inspiration is rarer than a plate glass camera.....